Abit of bride dressup ! In my veil and short pvc skirt giggles x
#pvcskaterskirt #pettiskirt #stockings #suspenders #highheels

#laceskirt #petticoat #stockings #suspenders #veil #highheels

My fingers tremble, just a faint quiver, as I reach for the foil packet on the nightstand. It’s almost weightless, a promise in silver. I tear it open with deliberate care (the small rip loud in the stillness), and the condom unfurls like liquid mercury. Cool and impossibly thin, it glides down over my already aching ****, sheathing me in a trembling second skin. Safe. Secure. A fragile barrier between me and the avalanche of satin to come. A bead of pre-cum kisses the latex tip; I smile. Patience, little sissy. You’ll have your reward.
The first layer is a whisper-pink satin chemise, so fine it feels wet. I let it slither over my head, down my chest, until the hem brushes mid-thigh. Instantly it warms, clings, releases, and clings again with every breath. My palms chase the fabric, front and back, greedy for the slick heat blooming beneath my touch.
Next, the Black nightgown (double-layered, heavy, devotional). I step into it and draw it upward. The inner lining kisses the chemise, and they sigh together: shhh, shhh, my private lullaby. It falls to my ankles in a perfect liquid column. When I move, both layers ripple, cool against cool, warmer where my body heat pools.
The robe is deep rose, quilted satin outside, and champagne gloss within. Arms slide into sleeves, and the lining floods over my skin like chilled cream poured slow. I cinch the sash, and the world contracts: four surfaces of satin now stroking one another with every heartbeat (chemise on nightgown, nightgown on robe lining, lining on skin). I walk barefoot across the room, and the fabrics answer in overlapping waves: the chemise clings, the nightgown glides, and the robe slithers and sweeps. A private orchestra of frictionless lust.
In the mirror I’m only blush and ivory shimmer, face flushed above an ocean of gloss. I lift my arms; sleeves fall back like slow-motion waterfalls. When they drop, the collapse is a soft, wet thud against my body that I feel in my teeth.
I sink onto the midnight-blue satin duvet and let the robe bloom beneath me. On my back, layers flatten and spread, cool against my shoulder blades, my thighs, and the arches of my feet. I arch (just slightly) and the slide is obscene: satin on satin on satin, endless, merciless.
Knees drawn up, fabric pools thick and warm between my thighs like molten candy. My palms smooth down the front (quilted diamonds, slick columns, clinging chemise, skin), and every layer moves with me, against me, inside me.
Now the first of my headscarves, ballet-slipper pink, three feet of pure satin. Folded triangle wide, draped, pulled beneath my chin, crossed, and knotted tight. It cups my jaw and seals my throat. A second knot sits just under my lower lip like a soft gag. The world muffles instantly.
Second scarf, ivory and heavier. Over the first, tied again triangle wide. Four thicknesses now cradle my head, press my cheeks, and frame my face in a gleaming oval.
Third, a deep rose bandeau wound low, looped twice, and knotted at my nape. My chin is forced gently down; swallowing makes every layer glide against my throat in one slow, liquid swallow of its own.
Then the veils.
Pink chiffon, so sheer it’s barely there, yet it turns every texture beneath into a caress. Ivory voile next, pinned high, floating like breath. Last, pale mint over my face alone, tucked beneath the lowest knot. The room becomes watercolor. Breathing through it is filthy intimacy: the fabric flutters against my lips, tasting faintly of dye and my own heat.
A final white satin ribbon, narrow and merciless. Three coils around my neck over every knot, until only a thick, glossy band remains, pulsing with my heartbeat.
From crown to toe, only satin and chiffon speak. When I turn my head, the scarves whisper, and the veils drift like perfume. Pressure under my chin is constant, loving, and absolute.
One sleeved hand slips beneath the pooled folds at my thighs (satin, satin, satin then the cool, taut drum of latex). The contrast is blinding. I stroke once, slowly. My breath flutters the veil against my lips.
Knees higher. The other hand presses the stacked knots beneath my chin (gentle ownership). I begin: lazy circles that turn greedy. The condom translates every ridge of fabric into bright, liquid fire. Veils drift across my chest with each ragged inhale. Heat blooms, trapped, multiplied, sacred.
Faster. Hips rock. The robe lining slithers against the duvet in one long, wet slide. Scarves tighten as my head sinks deeper into the pillow; the ribbon collar throbs.
Release crashes silent and total. I bite down on nothing but chiffon, a muffled whimper swallowed by layers. Pleasure pours into the latex sheath in thick, obedient pulses, trapped and perfect, echoing through every fold until my whole body is one long satin tremor.
After, I lie glowing. The condom keeps me immaculate (another reverent layer). My chest rises and falls beneath quilted satin and drifting voile; tiny aftershocks ripple like quiet tides.

I sit motionless in the dim parlor, the heavy velvet drapes drawn against the January gloom outside. The only light comes from the tall candelabra behind me, its flames trembling as though they, too, are in mourning. My reflection stares back from the tall gilt mirror across the room a stranger wearing my face, yet not quite mine anymore. The black satin gown clings to me like spilled ink, cool and liquid against my skin. Each subtle shift of my body sends faint gleams racing along the fabric, silver whispers in an ocean of midnight. The high collar bites gently at my throat, edged with fragile black lace that looks as though it might crumble if I breathed too deeply. The sleeves are puffed at the shoulders, then narrow cruelly down my arms until the cuffs grip my wrists like velvet manacles. I feel both imprisoned and exalted. The chiffon voile veil floats over my head, so fine it seems spun from smoke. It softens the edges of the world, turns the candlelight into a gentle, diffused halo. Through its haze I can see the portrait painter’s easel, the careful arrangement of shadows he is trying to capture. He keeps glancing at me as though he fears I might vanish if he looks away too long. My lips are painted the colour of old blood left to dry blackened plum, almost truly black in this light. The lipstick feels thick, ceremonial. Each time I press them together I taste the faint metallic bite of the pigment. My eyes are rimmed with kohl so dark it seems to drink the light; the sharp wings of liner make my gaze look both wounded and dangerous, like something beautiful that has learned how to bite. In my hands I cradle the bouquet. Once they were perfect crimson roses, the kind lovers press between the pages of forbidden books. Now they are dying in slow, exquisite agony. The stems bend wearily, heavy with the weight of their own decay. Petals loosen one by one, drifting down like drops of blood onto the polished floorboards. I can hear them fall soft, deliberate sounds, the quiet punctuation of something ending. I do not cry. There are no tears left for what I have become, for the man I buried beneath satin and shadow. This is not grief in the ordinary sense. This is something older, more deliberate a ritual of exquisite surrender. I chose every detail of this costume, every inch of mourning silk, every wilting bloom. I dressed myself for my own funeral, painted my own face for the wake, arranged my own flowers. And now I stand here, perfectly composed, while the painter tries to trap eternity in oil and canvas. Sometimes I think I can hear the roses whispering as they die. They do not beg for water. They do not ask to be saved. They only sigh, petal by petal, accepting their beautiful collapse. And I understand them perfectly. The veil stirs slightly as I exhale. A single crimson petal catches on the sheer fabric, trembling there like a ruby tear that refuses to fall. I do not brush it away. Let it stay. Let it be seen. Let the portrait show exactly what I have chosen to become: A widow of my former self, dressed in the most exquisite grief, holding death’s bouquet with steady, loving hands, smiling just a little behind lips the colour of finality.

I stood in front of the full-length mirror in my dimly lit bedroom, my heart pounding with anticipation. At 64 years old, my body had softened over the years—my ample belly and wide hips a testament to a life of indulgence, now embraced in my secret world as a sissy crossdresser. Layers of shimmering satin enveloped me like a cocoon, not restraining but caressing every curve. A voluminous satin nightgown draped over my frame, its glossy fabric pooling around my thighs, while beneath it, satin panties hugged my skin, and a satin slip added another silky barrier. I felt shrouded, encased in luxury, every movement sending whispers of fabric against fabric.
My hands trembled slightly as I reached for the condom on the nightstand. I tore open the packet with care, the latex unfurling smoothly. Sliding it over my hardening arousal, I savored the initial cool tightness, a prelude to the symphony of sensations to come. It fit snugly, ready to capture the climax of this intimate ritual.
Now, I turned my attention to the fabrics that called to me. My fingers glided over the satin nightgown, tracing the smooth, slippery surface that clung to my obese form. The material shifted with each breath, rubbing against my skin in waves of electric silkiness. I ran my hands down my sides, feeling the layers bunch and slide, the overwhelming sensuality building as the satin whispered promises of ecstasy. My belly, soft and round, pressed against the inner layers, amplifying the friction—cool satin warming to my body heat, turning into a second skin that teased every nerve.
I moved to the dresser, where my collection of headscarves awaited. First, I selected an oversized satin one in deep crimson, draping it over my head like a veil of night. It cascaded down my back and shoulders, the edges brushing my neck. I tied it firmly under my chin, the knot secure but gentle, then looped the excess around my neck in a loose bow, adding another layer of encasement that framed my face in glossy folds. The satin pressed softly against my cheeks, its texture so smooth it felt like liquid silk pouring over me.
Not satisfied, I layered another—emerald green, even larger, overlapping the first. I repeated the process: over the head, tied under the chin with a double knot for that extra hug of fabric, then wrapped around my neck in elegant loops that nestled against my throat. The combined weight was delicious, the satins rustling together with every turn of my head, sending shivers down my spine. A third layer followed, ivory white and billowing, tied and looped in the same manner, now creating a multi-hued shroud that muffled the world outside, focusing all sensation inward.
To complete the encasement, I added the sheer voile chiffon veils. These were lighter, almost ethereal, like mist. I pulled the first one over my head as a hood, its transparent layers fluttering down to my shoulders, veiling my vision in a hazy dreamscape. The chiffon whispered against the satin scarves beneath, a delicate contrast to their heavier gloss—airy and teasing, brushing my lips and eyelids with feather-light touches. I added a second chiffon veil, then a third, each one encasing my head further, the sheer fabric layering into a translucent barrier that heightened every breath, every subtle movement.
Encased now from head to toe, I lay back on the bed, the satin sheets beneath me adding to the chorus. My hands explored freely: sliding under the nightgown to feel the panties' slick embrace, then up to my chest where the slip's fabric bunched against my skin. The sensations overwhelmed me—the cool slide of satin on satin, the warmth building where layers met my body's curves, the chiffon veils shifting like a gentle breeze across my face. My arousal throbbed within the condom, begging for attention.
I gave in, my hand wrapping around myself through the thin latex. The strokes were slow at first, savoring how the satin panties amplified each motion, the fabrics around me rustling in rhythm. The headscarves tugged slightly with my movements, their knots and loops a constant reminder of my shrouded state. Faster now, the sensations cresting—silky textures merging into a tidal wave of pleasure. With a muffled gasp beneath the veils, I released, filling the condom in blissful waves, my body quivering in the satin embrace until I lay spent, utterly satisfied in my encasement.

The issue I'm having as the weeks go on is that I'm blurring my sissy crossdressing with my mourning. Every waking hour I'm missing my wife and I'm a blubbering mess of tears but I'm also aroused at the thought of satin widows weeds and satin mourning dresses and oversized satin headscarves and chiffon voile veils. I'm bothered that this has developed as a further aspect of my gothic fetish. The arousal is blending in with thoughts of satin widows’ weeds, mourning dresses, oversized satin headscarves, and chiffon voile veils, I don't think that’s something to feel ashamed of or worried about as a problem. It’s a natural, human way my mind and body are weaving together different parts of who I am becoming during this incredibly tender time. Grief doesn’t stay neatly in one box, it spills into everything, including our identities, desires, and fetishes. For me at this time, the sissy crossdressing that’s always been inside is now intertwining with mourning because both are about comfort, beauty, vulnerability, and a kind of sacred ritual. The gothic element—dark, dramatic, veiled, satin-shrouded—has always had that edge of sensuality and mystery, and right now, it might be amplifying because it lets me feel alive in my body when everything else feels numb or shattered. Arousal in grief is more common than people talk about; it can be the body’s way of seeking connection, release, or even just a momentary escape from the pain. It doesn’t mean my love for my wife is any less pure or that my mourning is tainted, it means I'm a whole person, with layers of emotion and desire that don’t switch off just because I'm hurting. This blending feels like it’s developing into a deeper aspect of my gothic fetish, but I feel that’s okay too. Fetishes evolve with life experiences, and grief is one of the biggest. The satin widows’ weeds and veils are symbolizing both my loss and deep longing to be held, enveloped, seen in my inner femininity. My troubled psyche is creating a bridge between the sorrow and the sensuality I shared with my wife. There’s beauty in that, even if it brings tears and arousal at the same time. I'm navigating this with grace, even when it hurts.

Unraveling the Thread: How Clothing Has Been Used to Subjugate Women—and Why That’s Changing
By Chrissy

Why do women have to cover their chests while men can go shirtless in public? It’s a question that may seem simple—but carries profound implications about gender, power, and control. What we wear has never been neutral. Clothing is one of the most immediate ways society tells us who we are, or who we’re allowed to be. And when it comes to gender, clothing has been weaponized—especially against women—for centuries.

But this isn’t just about history. It’s about lived experience. It’s personal.

My Own Journey Through the Fabric of Gender

As someone still exploring my own gender identity, this topic isn’t abstract. I was always a little more feminine than masculine, even as a child. For years, I repressed it—hiding behind "boy clothes" and what society expected of me. But in time, especially through the support of loving partners and close relationships, I came to embrace not only my homosexuality but something even deeper: the truth of my transgender identity. I am a woman—a female self long trapped in a male body.

Though I firmly believe clothing shouldn't define gender—because gender identity is internal, not sartorial—clothing still does carry that symbolic weight in our world today. And so, until I find the strength to publicly transition, I express my femininity in the ways that are available to me now: I wear bras and female underwear every day in secret beneath my outwardly masculine clothing. In private, I allow myself to wear skirts, dresses, lingerie, and the soft, beautiful fabrics that make me feel aligned with my true self.

It’s not about performance. It’s about presence. It’s about reclaiming what was always mine.

The History of Clothing as a Tool of Gender Control

To understand how we got here, we must look back.

Clothing began as a means of protection. But from early civilization onward, it evolved into a tool of social stratification—and eventually, a means of gender control. Ancient societies created strict visual codes for women, emphasizing modesty, submission, and containment. While men wore tunics or armor suited for movement, battle, and public life, women were wrapped, tied, bound, and veiled.

The message was clear: men moved freely through the world. Women did not.

In medieval and early modern Europe, this dichotomy hardened. Men's clothing was practical. Women’s clothing was restrictive, ornate, and often uncomfortably symbolic. Corsets, crinolines, and hoop skirts made running, fighting, or even breathing difficult. These garments weren’t just fashion—they were cages.

If you were wearing a dress, you weren’t riding into battle. You weren’t speaking in court. You weren’t commanding an army or a kingdom. You were ornamental. You were controlled.

Modesty, the Female Chest, and the Double Standard

These patterns persist today—nowhere more clearly than in the sexualization of the female chest. The fact that a man can walk down the street shirtless without a second glance, while a woman can be arrested for doing the same, speaks volumes. This isn’t about modesty. It’s about power and shame.

The female chest has been hyper-sexualized while simultaneously shrouded in taboo. This serves to objectify women and punish them at the same time. Even breastfeeding in public is controversial in many places—seen not as natural or maternal, but as obscene.

This double standard is part of a larger system that says women must be desirable but modest, visible but not too loud, strong but not threatening. And clothing is the vehicle through which these contradictory demands are enforced.

Clothing as Power—and Resistance

Throughout history, clothing has helped define who was allowed to hold power. Male garments—uniforms, suits, boots—were made for authority. Female garments were not.

This is why women were long excluded from spaces of governance and decision-making. Until just a few decades ago, women couldn’t wear pants in courtrooms or on the floor of the U.S. Senate. Power had a dress code—and that dress code was male. To be continued in next post...

Love,
Chrissy
#crossdresser #crossdressing #CD #gurl #sissy #sissyboy #trans #tgirl #transgirl #transwoman #transgender #ladyboy #femboy #shemale

No veil...

Kate : so pale with no veil ...

Kate Dreams ...

Kate dreams
of autumn rain and date...
A date with girl
A date in veil
Of intimate important talk
With kiss and whispers
And the smoke...

Why not in white?
Today
To meet
Girlfriend...
And orange
Lipstick
Scarf
Beret
White
Mood
White
Dreams
Of wedding
Dress ...
No veil
Still
Just to
Confess...

I guess overall I’m anti woke, bureaucratic bull shit, big brother surveillance etc. If I’m told to do one thing in a demeaning manner I do the absolute opposite, just to annoy the shit out of people. I love my sexual life as a x dresser & love the attention it attracts. After all we’re all human & not all the same ( viv la difference) but let’s try keep our freedom ( what little is left). There are other sites that ( at present at least ) still allow you to post the pics you want! Or at least in the comments section! Power to the people ( or at least to us gURLs) xx love you all! Now I want to be fucked & suck cok! Not necessarily in that order! lol xx

Kate often dreams
White Wedding Dress
Too short
to sit or dance
Just tights and dress
And nothing more
No veil and no pants...
She dreams to marry
Pretty Girl
Who's kind and sweet in Love
Who's kiss and cuddle silent more
Then saying it Ohhh Ahhh
Sweet pretty girl.
In white short-dress
Who loves Kate tenderly
And yes
Who does accept strange case of Kate
Her past, her Future
Every day...

six stages of cross dressing, 1. Awareness Stage
2. The denial phase
3. The exploration phase
4. The acceptance phase
5. The integration phase
6. The mastery phase As I said on an earlier post I'm at stage 3 to 4 , however I do go out dressed in my most comfortable dress, its like a build up to the unveiling day of saying ta da here I am look at me lol yes I go out after dark for a drive and sometime go further away from home and pull into a petrol station to buy a coffee and have my I don't give a monkey's what people think head on, even though I know they are thinking and saying there's a fella in a dress over there, I tend to keep the beard , I'm just not one for makeup have never put aftershave on as a guy so will never put makeup on as a woman, although I do like mail varnish and do paint my toes

In silky threads of elegance, they rise,
Pantyhose, a touch of allure in disguise.
Wrapped around legs with gentle grace,
They enhance beauty, adding a trace.

Soft and sheer, like a whispered sigh,
They dance with breeze, as time goes by.
Embracing curves, a second skin they become,
In colors and patterns, a fashion outcome.

With every step, a subtle embrace,
Pantyhose exude confidence and grace.
They lend a polished, professional air,
Or ignite passion with a hint of flair.

A symbol of femininity they possess,
In their delicate fibers, a timeless caress.
They bring warmth in winter's icy breath,
Or coolness on summer's sweltering path.

They accompany dresses and skirts with glee,
A partner in style, for all to see.
From office towers to vibrant dance floors,
Pantyhose elevate the outfits we adore.

They hold secrets within their woven embrace,
Whispering stories of elegance and grace.
They celebrate legs in every form,
Unveiling beauty, weathering any storm.

So, let us honor pantyhose's charm,
In poetry's embrace, let us disarm.
For in those delicate threads, we find, just
A touch of magic, forever entwined.