• Do you Think I'm looking Good or Not
    Do you Think I'm looking Good or Not 🤔
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  • Not really a good photo but this was taken at my first ever full makeover xx
    Not really a good photo but this was taken at my first ever full makeover xx
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  • Not put up for awhile so here you go can have a play to these if you want
    Not put up for awhile so here you go can have a play to these if you want
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    Yay
    Wow
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  • The dress had lived in my saved folder for weeks: an elegant plus size kaftan, long and sweeping, described in loving detail online as a “maxi robe style” masterpiece. Bold geometric shapes danced across it, interrupted by playful polka dots, all in the richest shades of brown, deep coffee, and warm beige. No stretch, just pure, structured non stretch fabric that would drape and flow with quiet authority. Off the shoulder design that could be worn modestly high or slipped gently down for a more relaxed silhouette, and those perfect short sleeves. And then the detail that had sealed it for me a matching set of satin accessories: a hijab, a headscarf, and an oversized satin scarf, all in the same lush coffee beige family.
    I’d imagined myself in it so many times. Not just wearing it, but being in it moving through a room and feeling the hem brush my ankles like a whispered promise.
    The sales assistant smiled when she saw me lingering near the display. “That one’s new in,” she said, lifting the hanger with the kind of reverence usually reserved for museum pieces. “It’s even more striking up close.”
    She wasn’t wrong.
    Up close, the patterns were alive. The geometrics felt almost architectural, like tiny tiled courtyards from some ancient medina, while the polka dots added a mischievous modern wink. The colours were deeper than the photos had captured less flat beige, more toasted almond and espresso swirling together. I ran my fingertips over the fabric. Crisp, cool, luxuriously matte except where the satin accents caught the light and turned molten.
    I asked to try it on.
    In the fitting room, the kaftan slipped over my head like cool water. The weight of the non stretch fabric gave it presence; it didn’t cling, it enveloped. I adjusted the off shoulder neckline until it sat just where I wanted respectful yet softly open, framing my collarbones without apology. The short sleeves ended exactly where they should, leaving my forearms free. I turned slowly in front of the mirror and watched the skirt flare and settle, the patterns shifting like a living mosaic.
    Then came the satin pieces.
    I draped the hijab first, letting the silky coffee coloured length glide over my hair and shoulders. The texture was heaven smooth against my skin, cool and weightless. Next the headscarf, wrapped and tucked with practiced care (I’d watched enough tutorials to fake confidence). Finally, the oversized satin scarf, which I looped loosely around my neck and let trail down my back like a royal train in miniature.
    When I stepped out of the cubicle, the assistant actually gasped quietly, politely, but it was there.
    I felt… regal. Not in a loud, glittering way, but in the way old Islamic manuscript illuminations are regal: intricate, deliberate, quietly commanding attention through beauty rather than volume. The kaftan moved with me like an extension of breath. Every step sent gentle waves through the fabric, the geometric lines bending and realigning, the polka dots catching tiny sparks of that golden-hour light pouring through the shop windows.
    I bought it. No hesitation.
    Now, when I wear it at home in the evenings, I light a few low lamps to recreate that same warm glow. I walk slowly across the hardwood floor just to feel the hem sweep behind me. I arrange the satin scarf different ways draped over one shoulder, wrapped as a belt, left to float free and each time the mirror shows me someone new, yet completely myself.
    It isn’t just a dress.
    It’s the version of elegance I’d been quietly sketching in my mind for years, finally given shape in brown, coffee, and beige.
    And every time I put it on, I remember that afternoon in the boutique when the light hit just right, and I finally recognised the person looking back at me.
    The dress had lived in my saved folder for weeks: an elegant plus size kaftan, long and sweeping, described in loving detail online as a “maxi robe style” masterpiece. Bold geometric shapes danced across it, interrupted by playful polka dots, all in the richest shades of brown, deep coffee, and warm beige. No stretch, just pure, structured non stretch fabric that would drape and flow with quiet authority. Off the shoulder design that could be worn modestly high or slipped gently down for a more relaxed silhouette, and those perfect short sleeves. And then the detail that had sealed it for me a matching set of satin accessories: a hijab, a headscarf, and an oversized satin scarf, all in the same lush coffee beige family. I’d imagined myself in it so many times. Not just wearing it, but being in it moving through a room and feeling the hem brush my ankles like a whispered promise. The sales assistant smiled when she saw me lingering near the display. “That one’s new in,” she said, lifting the hanger with the kind of reverence usually reserved for museum pieces. “It’s even more striking up close.” She wasn’t wrong. Up close, the patterns were alive. The geometrics felt almost architectural, like tiny tiled courtyards from some ancient medina, while the polka dots added a mischievous modern wink. The colours were deeper than the photos had captured less flat beige, more toasted almond and espresso swirling together. I ran my fingertips over the fabric. Crisp, cool, luxuriously matte except where the satin accents caught the light and turned molten. I asked to try it on. In the fitting room, the kaftan slipped over my head like cool water. The weight of the non stretch fabric gave it presence; it didn’t cling, it enveloped. I adjusted the off shoulder neckline until it sat just where I wanted respectful yet softly open, framing my collarbones without apology. The short sleeves ended exactly where they should, leaving my forearms free. I turned slowly in front of the mirror and watched the skirt flare and settle, the patterns shifting like a living mosaic. Then came the satin pieces. I draped the hijab first, letting the silky coffee coloured length glide over my hair and shoulders. The texture was heaven smooth against my skin, cool and weightless. Next the headscarf, wrapped and tucked with practiced care (I’d watched enough tutorials to fake confidence). Finally, the oversized satin scarf, which I looped loosely around my neck and let trail down my back like a royal train in miniature. When I stepped out of the cubicle, the assistant actually gasped quietly, politely, but it was there. I felt… regal. Not in a loud, glittering way, but in the way old Islamic manuscript illuminations are regal: intricate, deliberate, quietly commanding attention through beauty rather than volume. The kaftan moved with me like an extension of breath. Every step sent gentle waves through the fabric, the geometric lines bending and realigning, the polka dots catching tiny sparks of that golden-hour light pouring through the shop windows. I bought it. No hesitation. Now, when I wear it at home in the evenings, I light a few low lamps to recreate that same warm glow. I walk slowly across the hardwood floor just to feel the hem sweep behind me. I arrange the satin scarf different ways draped over one shoulder, wrapped as a belt, left to float free and each time the mirror shows me someone new, yet completely myself. It isn’t just a dress. It’s the version of elegance I’d been quietly sketching in my mind for years, finally given shape in brown, coffee, and beige. And every time I put it on, I remember that afternoon in the boutique when the light hit just right, and I finally recognised the person looking back at me.
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  • Looking good or not
    Looking good or not ❤️
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  • I just want to say……..Thank you! I have never felt as sexy as I do when I’m on this sight! You are all amazing and beautiful! I’m humbled by
    the fact I am not alone.
    I just want to say……..Thank you! I have never felt as sexy as I do when I’m on this sight! You are all amazing and beautiful! I’m humbled by the fact I am not alone. 😘
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  • Good evening girls! Just having a chill night, a few drinks and maybe a movie, If I can find something to watch and not spend all night looking through countless menus and not making my mind up!
    Good evening girls! Just having a chill night, a few drinks and maybe a movie, If I can find something to watch and not spend all night looking through countless menus and not making my mind up! 😄 💋 💋
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  • In this year of Our Lord 1885, I, a gentleman of four-and-sixty summers and considerable corpulence, find myself irrevocably committed to the most elaborate and humiliating semblance of a widow in deepest mourning, nay, a sissy crossdresser, every contour of my person exaggerated into an absurd excess of feminine propriety at the unyielding command of Madame. My unwieldy frame is confined within a voluminous gown of black bombazine, its lustrous silk bodice drawn so severely that my affixed bosom rises and falls in mock matronly dignity. Upon my head sits an immense crape bonnet, enveloped in multitudinous folds of black crepe veiling that descend softly over my countenance and shoulders like the very pall of perpetual bereavement, its diaphanous gauze quivering with each breath and rendering me a figure of spectral, enforced delicacy.
    Beneath this sombre raiment, a prodigious crinoline encircles my ample waist, distending the skirt to such extravagant breadth that every halting step discloses the lace-fringed hems of my cambric under-drawers and the delicately trimmed tops of my black lisle stockings, secured by embroidered satin garters. At times madame requires silk hose of the sheerest texture, yet the mortification endures undiminished. My feet, protesting and swollen, are imprisoned within patent leather ankle boots of four inches’ Louis heel, their pointed toes permitting a glimpse of my varnished nails in pitiable vulnerability. Should indolence be suspected, Madame fastens the straps with black satin ribbons, forestalling any attempt at relief. My hands, bearing permanent false nails of gleaming pearl, are gloved in lace mittens, adorned with rings upon every finger, while a jet choker of frilled design encircles my thick neck as a badge of submission. The whole attire is so profoundly girlish, so burdened with widow’s frippery, that it would provoke scandal even among the most devout matrons of Her Majesty’s court.
    I descend from our Brougham in the crowded precincts of Covent Garden, With utmost caution I arrange my skirts, the heels resounding sharply upon the cobblestones, and proceed with mincing steps, hips swaying perforce beneath the crinoline’s dominion and the boots’ perilous elevation. Soft laughter ripples along the stallholders. Smiles of polite astonishment. Complimentary remarks follow. “La, madam, what a most becoming habit of mourning!” one declares. “The veil is exceedingly elegant, and those boots quite the mode!” They suppose it a seasonal fancy. I colour deeply beneath the crepe, threading my way through the ordeal with measured tread, aware that I shall return in seven days, and seven again thereafter, clad precisely thus, bereft of any festal pretext merely a creature wholly subject to his lady’s will.
    I procure the articles enumerated upon Madame's list, tea of finest quality, spices, and provisions discharge the account, and retire with mincing gait to the carriage, crinoline whispering, veil fluttering like a mourner’s sigh. Madame directs that I convey her thither beforehand, yet she commands me first to enter and obtain her broadsheet and sweetmeats. As I totter across the thoroughfare, heels clacking, a lady seated in an adjacent Hansom calls out: “Those boots are positively ravishing, madam!” I turn, the veil shifting with ethereal grace, and reply in a low, submissive tone, “I am most obliged to you, Madame is pleased to attire me in this manner at all times.” She laughs with genuine delight. “Would that I might prevail upon my own husband to exhibit such commendable obedience!” Having restored Madame to her residence, I repair to the wine merchant’s. The moment I enter, eyes fix upon me chuckles, prolonged gazes. The proprietress cannot forbear a smile at my boots, her glance ascending to my carefully plucked brows, arched with precision. “Heavens preserve us,” she exclaims, “this is no mere passing fancy of costume. You have worn it for a considerable period, have you not?” I venture a faint, veiled smile. “Indeed, madam… it is the garb prescribed for me upon every occasion of shopping. I endeavour, by degrees, to grow reconciled to it.” A youthful clerk conveys the case of port to the carriage. He chuckles softly. “You bear it with uncommon grace, sir.” Madame assures me that habituation shall ensue. “In due course, the sense of mortification will diminish,” she declares with quiet conviction. “You will become thoroughly accustomed to your station as my devoted maidservant.” She contemplates the future with satisfaction: I, attending to the household in full uniform, discharging her every errand, awaiting her return in patient seclusion. Upon her entrance, I must execute a profound curtsey and relieve her of mantle and parasol. At every ingress or egress from a chamber curtsey. All domestic duties devolve upon me, performed amid the perpetual rustle of bombazine and crinoline.
    In this year of Our Lord 1885, I, a gentleman of four-and-sixty summers and considerable corpulence, find myself irrevocably committed to the most elaborate and humiliating semblance of a widow in deepest mourning, nay, a sissy crossdresser, every contour of my person exaggerated into an absurd excess of feminine propriety at the unyielding command of Madame. My unwieldy frame is confined within a voluminous gown of black bombazine, its lustrous silk bodice drawn so severely that my affixed bosom rises and falls in mock matronly dignity. Upon my head sits an immense crape bonnet, enveloped in multitudinous folds of black crepe veiling that descend softly over my countenance and shoulders like the very pall of perpetual bereavement, its diaphanous gauze quivering with each breath and rendering me a figure of spectral, enforced delicacy. Beneath this sombre raiment, a prodigious crinoline encircles my ample waist, distending the skirt to such extravagant breadth that every halting step discloses the lace-fringed hems of my cambric under-drawers and the delicately trimmed tops of my black lisle stockings, secured by embroidered satin garters. At times madame requires silk hose of the sheerest texture, yet the mortification endures undiminished. My feet, protesting and swollen, are imprisoned within patent leather ankle boots of four inches’ Louis heel, their pointed toes permitting a glimpse of my varnished nails in pitiable vulnerability. Should indolence be suspected, Madame fastens the straps with black satin ribbons, forestalling any attempt at relief. My hands, bearing permanent false nails of gleaming pearl, are gloved in lace mittens, adorned with rings upon every finger, while a jet choker of frilled design encircles my thick neck as a badge of submission. The whole attire is so profoundly girlish, so burdened with widow’s frippery, that it would provoke scandal even among the most devout matrons of Her Majesty’s court. I descend from our Brougham in the crowded precincts of Covent Garden, With utmost caution I arrange my skirts, the heels resounding sharply upon the cobblestones, and proceed with mincing steps, hips swaying perforce beneath the crinoline’s dominion and the boots’ perilous elevation. Soft laughter ripples along the stallholders. Smiles of polite astonishment. Complimentary remarks follow. “La, madam, what a most becoming habit of mourning!” one declares. “The veil is exceedingly elegant, and those boots quite the mode!” They suppose it a seasonal fancy. I colour deeply beneath the crepe, threading my way through the ordeal with measured tread, aware that I shall return in seven days, and seven again thereafter, clad precisely thus, bereft of any festal pretext merely a creature wholly subject to his lady’s will. I procure the articles enumerated upon Madame's list, tea of finest quality, spices, and provisions discharge the account, and retire with mincing gait to the carriage, crinoline whispering, veil fluttering like a mourner’s sigh. Madame directs that I convey her thither beforehand, yet she commands me first to enter and obtain her broadsheet and sweetmeats. As I totter across the thoroughfare, heels clacking, a lady seated in an adjacent Hansom calls out: “Those boots are positively ravishing, madam!” I turn, the veil shifting with ethereal grace, and reply in a low, submissive tone, “I am most obliged to you, Madame is pleased to attire me in this manner at all times.” She laughs with genuine delight. “Would that I might prevail upon my own husband to exhibit such commendable obedience!” Having restored Madame to her residence, I repair to the wine merchant’s. The moment I enter, eyes fix upon me chuckles, prolonged gazes. The proprietress cannot forbear a smile at my boots, her glance ascending to my carefully plucked brows, arched with precision. “Heavens preserve us,” she exclaims, “this is no mere passing fancy of costume. You have worn it for a considerable period, have you not?” I venture a faint, veiled smile. “Indeed, madam… it is the garb prescribed for me upon every occasion of shopping. I endeavour, by degrees, to grow reconciled to it.” A youthful clerk conveys the case of port to the carriage. He chuckles softly. “You bear it with uncommon grace, sir.” Madame assures me that habituation shall ensue. “In due course, the sense of mortification will diminish,” she declares with quiet conviction. “You will become thoroughly accustomed to your station as my devoted maidservant.” She contemplates the future with satisfaction: I, attending to the household in full uniform, discharging her every errand, awaiting her return in patient seclusion. Upon her entrance, I must execute a profound curtsey and relieve her of mantle and parasol. At every ingress or egress from a chamber curtsey. All domestic duties devolve upon me, performed amid the perpetual rustle of bombazine and crinoline.
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  • Have you noticed none of the scammers get their tits out x or do you have to pay for that privilege xx
    Have you noticed none of the scammers get their tits out x or do you have to pay for that privilege 😂 xx
    Haha
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  • I had just finished fastening the last hidden hook at the back of my turquoise gown when the knock came. Five soft raps. Familiar. Unhurried. For a moment my heart stuttered, the old reflex, the ancient fear and my hands flew to the veil as if I could suddenly disappear beneath it. No one ever came unannounced anymore. At sixty four, surprises usually meant doctors or delivery drivers. Then I recognised the rhythm. Only one person still knocked like that. “Don’t answer,” I whispered to myself. But I already knew I would. I moved toward the door, satin whispering around my legs, chiffon brushing my cheeks. Each step felt like a small confession. When I opened it, there she stood, Margaret. “Well,” she said gently, taking a long appraisal at me from headscarf to hem, “you’ve finally gone back to turquoise.” The relief hit me so hard I had to grip the doorframe. She didn’t gasp. Didn’t stare. Didn’t ask. She stepped inside as if this were the most ordinary thing in the world. Margaret and I had known each other forty years. We met in a crossdressing support group that didn’t dare use honest language, two frightened middle aged men pretending we were only “curious.” We had survived marriages, divorces, children, funerals, health scares, church shame, private wardrobes, public disguises. She was the only one who knew about her, the other side of me and about my wife, about the promise I made to bury this part of myself with her. Then she laughed a low, delighted laugh I hadn’t heard in years. “Well,” she said, stepping back to take me in properly, “someone’s been practising.” “And someone,” I replied, eyes dropping pointedly to her coat, “is hiding something under there.” She raised one eyebrow, theatrical as ever, and swept inside without another word. In the sitting room she removed her coat slowly, with ceremony. Underneath, she bloomed. Lavender satin skirt, soft as spilled dusk. A pearl-grey blouse with tiny buttons marching down its front. Her shoulders were draped in a pale mourning shawl, but beneath it shimmered a corset modest, yes, but unmistakably intentional. Her hair still stubbornly silver and short was crowned with a small violet fascinator tilted at a hopeful angle. We stared at each other. Then, at exactly the same moment, we burst into laughter. “Oh my God,” she said, clutching the back of a chair. “Look at us.” “Two antique chandeliers,” I said. “With arthritis.” She crossed the room and turned me gently by the shoulders toward the mirror. “Look properly,” she said. And I did. Two elderly figures in satin and chiffon and stubborn colour, layered with grief and courage and too many decades of silence. My turquoise against her lavender, mourning shades learning how to speak joy. “I never thought,” I said quietly, “that I’d be doing this at sixty four. With company.” “Better late than embalmed,” she replied. We helped each other settle in the armchairs, cushions adjusted, skirts arranged, veils tamed. She fixed my eyeliner with the same tenderness she’d used the last time we met. I fastened a hook she couldn’t quite reach at the back of her corset. Our hands lingered, not with desire, but with recognition. Tea became sherry. Sherry became stories. We spoke of first dresses bought in secret, of wigs hidden in lofts, of wives who never knew and wives who half knew and one who knew everything and loved anyway. We spoke of shame, of church halls, of changing rooms we never dared enter. At one point she stood and curtsied, wobbling dangerously. “Behold,” she announced, “the ghost of femininity past.” I applauded, carefully, so I didn’t spill my sherry. Later, when the light softened and the veil cast turquoise shadows across the wall, we grew quieter. “I was so lonely after Shirley died,” she said softly. “Not for another woman to replace her. For… this.” She gestured between us. “I know,” I said. And I did. Before she left, we stood by the door together, adjusting each other one last time, smoothing frills, straightening shawls, checking lipstick like two conspirators before a masquerade. “We should do this again,” she said. “Regularly,” I said at once. “Before courage changes its mind.” She smiled. “You know,” she said gently, “we don’t have to call it mourning forever.” I watched her walk away in lavender, support cane tapping, skirt swaying stubbornly against time. When I closed the door, the house no longer felt like a place of echoes. It felt like a dressing room. And for the first time in a very long life, I looked forward not to remembering, but to the next time I would become myself with someone who truly understood.
    I had just finished fastening the last hidden hook at the back of my turquoise gown when the knock came. Five soft raps. Familiar. Unhurried. For a moment my heart stuttered, the old reflex, the ancient fear and my hands flew to the veil as if I could suddenly disappear beneath it. No one ever came unannounced anymore. At sixty four, surprises usually meant doctors or delivery drivers. Then I recognised the rhythm. Only one person still knocked like that. “Don’t answer,” I whispered to myself. But I already knew I would. I moved toward the door, satin whispering around my legs, chiffon brushing my cheeks. Each step felt like a small confession. When I opened it, there she stood, Margaret. “Well,” she said gently, taking a long appraisal at me from headscarf to hem, “you’ve finally gone back to turquoise.” The relief hit me so hard I had to grip the doorframe. She didn’t gasp. Didn’t stare. Didn’t ask. She stepped inside as if this were the most ordinary thing in the world. Margaret and I had known each other forty years. We met in a crossdressing support group that didn’t dare use honest language, two frightened middle aged men pretending we were only “curious.” We had survived marriages, divorces, children, funerals, health scares, church shame, private wardrobes, public disguises. She was the only one who knew about her, the other side of me and about my wife, about the promise I made to bury this part of myself with her. Then she laughed a low, delighted laugh I hadn’t heard in years. “Well,” she said, stepping back to take me in properly, “someone’s been practising.” “And someone,” I replied, eyes dropping pointedly to her coat, “is hiding something under there.” She raised one eyebrow, theatrical as ever, and swept inside without another word. In the sitting room she removed her coat slowly, with ceremony. Underneath, she bloomed. Lavender satin skirt, soft as spilled dusk. A pearl-grey blouse with tiny buttons marching down its front. Her shoulders were draped in a pale mourning shawl, but beneath it shimmered a corset modest, yes, but unmistakably intentional. Her hair still stubbornly silver and short was crowned with a small violet fascinator tilted at a hopeful angle. We stared at each other. Then, at exactly the same moment, we burst into laughter. “Oh my God,” she said, clutching the back of a chair. “Look at us.” “Two antique chandeliers,” I said. “With arthritis.” She crossed the room and turned me gently by the shoulders toward the mirror. “Look properly,” she said. And I did. Two elderly figures in satin and chiffon and stubborn colour, layered with grief and courage and too many decades of silence. My turquoise against her lavender, mourning shades learning how to speak joy. “I never thought,” I said quietly, “that I’d be doing this at sixty four. With company.” “Better late than embalmed,” she replied. We helped each other settle in the armchairs, cushions adjusted, skirts arranged, veils tamed. She fixed my eyeliner with the same tenderness she’d used the last time we met. I fastened a hook she couldn’t quite reach at the back of her corset. Our hands lingered, not with desire, but with recognition. Tea became sherry. Sherry became stories. We spoke of first dresses bought in secret, of wigs hidden in lofts, of wives who never knew and wives who half knew and one who knew everything and loved anyway. We spoke of shame, of church halls, of changing rooms we never dared enter. At one point she stood and curtsied, wobbling dangerously. “Behold,” she announced, “the ghost of femininity past.” I applauded, carefully, so I didn’t spill my sherry. Later, when the light softened and the veil cast turquoise shadows across the wall, we grew quieter. “I was so lonely after Shirley died,” she said softly. “Not for another woman to replace her. For… this.” She gestured between us. “I know,” I said. And I did. Before she left, we stood by the door together, adjusting each other one last time, smoothing frills, straightening shawls, checking lipstick like two conspirators before a masquerade. “We should do this again,” she said. “Regularly,” I said at once. “Before courage changes its mind.” She smiled. “You know,” she said gently, “we don’t have to call it mourning forever.” I watched her walk away in lavender, support cane tapping, skirt swaying stubbornly against time. When I closed the door, the house no longer felt like a place of echoes. It felt like a dressing room. And for the first time in a very long life, I looked forward not to remembering, but to the next time I would become myself with someone who truly understood.
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  • In the dim parlour of a narrow terraced house on the edge of town, where the January dusk pressed against fogged windowpanes, Hanimefendi (once Tony, though the name now felt like an old coat left in the attic) sat perfectly still before the tall cheval mirror.
    At sixty four, the body that looked back at her was soft and heavy, rolls of flesh pressing against the seams of her chosen mourning. Yet every inch of it had been reclaimed in Barbie Pink the violent, unapologetic pink of bubblegum, flamingos, and little girls’ birthday dreams. She had buried the muted blacks and charcoals of conventional widowhood the same afternoon she buried her former self. Grief, she decided, deserved better than drabness. Grief deserved to scream.
    Her long gown swept the floorboards in heavy, liquid folds of pink satin. The fabric caught the lamplight in subtle, expensive highlights shimmering like wet sugar or the inside of a seashell. Tiny seed pearls marched along the modestly high neckline and down the front in orderly, virginal rows. The sleeves ended in deep cuffs of gathered pink chiffon that trembled with each slow breath.
    Over the gown rode the blouse: glossy, deluxe, almost liquid in its sheen. Frills cascaded from throat to waist like a waterfall of spun sugar ruffles upon ruffles upon ruffles, each edge finished with the thinnest piping of darker rose. The cuffs alone could have doubled as christening bonnets.
    But the true crown was the headscarf.
    An oversized triangle of blush pink satin, almost cartoonishly large, draped from the top of her head and cascaded past her shoulders in glossy waves. She had tied it under the chin with an extravagant bow, the ends trailing like rabbit ears. Pinned beneath it floated a sheer pink chiffon voile veil long enough to brush the upper swell of her ample chest, fine enough that her features showed through like a watercolour left in the rain. The veil softened the male jawline she had once hated, blurred the double chin, turned every blink into something theatrical and tender.
    Her mouth was a dramatic wound of matte fuchsia, outlined sharper than a paper cut. Above it arched brows drawn in powdery rose, while the eyelids shimmered with pearlescent pink shadow and were rimmed in vivid bubblegum liner that flicked outward in exaggerated Rococo commas. Cheeks bloomed with circular rouge like a porcelain doll painted by an over enthusiastic child. The overall effect was sissy maid meets Marie Antoinette in full defiant mourning feminine, excessive, absurdly pretty, and deliberately inconsolable.
    He, her male persona had hated the colour pink. Called it childish. Called it weak. On the nightstand sat the little brass urn containing what remained of him, his cremated wardrobe of male clothes, positioned so that the urn had no choice but to stare at her forever.
    Hanimefendi lifted one plump, ring laden hand. The nails were lacquered the exact shade of strawberry marshmallow. She touched the veil where it lay across her lips, pressing the satin bow against them as though kissing herself goodnight.
    I wore navy coloured clothes for forty-one years, she whispered to the mirror, voice low and cracked from crying and cigarettes she had given up in 1998. Navy and sensible shoes and ‘yes dear’ and ‘not now.’ You had your funeral in charcoal. Mine is pink. Barbie bloody pink. And I’m not sorry.
    A tear escaped, cutting a bright path through the rouge. It hung on the veil like dew on candyfloss before soaking in.
    She rose slowly, arthritic joints protesting and moved to the ancient radiogram in the corner. The needle settled onto an old 78. A scratchy soprano began to sing something unbearably sentimental about lost loves and rose gardens. Hanimefendi began to sway. The gown whispered against itself. The frills trembled. The veil floated like breath.
    In the mirror a vast, pink, glittering figure danced alone widowed, overweight, outrageously made up, and for the first time in six decades entirely herself.
    She was mourning, yes. But she was mourning in colour. And the house, for one evening at least, smelled faintly of rose talc, hot satin, and the sweetest kind of revenge.
    In the dim parlour of a narrow terraced house on the edge of town, where the January dusk pressed against fogged windowpanes, Hanimefendi (once Tony, though the name now felt like an old coat left in the attic) sat perfectly still before the tall cheval mirror. At sixty four, the body that looked back at her was soft and heavy, rolls of flesh pressing against the seams of her chosen mourning. Yet every inch of it had been reclaimed in Barbie Pink the violent, unapologetic pink of bubblegum, flamingos, and little girls’ birthday dreams. She had buried the muted blacks and charcoals of conventional widowhood the same afternoon she buried her former self. Grief, she decided, deserved better than drabness. Grief deserved to scream. Her long gown swept the floorboards in heavy, liquid folds of pink satin. The fabric caught the lamplight in subtle, expensive highlights shimmering like wet sugar or the inside of a seashell. Tiny seed pearls marched along the modestly high neckline and down the front in orderly, virginal rows. The sleeves ended in deep cuffs of gathered pink chiffon that trembled with each slow breath. Over the gown rode the blouse: glossy, deluxe, almost liquid in its sheen. Frills cascaded from throat to waist like a waterfall of spun sugar ruffles upon ruffles upon ruffles, each edge finished with the thinnest piping of darker rose. The cuffs alone could have doubled as christening bonnets. But the true crown was the headscarf. An oversized triangle of blush pink satin, almost cartoonishly large, draped from the top of her head and cascaded past her shoulders in glossy waves. She had tied it under the chin with an extravagant bow, the ends trailing like rabbit ears. Pinned beneath it floated a sheer pink chiffon voile veil long enough to brush the upper swell of her ample chest, fine enough that her features showed through like a watercolour left in the rain. The veil softened the male jawline she had once hated, blurred the double chin, turned every blink into something theatrical and tender. Her mouth was a dramatic wound of matte fuchsia, outlined sharper than a paper cut. Above it arched brows drawn in powdery rose, while the eyelids shimmered with pearlescent pink shadow and were rimmed in vivid bubblegum liner that flicked outward in exaggerated Rococo commas. Cheeks bloomed with circular rouge like a porcelain doll painted by an over enthusiastic child. The overall effect was sissy maid meets Marie Antoinette in full defiant mourning feminine, excessive, absurdly pretty, and deliberately inconsolable. He, her male persona had hated the colour pink. Called it childish. Called it weak. On the nightstand sat the little brass urn containing what remained of him, his cremated wardrobe of male clothes, positioned so that the urn had no choice but to stare at her forever. Hanimefendi lifted one plump, ring laden hand. The nails were lacquered the exact shade of strawberry marshmallow. She touched the veil where it lay across her lips, pressing the satin bow against them as though kissing herself goodnight. I wore navy coloured clothes for forty-one years, she whispered to the mirror, voice low and cracked from crying and cigarettes she had given up in 1998. Navy and sensible shoes and ‘yes dear’ and ‘not now.’ You had your funeral in charcoal. Mine is pink. Barbie bloody pink. And I’m not sorry. A tear escaped, cutting a bright path through the rouge. It hung on the veil like dew on candyfloss before soaking in. She rose slowly, arthritic joints protesting and moved to the ancient radiogram in the corner. The needle settled onto an old 78. A scratchy soprano began to sing something unbearably sentimental about lost loves and rose gardens. Hanimefendi began to sway. The gown whispered against itself. The frills trembled. The veil floated like breath. In the mirror a vast, pink, glittering figure danced alone widowed, overweight, outrageously made up, and for the first time in six decades entirely herself. She was mourning, yes. But she was mourning in colour. And the house, for one evening at least, smelled faintly of rose talc, hot satin, and the sweetest kind of revenge.
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  • Married CDs - how do you deal with it if your partner shows absolutely no interest/support in your dressing? I wish mine were more involved and willing but it seems like she's not going to come around to it any time soon.
    Married CDs - how do you deal with it if your partner shows absolutely no interest/support in your dressing? I wish mine were more involved and willing but it seems like she's not going to come around to it any time soon.
    Yay
    Love
    Like
    8
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  • Another cute new dress with my nude heels hope everyone has had a lovley weekend! xx
    Another cute new dress with my nude heels 😍 hope everyone has had a lovley weekend! 😘xx
    Love
    Yay
    19
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  • No Ai or Fake Pictures, What you see is me and mine. Nothing more or less.
    -----------------------
    Why do I love Co ck......
    This is a good question and I guess it's personal to me ...
    Co ck that has the head fully showing to me look amazing, small medium or large just look incredible and if Smooth Shaven and in Stockings or Holdups then I'm Week and I must have them in my mouth.
    The way the skin behind the head moves with your lips, the feel of the rough edge of the Head.
    The taste of a clean **** is amazing.
    The way it shows you it enjoys what you started by getting hard, what a turn on
    The best thing of all is how after all this fun sucking and playing it rewards you again with the most amazing Pre Cum then followed by a juicy mouth full of Cum for me to Swallow and enjoy...
    Damn I love them so much ....

    If you are local to Derby or Nottingham then get in touch, get those Co ck Photos and
    Send them my way
    ------------------------------------------------------------
    Further Slutty Reading

    As someone that on the odd occasion meets other CDs, I think it is important to know how I feel about you if we meet up.
    Well it's very important to understand before we meet a few things.
    I'm meeting you for my own pleasure entirely,
    I'm not interested in you looking like a Female entirely... Let me explain
    Before we got to the meeting point we would have chatted extensively about it, and swapped Pics as you do.
    So now we know I'm only interested in your Co ck, but only Smooth Co ck and in Lingerie.
    Unfortunately I DON'T do beards, not on my Co ck.
    So now we know, You need to be Smooth, in Lingerie and have a **** I WILL use.
    That means I will be Sucking that Co ck Dry and Swallowing the Content, No Ifs, No Buts...
    Now the next thing is what you may want me to do or of course do to me.
    The 2 rules I have will have been discussed with you before now anyway so...
    My Co ck 'WILL' be Emptied and 'WILL' be Swallowed by You, No Ifs, No Buts...
    I get asked, but I wanted you to **** my Ass, that's fine but the rule above still applies so remember that...
    I get asked, But I wanted to **** your Ass, well again that's fine but you WILL Cum in my mouth and Feed me, No Ifs, No Buts.
    You are a Toy for my pleasure.... That's it
    You may become a friend and we may meet very regular, but everything above ALWAYS stays the same....Never Ever any Mess or Waste...
    Now you know..


    All my best pictures and Stories in one (FREE) Private Group <a href="https://www.flickr.com/groups/14871084@N25/">www.flickr.com/groups/14871084@N25/</a>
    No Ai or Fake Pictures, What you see is me and mine. Nothing more or less. ----------------------- Why do I love Co ck...... This is a good question and I guess it's personal to me ... Co ck that has the head fully showing to me look amazing, small medium or large just look incredible and if Smooth Shaven and in Stockings or Holdups then I'm Week and I must have them in my mouth. The way the skin behind the head moves with your lips, the feel of the rough edge of the Head. The taste of a clean cock is amazing. The way it shows you it enjoys what you started by getting hard, what a turn on The best thing of all is how after all this fun sucking and playing it rewards you again with the most amazing Pre Cum then followed by a juicy mouth full of Cum for me to Swallow and enjoy... Damn I love them so much .... If you are local to Derby or Nottingham then get in touch, get those Co ck Photos and Send them my way 😉 ------------------------------------------------------------ Further Slutty Reading As someone that on the odd occasion meets other CDs, I think it is important to know how I feel about you if we meet up. Well it's very important to understand before we meet a few things. I'm meeting you for my own pleasure entirely, I'm not interested in you looking like a Female entirely... Let me explain Before we got to the meeting point we would have chatted extensively about it, and swapped Pics as you do. So now we know I'm only interested in your Co ck, but only Smooth Co ck and in Lingerie. Unfortunately I DON'T do beards, not on my Co ck. So now we know, You need to be Smooth, in Lingerie and have a Cock I WILL use. That means I will be Sucking that Co ck Dry and Swallowing the Content, No Ifs, No Buts... Now the next thing is what you may want me to do or of course do to me. The 2 rules I have will have been discussed with you before now anyway so... My Co ck 'WILL' be Emptied and 'WILL' be Swallowed by You, No Ifs, No Buts... I get asked, but I wanted you to Fuck my Ass, that's fine but the rule above still applies so remember that... I get asked, But I wanted to Fuck your Ass, well again that's fine but you WILL Cum in my mouth and Feed me, No Ifs, No Buts. You are a Toy for my pleasure.... That's it You may become a friend and we may meet very regular, but everything above ALWAYS stays the same....Never Ever any Mess or Waste... Now you know.. All my best pictures and Stories in one (FREE) Private Group <a href="https://www.flickr.com/groups/14871084@N25/">www.flickr.com/groups/14871084@N25/</a>
    Love
    Yay
    8
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  • I have a real fremch breast not silicon, just so you all can see. Took years to grow em..
    I have a real fremch breast not silicon, just so you all can see. Took years to grow em.. 💃
    Love
    Like
    Yay
    16
    3 Commenti 0 condivisioni 2K Views
  • Punk's not dead! :)
    Punk's not dead! :)
    Love
    Like
    15
    7 Commenti 0 condivisioni 3K Views
  • Hey, anyone else having issues with not been able to view ads to get reward to carry on if your not a paying member? I keep having to log back in? X
    Hey, anyone else having issues with not been able to view ads to get reward to carry on if your not a paying member? I keep having to log back in? X
    Like
    1
    12 Commenti 0 condivisioni 2K Views
  • just another scammer. though name may not contain the usual types when they mention sl@ves, telegram and zangi, you know its dodgy af and they are after your money for nothing. Report and block. likely they will try and remove my post on their pic so here is what i sent
    just another scammer. though name may not contain the usual types when they mention sl@ves, telegram and zangi, you know its dodgy af and they are after your money for nothing. Report and block. likely they will try and remove my post on their pic so here is what i sent
    Like
    Love
    11
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  • The Erebus Veil has always been more mausoleum than starship, but tonight she feels like a confessional. I press my forehead to the viewport again, the cold glass a thin barrier between me and the churning nebulae that swirl like spilled ink and blood. My breath fogs it in ragged bursts each one a small rebellion against the vacuum waiting outside. Sixty four years, I rasp to the empty deck, voice thick with the kind of ache that settles in bones and doesn't leave. Sixty four years of rewriting myself sentence by sentence, and the universe still hasn't bothered to notice. Or maybe it has. Maybe that's why it left me here to watch the stars burn without apology. My gloved fingers curl against the pane, kid leather creaking. The gown of satin so dark it drinks light, chiffon whispering like secrets I used to be afraid to keep shifts with the faint tremor of the hull. The high-waist satin panty girdle beneath bites just enough to ground me, to say: You are here. You chose this shape. You paid in blood and time and nights spent crying into star charts. I laugh once, sharp and wet. It echoes off the pitted bulkheads. You know what the cruelest part is? I ask the ship, or the nebulae, or the ghost of the girl I used to bury every morning. I finally like the sound of my name in my own mouth. Hanımefendi. It used to taste like ash. Now it tastes like victory and no one’s left to hear me say it. A distant fusion coil whines in sympathy, or maybe that's just my pulse in my ears. I dreamed of this, you know. Not the derelict part. The space part. Vast and indifferent and beautiful. I thought if I could just get out here away from gravity wells and small minded gravity bound people I’d finally breathe easy. Instead I learned the void doesn’t care who you are. It doesn’t applaud your courage. It just… waits. My reflection stares back: sharp jaw softened by decades of estrogen and stubborn hope, eyes lined in kohl that’s run from earlier tears, raven cameo pinned like a medal over my heart. The chiaroscuro light paints me half angel, half wraith crowned in bruise purple nebulae fire. I swallow hard. But I’m still here, I whisper, fierce enough that it hurts my throat. Still standing in this ridiculous, glorious dress I sewed myself on a ship that’s falling apart. Still breathing air you recycled for me when no one else would. Still choosing every damn day to be this trans, tired, terrified, and incandescently alive. The flare comes again brighter this time, gold and merciless. It floods the deck, turns every jet bead to molten starlight, every fold of chiffon into rippling shadow and flame. My silhouette burns against the glass like a brand. I don’t flinch. Look at me, I snarl at the cosmos, at the empty chairs where crew once sat, at the woman in the reflection who finally stopped flinching. Look at what survives when everything else leaves. A trans woman in a Gothic mourning gown, orbiting a nebula that doesn’t give a damn. And I’m not done yet. Tears cut fresh tracks through the kohl. I let them fall. I loved once, I confess, softer now, the words cracking open like overripe fruit. Her name was Mara. She called me ‘starlight’ when no one else dared call me anything at all. We used to stand right here, hands linked, watching these same nebulae. She said we’d outlive the stars. I believed her. My voice breaks completely. She’s gone. Everyone’s gone. But I’m still wearing the earrings she gave me the ones shaped like tiny crescent moons. I’m still carrying her in every stitch of this gown, every bead I sewed while crying over star maps. And if that’s all the legacy I get a solitary trans woman adrift in opera-scale darkness, dressed for the funeral of a life I refused to let kill me then let it be enough. I straighten. Shoulders back. Chin up. The girdle holds me like armor. So keep turning, you beautiful, heartless nebulae, I say, voice steady at last. Keep your silence. I’ve got enough words for both of us. I’ve got enough me for whatever comes next. The light fades. Shadow returns, satin soft. But this time, when I meet my own eyes in the glass, they’re blazing. No more apologies. No more smallness. Just Hanımefendi trans woman, space wanderer, survivor in satin and lace standing defiant against the dark opera of the stars. And for the first time in years, the silence doesn’t swallow me. It listens.
    The Erebus Veil has always been more mausoleum than starship, but tonight she feels like a confessional. I press my forehead to the viewport again, the cold glass a thin barrier between me and the churning nebulae that swirl like spilled ink and blood. My breath fogs it in ragged bursts each one a small rebellion against the vacuum waiting outside. Sixty four years, I rasp to the empty deck, voice thick with the kind of ache that settles in bones and doesn't leave. Sixty four years of rewriting myself sentence by sentence, and the universe still hasn't bothered to notice. Or maybe it has. Maybe that's why it left me here to watch the stars burn without apology. My gloved fingers curl against the pane, kid leather creaking. The gown of satin so dark it drinks light, chiffon whispering like secrets I used to be afraid to keep shifts with the faint tremor of the hull. The high-waist satin panty girdle beneath bites just enough to ground me, to say: You are here. You chose this shape. You paid in blood and time and nights spent crying into star charts. I laugh once, sharp and wet. It echoes off the pitted bulkheads. You know what the cruelest part is? I ask the ship, or the nebulae, or the ghost of the girl I used to bury every morning. I finally like the sound of my name in my own mouth. Hanımefendi. It used to taste like ash. Now it tastes like victory and no one’s left to hear me say it. A distant fusion coil whines in sympathy, or maybe that's just my pulse in my ears. I dreamed of this, you know. Not the derelict part. The space part. Vast and indifferent and beautiful. I thought if I could just get out here away from gravity wells and small minded gravity bound people I’d finally breathe easy. Instead I learned the void doesn’t care who you are. It doesn’t applaud your courage. It just… waits. My reflection stares back: sharp jaw softened by decades of estrogen and stubborn hope, eyes lined in kohl that’s run from earlier tears, raven cameo pinned like a medal over my heart. The chiaroscuro light paints me half angel, half wraith crowned in bruise purple nebulae fire. I swallow hard. But I’m still here, I whisper, fierce enough that it hurts my throat. Still standing in this ridiculous, glorious dress I sewed myself on a ship that’s falling apart. Still breathing air you recycled for me when no one else would. Still choosing every damn day to be this trans, tired, terrified, and incandescently alive. The flare comes again brighter this time, gold and merciless. It floods the deck, turns every jet bead to molten starlight, every fold of chiffon into rippling shadow and flame. My silhouette burns against the glass like a brand. I don’t flinch. Look at me, I snarl at the cosmos, at the empty chairs where crew once sat, at the woman in the reflection who finally stopped flinching. Look at what survives when everything else leaves. A trans woman in a Gothic mourning gown, orbiting a nebula that doesn’t give a damn. And I’m not done yet. Tears cut fresh tracks through the kohl. I let them fall. I loved once, I confess, softer now, the words cracking open like overripe fruit. Her name was Mara. She called me ‘starlight’ when no one else dared call me anything at all. We used to stand right here, hands linked, watching these same nebulae. She said we’d outlive the stars. I believed her. My voice breaks completely. She’s gone. Everyone’s gone. But I’m still wearing the earrings she gave me the ones shaped like tiny crescent moons. I’m still carrying her in every stitch of this gown, every bead I sewed while crying over star maps. And if that’s all the legacy I get a solitary trans woman adrift in opera-scale darkness, dressed for the funeral of a life I refused to let kill me then let it be enough. I straighten. Shoulders back. Chin up. The girdle holds me like armor. So keep turning, you beautiful, heartless nebulae, I say, voice steady at last. Keep your silence. I’ve got enough words for both of us. I’ve got enough me for whatever comes next. The light fades. Shadow returns, satin soft. But this time, when I meet my own eyes in the glass, they’re blazing. No more apologies. No more smallness. Just Hanımefendi trans woman, space wanderer, survivor in satin and lace standing defiant against the dark opera of the stars. And for the first time in years, the silence doesn’t swallow me. It listens.
    Love
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  • Please stop saying you're gay. I'm of the volition that if you look like a woman and are beautiful and I'm a straight handsome man we are heterosexual couple. I don't like men but if a hot looking chick has a dick I'm interested. The word gay is used for two men who like each other just like lesbian is for two women. In my mind's eye you don't look like a guy you look like a beautiful woman therefore we're not gay!
    Please stop saying you're gay. I'm of the volition that if you look like a woman and are beautiful and I'm a straight handsome man we are heterosexual couple. I don't like men but if a hot looking chick has a dick I'm interested. The word gay is used for two men who like each other just like lesbian is for two women. In my mind's eye you don't look like a guy you look like a beautiful woman therefore we're not gay!
    4 Commenti 0 condivisioni 2K Views
  • someone mentioned how can the Stories container be switched off. I've had a look in settings and its not an option unfortunately. Only thing I can think of is something you can do on any web page you visit is to temp edit the content. It won't break their site so don't worry. I've not yet tried it as tbh I can't be bothered but it will remove the section so long as you stay on the page and don't refresh. Here's a quick intro for all you budding developers... You can temporarily edit any webpage in your browser by using the "Inspect Element" [right click on a blank area of a web page to see a menu] feature to modify HTML/CSS code or by activating "Design Mode" in the console. These changes are local, temporary, and disappear upon refreshing, perfect for quick mockups or testing layouts.
    someone mentioned how can the Stories container be switched off. I've had a look in settings and its not an option unfortunately. Only thing I can think of is something you can do on any web page you visit is to temp edit the content. It won't break their site so don't worry. I've not yet tried it as tbh I can't be bothered but it will remove the section so long as you stay on the page and don't refresh. Here's a quick intro for all you budding developers... You can temporarily edit any webpage in your browser by using the "Inspect Element" [right click on a blank area of a web page to see a menu] feature to modify HTML/CSS code or by activating "Design Mode" in the console. These changes are local, temporary, and disappear upon refreshing, perfect for quick mockups or testing layouts.
    Like
    3
    0 Commenti 0 condivisioni 992 Views
  • Has anyone noticed the thoroughly inappropriate profile photo on the main page under Stories?
    Has anyone noticed the thoroughly inappropriate profile photo on the main page under Stories?
    Like
    2
    13 Commenti 0 condivisioni 1K Views
  • I found suddenly
    Surprise...
    I walk in tights
    But not striptease...
    I found suddenly Surprise... I walk in tights But not striptease...
    Love
    Like
    Yay
    14
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  • OMG and I thought the scammers posting on the main page was bad. Have you looked in the Forums section (do not click on any posts!) I saw about two with subject titles relevant to the area
    OMG and I thought the scammers posting on the main page was bad. Have you looked in the Forums section (do not click on any posts!) I saw about two with subject titles relevant to the area 😂
    Like
    Haha
    2
    7 Commenti 0 condivisioni 1K Views
  • It's great to be back. Miss you all so much. I have nothing new I'm affraid, but still I have some never posted reserves from Christmas.
    It's great to be back. Miss you all so much. I have nothing new I'm affraid, but still I have some never posted reserves from Christmas.
    Love
    22
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  • Well new look site same old scammers so why not contact me on my grammar phone or zingie zanger what’s it and give me all the money! Love you all x
    Well new look site same old scammers so why not contact me on my grammar phone or zingie zanger what’s it and give me all the money! Love you all x
    Love
    Haha
    Like
    Wow
    25
    13 Commenti 0 condivisioni 2K Views

  • The room was silent except for the soft rustle of fabric and the slow, deliberate rhythm of her breathing.

    She had asked for one thing tonight: to disappear completely into herself.

    The first layer came as a whisper cool, liquid like satin poured over her bare skin. A full-length slip of deep midnight blue, heavier than it looked, sliding down her body like cool water that refused to evaporate. It kissed every curve, every hollow, then settled against her with possessive weight. She exhaled long and low as the hem brushed her ankles.

    Then the second skin.

    A thicker satin robe followed, floor-length, wide-sleeved, the kind meant for royalty who never intended to leave their chambers. Deep indigo, almost black in low light. He fastened the inner ties first slowly, methodically cinching her waist just enough that every breath reminded her of the fabric’s embrace. The outer sash wound around her twice before being tied in a wide, flat bow at the small of her back. She felt the slight tug travel all the way up her spine.

    “Arms,” he murmured.

    She lifted them like someone already half-asleep.

    A third layer: a long, hooded cape of the same midnight satin, lined with silk so fine it felt like cool breath against her neck. The hood was generous, cut wide and deep. When he drew it forward, the satin edges curtained her peripheral vision until the world narrowed to a soft, shadowed tunnel. Only her face remained visible for now.

    He stepped back to look at her.

    She stood motionless in the centre of the room, gleaming faintly under the single lamp, already beginning to look like something carved from night itself.

    Then came the veil.

    Not lace, not tulle pure satin, sheer enough to see the outline of features beneath, dense enough to blur every detail into dreamlike softness. He draped it over the hood first so it cascaded down the front and back of her body in long, liquid folds. When he smoothed it across her face, the fabric settled like a second eyelids. She felt the faint pressure against her eyelashes, the hush of her own breath trapped and warmed against her lips.

    He tied it gently at the nape, then again lower, securing it beneath the layers of satin already cocooning her throat. The knot was small, decorative, almost ornamental. But it anchored everything.

    Now she was covered.

    Encased.

    Hooded.

    Veiled.

    A single continuous surface of satin from crown to toe shimmering, unbroken, reflective swallowing light and returning only muted echoes of it.

    He guided her to the wide, low bed. She moved slowly, each step a muted hiss of fabric sliding over fabric. When she reached the edge, he helped her lie back, arranging the excess satin around her like spilled ink. The hood framed her face in a perfect oval of shadow; the veil softened her mouth into something distant and serene.

    He pulled a final piece from the drawer: a narrow length of the same midnight satin. Not a blindfold something gentler. He laid it across her eyes, not tying it, just letting the weight rest there. Enough to make the world behind her eyelids even darker, even quieter.

    Then he sat beside her.

    No words for a long time.

    Only the slow tide of her breathing, growing deeper, slower, heavier with each cycle. The satin moved with her rising, falling, whispering against itself. Every small shift sent fresh waves of cool smoothness gliding across her skin, then settling again, reminding her she was held, contained, nowhere left exposed.

    Minutes passed. Maybe more.

    Her hands, hidden inside the wide sleeves, eventually stopped searching for anything. They curled loosely against her stomach, cradled by layer after layer of satin.

    Her mouth parted beneath the veil just enough for the softest sigh to escape.

    She was gone now.

    Not asleep, not yet.

    Somewhere softer than sleep.

    Somewhere the world could not reach.

    Only satin.

    Only weight.

    Only hush.

    And the long, slow pulse of total, satin surrender.
    The room was silent except for the soft rustle of fabric and the slow, deliberate rhythm of her breathing. She had asked for one thing tonight: to disappear completely into herself. The first layer came as a whisper cool, liquid like satin poured over her bare skin. A full-length slip of deep midnight blue, heavier than it looked, sliding down her body like cool water that refused to evaporate. It kissed every curve, every hollow, then settled against her with possessive weight. She exhaled long and low as the hem brushed her ankles. Then the second skin. A thicker satin robe followed, floor-length, wide-sleeved, the kind meant for royalty who never intended to leave their chambers. Deep indigo, almost black in low light. He fastened the inner ties first slowly, methodically cinching her waist just enough that every breath reminded her of the fabric’s embrace. The outer sash wound around her twice before being tied in a wide, flat bow at the small of her back. She felt the slight tug travel all the way up her spine. “Arms,” he murmured. She lifted them like someone already half-asleep. A third layer: a long, hooded cape of the same midnight satin, lined with silk so fine it felt like cool breath against her neck. The hood was generous, cut wide and deep. When he drew it forward, the satin edges curtained her peripheral vision until the world narrowed to a soft, shadowed tunnel. Only her face remained visible for now. He stepped back to look at her. She stood motionless in the centre of the room, gleaming faintly under the single lamp, already beginning to look like something carved from night itself. Then came the veil. Not lace, not tulle pure satin, sheer enough to see the outline of features beneath, dense enough to blur every detail into dreamlike softness. He draped it over the hood first so it cascaded down the front and back of her body in long, liquid folds. When he smoothed it across her face, the fabric settled like a second eyelids. She felt the faint pressure against her eyelashes, the hush of her own breath trapped and warmed against her lips. He tied it gently at the nape, then again lower, securing it beneath the layers of satin already cocooning her throat. The knot was small, decorative, almost ornamental. But it anchored everything. Now she was covered. Encased. Hooded. Veiled. A single continuous surface of satin from crown to toe shimmering, unbroken, reflective swallowing light and returning only muted echoes of it. He guided her to the wide, low bed. She moved slowly, each step a muted hiss of fabric sliding over fabric. When she reached the edge, he helped her lie back, arranging the excess satin around her like spilled ink. The hood framed her face in a perfect oval of shadow; the veil softened her mouth into something distant and serene. He pulled a final piece from the drawer: a narrow length of the same midnight satin. Not a blindfold something gentler. He laid it across her eyes, not tying it, just letting the weight rest there. Enough to make the world behind her eyelids even darker, even quieter. Then he sat beside her. No words for a long time. Only the slow tide of her breathing, growing deeper, slower, heavier with each cycle. The satin moved with her rising, falling, whispering against itself. Every small shift sent fresh waves of cool smoothness gliding across her skin, then settling again, reminding her she was held, contained, nowhere left exposed. Minutes passed. Maybe more. Her hands, hidden inside the wide sleeves, eventually stopped searching for anything. They curled loosely against her stomach, cradled by layer after layer of satin. Her mouth parted beneath the veil just enough for the softest sigh to escape. She was gone now. Not asleep, not yet. Somewhere softer than sleep. Somewhere the world could not reach. Only satin. Only weight. Only hush. And the long, slow pulse of total, satin surrender.
    Like
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    6
    0 Commenti 0 condivisioni 3K Views
  • I'm looking for single transgender girl from USA who is very near me and close to Kentucky in the USA and it's here to find someone to Dating them off of here now and married ME and help me to be a girl from being a man or a man who's having turn into a girl from being a man and has a sex gender change doing to be a girl from being a man and it's here to find someone who would dating them and will be them Love to them off of here now and I am not here for any fake people or catfish only people who are gay people or transgender girl who would dating ME or trans women or lesbians and a man who's had start transition from being a man into a girl and does not looking like a man anymore at all and now it's a girl full Time now and will dating anyone like ME or woman who has peins now and will dating ME now any One who it's insane in dating ME now hit me up on here now or at Google chat Eric Norman skaggs5216@gmail.com and will help me to be a girl from being a man for real and not here here to play any games with me at all now I'm only wanting a girl friend to be My love to me now and married ME and help me to be a girl from being a man and will dress ME up in girls clothes and high heels
    I'm looking for single transgender girl from USA who is very near me and close to Kentucky in the USA and it's here to find someone to Dating them off of here now and married ME and help me to be a girl from being a man or a man who's having turn into a girl from being a man and has a sex gender change doing to be a girl from being a man and it's here to find someone who would dating them and will be them Love to them off of here now and I am not here for any fake people or catfish only people who are gay people or transgender girl who would dating ME or trans women or lesbians and a man who's had start transition from being a man into a girl and does not looking like a man anymore at all and now it's a girl full Time now and will dating anyone like ME or woman who has peins now and will dating ME now any One who it's insane in dating ME now hit me up on here now or at Google chat Eric Norman skaggs5216@gmail.com and will help me to be a girl from being a man for real and not here here to play any games with me at all now I'm only wanting a girl friend to be My love to me now and married ME and help me to be a girl from being a man and will dress ME up in girls clothes and high heels
    Love
    1
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  • Cross-dressing is not about deception; it’s about expression so be yourself, everyone else is already taken. Even in a ball gown and a beard #crossdressing #sissy #crossdresser #maid #femboy #model
    Cross-dressing is not about deception; it’s about expression so be yourself, everyone else is already taken. Even in a ball gown and a beard #crossdressing #sissy #crossdresser #maid #femboy #model
    Love
    Haha
    Yay
    7
    4 Commenti 0 condivisioni 3K Views
  • I was enjoying the new site updates but the new notification noise freaked the hell out of me the first couple of times! Anyone else get hit by that?
    I was enjoying the new site updates but the new notification noise freaked the hell out of me the first couple of times! Anyone else get hit by that? 🤣
    Haha
    Sad
    5
    2 Commenti 0 condivisioni 2K Views
  • Rachellovesex who's a paid up member and should know better out of most people, has posted explicit pictures (not the first) showing a toy and herself bent over spreading showing the cat's eye (yuck!). I chastised her and said she should take the images down, adding a copy of the main rules at the very top of the main page of this site. Said if you want to post those kind of pictures then go use another appropriate site (as I do). So she's sent me a message but I'm assuming she also blocked me straight away, as I can't read it or see her profile. If you see the post and think its not appropriate please take action.
    Rachellovesex who's a paid up member and should know better out of most people, has posted explicit pictures (not the first) showing a toy and herself bent over spreading showing the cat's eye (yuck!). I chastised her and said she should take the images down, adding a copy of the main rules at the very top of the main page of this site. Said if you want to post those kind of pictures then go use another appropriate site (as I do). So she's sent me a message but I'm assuming she also blocked me straight away, as I can't read it or see her profile. If you see the post and think its not appropriate please take action.
    Like
    Love
    7
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  • Anyway was checking the main feed and noticed a against one of my rants about scammers. Saw it was from Tgirljane69. Well her last picture is plastered across the internet. Call me cynical but I don't think its who she portrays on here. Make your own mind up though.
    Anyway was checking the main feed and noticed a ❤️against one of my rants about scammers. Saw it was from Tgirljane69. Well her last picture is plastered across the internet. Call me cynical but I don't think its who she portrays on here. Make your own mind up though.
    Like
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    10
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  • Something not right about this site tonight xx
    Something not right about this site tonight xx
    11 Commenti 0 condivisioni 2K Views
  • In Visibility

    I ask myself
    If I am lie
    Pretending
    Not be boy
    If I am strange?
    I don't deny
    It's strange
    To be doll toy
    I often ask
    Myself
    If I
    want be
    Like them at all
    And every time
    Without thrust
    I answer
    Not like girl...
    So all it is
    A sense of tights
    That make you
    Much excite?
    And warmth
    And pleasure
    Even lust...?
    You ll name
    Them all...
    You might...
    Am I just hiding
    From my past
    From Love
    I never met?
    I just not felt
    At all
    "your must"
    Makes happy
    At the end...
    Am I afraid
    To meet divorce?
    Not really
    All'd past...
    So please explain
    Why you are girl
    When born another cast...?
    Do you avoiding
    World of men
    Nor fitting
    Nor in peace
    And live on border
    Of your ends
    In tights
    To feel like
    Miss...?
    I do not know
    It is trill
    To dress and go
    Through...
    Through
    World
    Unnoticed
    At all
    No matter ever
    Boy or girl...
    In Visibility I ask myself If I am lie Pretending Not be boy If I am strange? I don't deny It's strange To be doll toy I often ask Myself If I want be Like them at all And every time Without thrust I answer Not like girl... So all it is A sense of tights That make you Much excite? And warmth And pleasure Even lust...? You ll name Them all... You might... Am I just hiding From my past From Love I never met? I just not felt At all "your must" Makes happy At the end... Am I afraid To meet divorce? Not really All'd past... So please explain Why you are girl When born another cast...? Do you avoiding World of men Nor fitting Nor in peace And live on border Of your ends In tights To feel like Miss...? I do not know It is trill To dress and go Through... Through World Unnoticed At all No matter ever Boy or girl...
    Love
    8
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  • Reflecting on my journey down the rabbit hole, going deeper, i found myself overwhelmed with a plethora of new feelings and emotions, some good some not so much. Perseverance made me reach my goals. This was one of them.
    Reflecting on my journey down the rabbit hole, going deeper, i found myself overwhelmed with a plethora of new feelings and emotions, some good some not so much. Perseverance made me reach my goals. This was one of them. ❤️
    Love
    Yay
    Wow
    15
    1 Commenti 0 condivisioni 2K Views
  • No Ai or Fake Pictures, What you see is me and mine. Nothing more or less.

    Why do I love Co ck

    This is a good question and I guess it's personal to me ...
    Co ck that has the head fully showing to me look amazing, small medium or large just look incredible and if Smooth Shaven and in Stockings or Holdups then I'm Week and I must have them in my mouth.
    The way the skin behind the head moves with your lips, the feel of the rough edge of the Head.
    The taste of a clean **** is amazing.
    The way it shows you it enjoys what you started by getting hard, what a turn on
    The best thing of all is how after all this fun sucking and playing it rewards you again with the most amazing Pre Cum then followed by a juicy mouth full of Cum for me to Swallow and enjoy...
    Damn I love them so much ....

    If you are local to Derby or Nottingham then get in touch, get those Co ck Photos and
    Send them my way
    ------------------------------------------------------------
    Further Slutty Reading

    As someone that on the odd occasion meets other CDs, I think it is important to know how I feel about you if we meet up.
    Well it's very important to understand before we meet a few things.
    I'm meeting you for my own pleasure entirely,
    I'm not interested in you looking like a Female entirely... Let me explain
    Before we got to the meeting point we would have chatted extensively about it, and swapped Pics as you do.
    So now we know I'm only interested in your Co ck, but only Smooth Co ck and in Lingerie.
    Unfortunately I DON'T do beards, not on my Co ck.
    So now we know, You need to be Smooth, in Lingerie and have a **** I WILL use.
    That means I will be Sucking that Co ck Dry and Swallowing the Content, No Ifs, No Buts...
    Now the next thing is what you may want me to do or of course do to me.
    The 2 rules I have will have been discussed with you before now anyway so...
    My Co ck 'WILL' be Emptied and 'WILL' be Swallowed by You, No Ifs, No Buts...
    I get asked, but I wanted you to **** my Ass, that's fine but the rule above still applies so remember that...
    I get asked, But I wanted to **** your Ass, well again that's fine but you WILL Cum in my mouth and Feed me, No Ifs, No Buts.
    You are a Toy for my pleasure.... That's it
    You may become a friend and we may meet very regular, but everything above ALWAYS stays the same....Never Ever any Mess or Waste...
    Now you know..


    All my best pictures and Stories in one (FREE) Private Group <a href="https://www.flickr.com/groups/14871084@N25/">www.flickr.com/groups/14871084@N25/</a>
    No Ai or Fake Pictures, What you see is me and mine. Nothing more or less. Why do I love Co ck This is a good question and I guess it's personal to me ... Co ck that has the head fully showing to me look amazing, small medium or large just look incredible and if Smooth Shaven and in Stockings or Holdups then I'm Week and I must have them in my mouth. The way the skin behind the head moves with your lips, the feel of the rough edge of the Head. The taste of a clean cock is amazing. The way it shows you it enjoys what you started by getting hard, what a turn on The best thing of all is how after all this fun sucking and playing it rewards you again with the most amazing Pre Cum then followed by a juicy mouth full of Cum for me to Swallow and enjoy... Damn I love them so much .... If you are local to Derby or Nottingham then get in touch, get those Co ck Photos and Send them my way 😉 ------------------------------------------------------------ Further Slutty Reading As someone that on the odd occasion meets other CDs, I think it is important to know how I feel about you if we meet up. Well it's very important to understand before we meet a few things. I'm meeting you for my own pleasure entirely, I'm not interested in you looking like a Female entirely... Let me explain Before we got to the meeting point we would have chatted extensively about it, and swapped Pics as you do. So now we know I'm only interested in your Co ck, but only Smooth Co ck and in Lingerie. Unfortunately I DON'T do beards, not on my Co ck. So now we know, You need to be Smooth, in Lingerie and have a Cock I WILL use. That means I will be Sucking that Co ck Dry and Swallowing the Content, No Ifs, No Buts... Now the next thing is what you may want me to do or of course do to me. The 2 rules I have will have been discussed with you before now anyway so... My Co ck 'WILL' be Emptied and 'WILL' be Swallowed by You, No Ifs, No Buts... I get asked, but I wanted you to Fuck my Ass, that's fine but the rule above still applies so remember that... I get asked, But I wanted to Fuck your Ass, well again that's fine but you WILL Cum in my mouth and Feed me, No Ifs, No Buts. You are a Toy for my pleasure.... That's it You may become a friend and we may meet very regular, but everything above ALWAYS stays the same....Never Ever any Mess or Waste... Now you know.. All my best pictures and Stories in one (FREE) Private Group <a href="https://www.flickr.com/groups/14871084@N25/">www.flickr.com/groups/14871084@N25/</a>
    Love
    6
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  • Another fake
    Another fake
    Like
    1
    3 Commenti 0 condivisioni 889 Views
  • I have dated many cis women and it was great sex or love making without BDSM. I want a sissy, but I'm not convinced they have as good a orgasm as cis vaginal. But not all cis women are great in bed. So I'm attracted to sissy if they look like a beautiful woman that's how I transition to wanting a hot looking chick with a dick. I have an oral fixation and if a sissy wants me as a daddy, then I'm interested. But bdsm could be a waste of my time and I'm not into being tied up for an hour while the ******** leaves and fucks someone else...lol
    I have dated many cis women and it was great sex or love making without BDSM. I want a sissy, but I'm not convinced they have as good a orgasm as cis vaginal. But not all cis women are great in bed. So I'm attracted to sissy if they look like a beautiful woman that's how I transition to wanting a hot looking chick with a dick. I have an oral fixation and if a sissy wants me as a daddy, then I'm interested. But bdsm could be a waste of my time and I'm not into being tied up for an hour while the mistress leaves and fucks someone else...lol
    A great review from my client… this morning interested once should dm on telegram….
    https://t.me/serveramonaryder1

    Like
    1
    0 Commenti 0 condivisioni 1K Views
  • EmilyChill and Emily12 to be avoided unless you are absolutely sure who they are. EmilyChill DM'd me. I found her original (cropped) picture was across the net and when i asked her about it she suddenly changed it to some other leg picture. No explanation about the original one. Was asking her more info about her as there's nothing on her profile (red flag) and now she's blocked me. Emily12 just asking me about where i was then went quiet for no reason. Her pics are sus anyway. Call me paranoid but lol
    EmilyChill and Emily12 to be avoided unless you are absolutely sure who they are. EmilyChill DM'd me. I found her original (cropped) picture was across the net and when i asked her about it she suddenly changed it to some other leg picture. No explanation about the original one. Was asking her more info about her as there's nothing on her profile (red flag) and now she's blocked me. Emily12 just asking me about where i was then went quiet for no reason. Her pics are sus anyway. Call me paranoid but lol
    Like
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    10
    9 Commenti 1 condivisioni 3K Views
  • Good evening from a wet miserable Nottingham
    Good evening from a wet miserable Nottingham 🙃
    Love
    Like
    6
    4 Commenti 0 condivisioni 2K Views
  • Sorry about the hairy legs, it's too hot for stockings or tights, not to mention wigs
    I'm looking forward to some cooler weather in the next few days
    Sorry about the hairy legs, it's too hot for stockings or tights, not to mention wigs 🥵🌡️🌞 I'm looking forward to some cooler weather in the next few days ☺️
    Love
    Like
    24
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  • Good morning! wow, I get in from work and spend like 20 minutes looking for scammy feckin twats to report and block. And, then remember this is still a social site! So I'm being social and posting a pic, well just incase you all forgot what I looked like?? Ok, so I changed my lippy shade, did you notice?
    Good morning! wow, I get in from work and spend like 20 minutes looking for scammy feckin twats to report and block. And, then remember this is still a social site! So I'm being social and posting a pic, well just incase you all forgot what I looked like?? Ok, so I changed my lippy shade, did you notice? 🤣🤣😍💋💋💋
    Love
    Like
    18
    6 Commenti 0 condivisioni 2K Views
  • So I wasn't going to post these ones, no make-up or anything...but last week I started putting together my first girls outfit, trying to find my style. It's not finished but wanted to see it and see what y'all thought.

    How did I do, Girls? Xx
    #crossdresser #crossdressing #highheels #skirt #selfie
    So I wasn't going to post these ones, no make-up or anything...but last week I started putting together my first girls outfit, trying to find my style. It's not finished but wanted to see it and see what y'all thought. How did I do, Girls? Xx #crossdresser #crossdressing #highheels #skirt #selfie
    Love
    Like
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    24
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  • The rain came down in silver sheets, turning the cobbles into black mirrors that reflected the sodium glow of the single working streetlamp. I leaned against its rusted iron, the cold metal biting through the heavy layers of satin and chiffon like it wanted to remind me I was still flesh under all this funeral drag.
    I took a long drag on the cigarette, the cherry flaring briefly under the edge of my veil. The black chiffon draped across my face softened the world into shadow theatre, everything a little unreal, a little safer that way. My lips, painted the color of dried blood, left a faint crescent on the filter. I exhaled smoke that twisted upward to join the mist, two kinds of fog becoming one.
    They called me Valentine in the old precinct days, before the badge became a liability and the mirror became an accusation. Now I was just Val to the few who still owed me favors, or the ones who needed someone who didn't flinch at the smell of blood and cheap perfume. Tonight the city smelled of both.
    The gown dragged behind me like a widow's promise, long black satin, ankle-skimming, catching what little light there was and throwing it back in wet, liquid gleams. The blouse beneath frothed with rococo frills, glossy and ridiculous against the grime. Mourning attire from a century that knew how to grieve properly. I wore it because it fit the part I was playing: the ghost who refuses to lie down.
    Somewhere in the alley behind me, my wardrobe waited in a condemned boarding house door half off its hinges, the only bright thing inside a floor length rainbow satin dress hanging like a forgotten carnival prize. Long sleeves, high ruffled collar, shimmering like oil on water. I kept it there the way some men keep a pistol in a drawer. A reminder that colour still existed, even if I only visited it in the dark.
    A low rumble rolled through the street. The red double decker bus, the corpse of the only one left running those nights, it lay half-buried in fallen brick and twisted rebar two blocks down. Its paint had rusted to the color of old blood; one headlamp still flickered like a dying eye. No one bothered to tow it anymore. It was just another corpse in the landscape.
    I flicked ash into a puddle. The cigarette hissed and went out. That's when I saw her silhouette at the mouth of the alley, trench coat too big, heels too high for the broken pavement. She moved like someone who knew she was being watched but couldn't afford to run.
    She stopped under the cone of lamplight, rain tracing black rivulets down her face. Mascara already surrendered hours ago.
    "You're late," I said, voice low, muffled by chiffon.
    "You're early," she answered. Her eyes flicked over my outfit, the veil, the frills, the shine that didn't belong here. She didn't laugh. Smart girl. "They said you were... particular about appearances."
    "They say a lot of things." I pushed off the lamppost. The gown whispered against itself with every step. "You got the envelope?"
    She reached inside her coat, produced a slim packet sealed with red wax. Her hand trembled just enough to notice.
    "Inside is everything, names, dates, the garment dress warehouse on Cutler Street. They think they're untouchable because they own half the magistrates and all the shadows." She swallowed. "But they killed my sister. Slowly. For asking too many questions about the satin shipments."
    I took the envelope without looking at it. Slipped it inside the satin folds where a heart should be.
    "And what do you want from me?" I asked.
    "Justice." The word sounded small and antique in her mouth. "Or revenge. Whichever comes first."
    I studied her through the veil. Young. Broken in the right places. The kind of client who pays in blood or tears, sometimes both.
    "Revenge is expensive," I told her. "And justice... justice is just revenge wearing prettier clothes."
    She met my eyes, dark eyeliner smudged into war paint. "Then I'll pay the price."
    I nodded once. The rain drummed harder, like applause for bad decisions.
    "Go home," I said. "Lock the doors. Burn anything with your name on it. I'll find you when it's done."
    She hesitated, then turned and walked back into the dark. Her heels clicked once, twice, then nothing.
    I lit another cigarette. The flame briefly illuminated my reflection in the wet lamppost glass: black lips, darker eyes, a widow who never married, a detective who never solved anything clean.
    The city exhaled around me, smoke, rain, rust.
    I started walking toward Cutler Street.
    The rainbow dress in the wardrobe would have to wait another night.
    Some colours aren't meant to be worn in the light.
    The rain came down in silver sheets, turning the cobbles into black mirrors that reflected the sodium glow of the single working streetlamp. I leaned against its rusted iron, the cold metal biting through the heavy layers of satin and chiffon like it wanted to remind me I was still flesh under all this funeral drag. I took a long drag on the cigarette, the cherry flaring briefly under the edge of my veil. The black chiffon draped across my face softened the world into shadow theatre, everything a little unreal, a little safer that way. My lips, painted the color of dried blood, left a faint crescent on the filter. I exhaled smoke that twisted upward to join the mist, two kinds of fog becoming one. They called me Valentine in the old precinct days, before the badge became a liability and the mirror became an accusation. Now I was just Val to the few who still owed me favors, or the ones who needed someone who didn't flinch at the smell of blood and cheap perfume. Tonight the city smelled of both. The gown dragged behind me like a widow's promise, long black satin, ankle-skimming, catching what little light there was and throwing it back in wet, liquid gleams. The blouse beneath frothed with rococo frills, glossy and ridiculous against the grime. Mourning attire from a century that knew how to grieve properly. I wore it because it fit the part I was playing: the ghost who refuses to lie down. Somewhere in the alley behind me, my wardrobe waited in a condemned boarding house door half off its hinges, the only bright thing inside a floor length rainbow satin dress hanging like a forgotten carnival prize. Long sleeves, high ruffled collar, shimmering like oil on water. I kept it there the way some men keep a pistol in a drawer. A reminder that colour still existed, even if I only visited it in the dark. A low rumble rolled through the street. The red double decker bus, the corpse of the only one left running those nights, it lay half-buried in fallen brick and twisted rebar two blocks down. Its paint had rusted to the color of old blood; one headlamp still flickered like a dying eye. No one bothered to tow it anymore. It was just another corpse in the landscape. I flicked ash into a puddle. The cigarette hissed and went out. That's when I saw her silhouette at the mouth of the alley, trench coat too big, heels too high for the broken pavement. She moved like someone who knew she was being watched but couldn't afford to run. She stopped under the cone of lamplight, rain tracing black rivulets down her face. Mascara already surrendered hours ago. "You're late," I said, voice low, muffled by chiffon. "You're early," she answered. Her eyes flicked over my outfit, the veil, the frills, the shine that didn't belong here. She didn't laugh. Smart girl. "They said you were... particular about appearances." "They say a lot of things." I pushed off the lamppost. The gown whispered against itself with every step. "You got the envelope?" She reached inside her coat, produced a slim packet sealed with red wax. Her hand trembled just enough to notice. "Inside is everything, names, dates, the garment dress warehouse on Cutler Street. They think they're untouchable because they own half the magistrates and all the shadows." She swallowed. "But they killed my sister. Slowly. For asking too many questions about the satin shipments." I took the envelope without looking at it. Slipped it inside the satin folds where a heart should be. "And what do you want from me?" I asked. "Justice." The word sounded small and antique in her mouth. "Or revenge. Whichever comes first." I studied her through the veil. Young. Broken in the right places. The kind of client who pays in blood or tears, sometimes both. "Revenge is expensive," I told her. "And justice... justice is just revenge wearing prettier clothes." She met my eyes, dark eyeliner smudged into war paint. "Then I'll pay the price." I nodded once. The rain drummed harder, like applause for bad decisions. "Go home," I said. "Lock the doors. Burn anything with your name on it. I'll find you when it's done." She hesitated, then turned and walked back into the dark. Her heels clicked once, twice, then nothing. I lit another cigarette. The flame briefly illuminated my reflection in the wet lamppost glass: black lips, darker eyes, a widow who never married, a detective who never solved anything clean. The city exhaled around me, smoke, rain, rust. I started walking toward Cutler Street. The rainbow dress in the wardrobe would have to wait another night. Some colours aren't meant to be worn in the light.
    Love
    Yay
    5
    1 Commenti 0 condivisioni 2K Views
  • No Ai or Fake Pictures, What you see it me and mine. Nothing more or less.

    Why do I love Co ck

    This is a good question and I guess it's personal to me ...
    Co ck that has the head fully showing to me look amazing, small medium or large just look incredible and if Smooth Shaven and in Stockings or Holdups then I'm Week and I must have them in my mouth.
    The way the skin behind the head moves with your lips, the feel of the rough edge of the Head.
    The taste of a clean **** is amazing.
    The way it shows you it enjoys what you started by getting hard, what a turn on
    The best thing of all is how after all this fun sucking and playing it rewards you again with the most amazing Pre Cum then followed by a juicy mouth full of Cum for me to Swallow and enjoy...
    Damn I love them so much ....

    If you are local to Derby or Nottingham then get in touch, get those Co ck Photos and
    Send them my way
    ------------------------------------------------------------
    Further Slutty Reading

    As someone that on the odd occasion meets other CDs, I think it is important to know how I feel about you if we meet up.
    Well it's very important to understand before we meet a few things.
    I'm meeting you for my own pleasure entirely,
    I'm not interested in you looking like a Female entirely... Let me explain
    Before we got to the meeting point we would have chatted extensively about it, and swapped Pics as you do.
    So now we know I'm only interested in your Co ck, but only Smooth Co ck and in Lingerie.
    Unfortunately I DON'T do beards, not on my Co ck.
    So now we know, You need to be Smooth, in Lingerie and have a **** I WILL use.
    That means I will be Sucking that Co ck Dry and Swallowing the Content, No Ifs, No Buts...
    Now the next thing is what you may want me to do or of course do to me.
    The 2 rules I have will have been discussed with you before now anyway so...
    My Co ck 'WILL' be Emptied and 'WILL' be Swallowed by You, No Ifs, No Buts...
    I get asked, but I wanted you to **** my Ass, that's fine but the rule above still applies so remember that...
    I get asked, But I wanted to **** your Ass, well again that's fine but you WILL Cum in my mouth and Feed me, No Ifs, No Buts.
    You are a Toy for my pleasure.... That's it
    You may become a friend and we may meet very regular, but everything above ALWAYS stays the same....Never Ever any Mess or Waste...
    Now you know..


    All my best pictures and Stories in one (FREE) Private Group <a href="https://www.flickr.com/groups/14871084@N25/">www.flickr.com/groups/14871084@N25/</a>
    No Ai or Fake Pictures, What you see it me and mine. Nothing more or less. Why do I love Co ck This is a good question and I guess it's personal to me ... Co ck that has the head fully showing to me look amazing, small medium or large just look incredible and if Smooth Shaven and in Stockings or Holdups then I'm Week and I must have them in my mouth. The way the skin behind the head moves with your lips, the feel of the rough edge of the Head. The taste of a clean cock is amazing. The way it shows you it enjoys what you started by getting hard, what a turn on The best thing of all is how after all this fun sucking and playing it rewards you again with the most amazing Pre Cum then followed by a juicy mouth full of Cum for me to Swallow and enjoy... Damn I love them so much .... If you are local to Derby or Nottingham then get in touch, get those Co ck Photos and Send them my way 😉 ------------------------------------------------------------ Further Slutty Reading As someone that on the odd occasion meets other CDs, I think it is important to know how I feel about you if we meet up. Well it's very important to understand before we meet a few things. I'm meeting you for my own pleasure entirely, I'm not interested in you looking like a Female entirely... Let me explain Before we got to the meeting point we would have chatted extensively about it, and swapped Pics as you do. So now we know I'm only interested in your Co ck, but only Smooth Co ck and in Lingerie. Unfortunately I DON'T do beards, not on my Co ck. So now we know, You need to be Smooth, in Lingerie and have a Cock I WILL use. That means I will be Sucking that Co ck Dry and Swallowing the Content, No Ifs, No Buts... Now the next thing is what you may want me to do or of course do to me. The 2 rules I have will have been discussed with you before now anyway so... My Co ck 'WILL' be Emptied and 'WILL' be Swallowed by You, No Ifs, No Buts... I get asked, but I wanted you to Fuck my Ass, that's fine but the rule above still applies so remember that... I get asked, But I wanted to Fuck your Ass, well again that's fine but you WILL Cum in my mouth and Feed me, No Ifs, No Buts. You are a Toy for my pleasure.... That's it You may become a friend and we may meet very regular, but everything above ALWAYS stays the same....Never Ever any Mess or Waste... Now you know.. All my best pictures and Stories in one (FREE) Private Group <a href="https://www.flickr.com/groups/14871084@N25/">www.flickr.com/groups/14871084@N25/</a>
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  • Awwwww i still cannot stop thinking of the dress! I so ache to wear it right now and i was so happy wearing it last tuesday as the layers gently rubbed against my legs! Mmmmm
    Awwwww i still cannot stop thinking of the dress! I so ache to wear it right now and i was so happy wearing it last tuesday as the layers gently rubbed against my legs! Mmmmm 💗💗🍆
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  • Good morning another cold & damp day.
    Xxx
    Good morning another cold & damp day. Xxx
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  • Nothing like putting on a fresh pair of pantyhose
    Nothing like putting on a fresh pair of pantyhose
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  • Will be on for a chat and pic x change crossdressers only plz no men just in panties not my thing sorry
    Will be on for a chat and pic x change crossdressers only plz no men just in panties not my thing sorry
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    1
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  • I'm debating whether to go out on Thursday afternoon or not I might Wetherspoon or somewhere different what do you think
    I'm debating whether to go out on Thursday afternoon or not I might Wetherspoon or somewhere different what do you think
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