I'm recruiting newbie subs that wants to serve me and get trained and completely owned by Me #sissyslut #femboy

She chose the necklace last.
That was always how it went, hair first, then the glasses, the careful line of lipstick that made her look like she knew what she was doing even when she didn’t. The mirror showed her a woman with copper rose hair and a smile she’d practiced for years, one that said I’m fine, thank you, without inviting questions.
The turquoise collar lay on the dresser like a memory she wasn’t ready to wear today.
Instead, her fingers closed around the spinel and garnet strand.
It was cool in her hand, heavier than it looked. The stones weren’t perfect, no two were the same. Pink spinel caught the light softly, purple deepened toward dusk, and the garnets glowed like embers that refused to go out. Freeform. Unapologetic. Honest. She liked that about them. They didn’t pretend to be anything other than what they were.
The magnetic clasp clicked shut at the back of her neck with a small, decisive sound.
At 51 centimetres, the necklace didn’t sit high and declarative like the turquoise one. It rested lower, closer to the heart. A quiet line of colour against her skin, silver tones flickering when she moved. It didn’t announce her presence, it stayed with her.
She leaned closer to the mirror.
The spinel echoed the warmth of her hair. The garnet answered the lipstick. Together they softened her face, drew the eye downward, slowed everything. This wasn’t a necklace for making an entrance. It was for conversations that lasted longer than planned. For afternoons that drifted into evening. For being seen without being displayed.
She smiled again this time without rehearsing it.
Some jewellery was armour. Some was memory. This one felt like continuity, like all the versions of herself agreeing, briefly, to coexist. The woman who once wore turquoise like a shield. The woman who now preferred stones that looked as if they’d lived a little.
She reached for her coat, left the turquoise where it was, and stepped out.
The necklace moved with her not loudly, not urgently but faithfully, stone against skin, colour against breath, proof that beauty didn’t have to shout to be real.

No Ai or Fake Pictures, What you see is me and mine. Nothing more or less.
Why do I love Co ck......
This is a good question and I guess it's personal to me ...
Co ck that has the head fully showing to me look amazing, small medium or large just look incredible and if Smooth Shaven and in Stockings or Holdups then I'm Week and I must have them in my mouth.
The way the skin behind the head moves with your lips, the feel of the rough edge of the Head.
The taste of a clean **** is amazing.
The way it shows you it enjoys what you started by getting hard, what a turn on
The best thing of all is how after all this fun sucking and playing it rewards you again with the most amazing Pre Cum then followed by a juicy mouth full of Cum for me to Swallow and enjoy...
Damn I love them so much ....

If you are local to Derby or Nottingham then get in touch, get those Co ck Photos and
Send them my way
------------------------------------------------------------
Further Slutty Reading

As someone that on the odd occasion meets other CDs, I think it is important to know how I feel about you if we meet up.
Well it's very important to understand before we meet a few things.
I'm meeting you for my own pleasure entirely,
I'm not interested in you looking like a Female entirely... Let me explain
Before we got to the meeting point we would have chatted extensively about it, and swapped Pics as you do.
So now we know I'm only interested in your Co ck, but only Smooth Co ck and in Lingerie.
Unfortunately I DON'T do beards, not on my Co ck.
So now we know, You need to be Smooth, in Lingerie and have a **** I WILL use.
That means I will be Sucking that Co ck Dry and Swallowing the Content, No Ifs, No Buts...
Now the next thing is what you may want me to do or of course do to me.
The 2 rules I have will have been discussed with you before now anyway so...
My Co ck 'WILL' be Emptied and 'WILL' be Swallowed by You, No Ifs, No Buts...
I get asked, but I wanted you to **** my Ass, that's fine but the rule above still applies so remember that...
I get asked, But I wanted to **** your Ass, well again that's fine but you WILL Cum in my mouth and Feed me, No Ifs, No Buts.
You are a Toy for my pleasure.... That's it
You may become a friend and we may meet very regular, but everything above ALWAYS stays the same....Never Ever any Mess or Waste...
Now you know..


All my best pictures and Stories in one (FREE) Private Group <a href="https://www.flickr.com/groups/14871084@N25/">www.flickr.com/groups/14871084@N25/</a>

I do love my heels, but I think this dress is better suited to be worn with chunky boots. What do you think?

I think I'd call it Rolled oats

This site is absolutely thrashing my head! ...its like a real life game of guess who??

Spending ages on SHEIN, filling my basket, realising how much it costs, then agonising over what to delete!

The problem with SHEIN is that there's just toooooo much to choose from! Help!

Evening girls I thought I'd try a bit of aerial photography, although I'm scared of heights, It was a good opportunity to get a look at the mountains! Well that's my adventure for today, now lets crack a bottle of red!

Sticking with the animal prints...which skirt looks best with this blouse???

Srry if im spamming this lingerie fit, just loving how it fits me & the blue lighting🩵

My new Track, released today

femininity is powerful, its who you are, that feeling is happines, content, assurance, love, its what makes life worth living

Name's Delilah "Dolly" Malone, private eye by trade, sissy by nature. Obese, overweight, and unapologetic about it, I waddled through this apocalypse in a Barbie pink ankle length trenchcoat that billowed like a parachute in the fallout wind. Underneath, my pink Victorian mourning attire clung to my rolls, a long pink satin gown with subtle sheen highlights that caught the dim rad lights just right, making me shimmer like a forbidden dream. My oversized pink satin headscarf framed my face, tied in a bow that screamed Rococo excess, and a sheer pink chiffon voile veil draped over it all, misting my vision in rosy haze. Glossy shiny deluxe blouse frills peeked out at the collar, frilly as a sissy maid's apron. Dramatic pink lips, pink eyeliner I painted myself like a doll in a world gone gray. Hard boiled? Sure, but with a soft center that melted at the wrong touch. It started like any other gig in this irradiated hellhole, the kind where the client slinks into your office smelling of desperation and cheap perfume. My office was a gutted bungalow on what's left of Sunset Boulevard, walls papered with faded starlet posters glowing faintly from the rads. She walked in or slithered, more like a femme fatale straight out of the old reels, but twisted by the apocalypse. Tall, gaunt, with skin like irradiated porcelain and eyes that could melt lead. Called herself Veronica Voss, heir to some pre war studio fortune, or so she claimed. "Dolly," she purred, her voice like velvet over razor wire, "I need you to find my husband. He's gone missing with a stash of pre-war gold the kind that could buy us a ticket out of this wasteland." I should've walked away. But her gaze lingered on my pink ensemble, a smirk playing on those blood red lips. "You look... exquisite," she said, tracing a finger along my frilled blouse. Love or money? Hell, in my line of work, it's always both. I took the case, lured like an innocent lamb to the slaughter. Average? Me? Law abiding? In this world, survival's the only law, but yeah, I was tempted. She dangled promises, a cut of the gold, a night in her arms, where I'd be her pretty little doll. My heart, buried under layers of satin and fat, fluttered like a trapped bird. The trail led to the ruins of the Hollywood Sign, now a jagged "HOLLYW D" mocking the sky. Dutch angles everywhere, the ground tilted under my heels, my pink gown swishing as I lumbered up the hill, veil fluttering in the toxic breeze. I found clues: a scorched map to a vault in the old MGM lot, whispers of a heist crew Veronica's hubby had assembled. Perfect crime, they thought crack the vault, grab the gold, vanish into the Mojave like ghosts. But greed's a hungry beast. I pieced it together from rad scorched notes and bullet riddled bodies: internal betrayal, bad luck from a radstorm that fried their getaway vertibird. The hubby was dead, double crossed by his own femme fatale wait, no. By Veronica? My gut twisted. That's when it got personal. Digging deeper, I uncovered photos in the vault pre war snapshots of a man who looked too familiar. Me? No, couldn't be. But the face... my face, slimmer, harder, before the bombs, before the pink. Amnesia hit like a sledgehammer. I'd blacked out chunks of my past after the fallout, waking up in this body, this craving for satin and veils. Identity crisis? You bet. Turns out, I wasn't always Dolly. I was that hubby or a clone, or some rad mutated twin. Veronica had lured me in before the war, manipulated me into a heist for her studio's hidden fortune. I stole, I killed, she betrayed me, left me for dead in the blast. Now, post apocalypse, she'd tracked me down, not knowing it was me under the pink, the fat, the frills. She wanted the gold I'd stashed in my fogged memory. Corruption seeped in like fallout rain. The case turned dangerous her goons on my tail, corrupt Enclave remnants posing as authorities, accusing me of the old murders. Innocent man on the run? Wrongfully accused in a world where justice is a loaded .45. I evaded them through the twisted streets, my trenchcoat snagging on barbed wire, pink satin tearing like my sanity. Hiding in a bombed out mansion, I confronted her. "You," I gasped, veil askew, lips smudged. "You did this to me." She laughed, that velvet razor slicing deep. "Darling, you were always a pushover. A little love, a little money and look at you now, all dolled up." She drew a pearl handled pistol, the trap sprung. The heist gone wrong? This was round two. I lunged obese, but fueled by rage knocking the gun away. We tumbled in Dutch angled chaos, shadows twisting like my gown's sheen. But greed won. She grabbed the gold map from my pocket, shot me in the gut. As I bled out on the irradiated floor, pink staining red, I realized: destruction was always the endgame. For the lured innocent, the doomed detective, the betrayed sissy in a world of gray. Fade to black, darling. Fade to pink.

Shorts or dress ? I feel so girly in both

In the Hills after the Bomb they mostly call me The Late Detective. Late to justice, late to lunch, late to the end of the world. The sky was the colour of an old television left on after the station died, tilted at a Dutch angle like God had nudged the tripod and walked away. In this town, fabric tells the truth faster than people. I walked through it swaddled in turquoise satin, layered, intentional, defiant. My trenchcoated attire was heavy silk satin, the kind with a weight to it, a gravity. Satin doesn’t flutter; it arrives. It caught the light even in monochrome, turning every streetlamp into a confession. Underneath, the Victorian mourning attire did what it was designed to do: announce loss while indulging excess. Glossy deluxe blouse frills, cut wide and deep, each fold edged like it had a memory. They whispered when I moved. Satin remembers. It always does. The hijab headscarf was oversized turquoise satin, wrapped high and proud, smooth as a bribe sliding across a table. Over that, a chiffon voile veil, sheer, unforgiving, honest. Chiffon doesn’t hide anything; it only softens the blow. It floated just off my face, catching the radioactive breeze, turning my grief into motion. Taffeta anchored the gown beneath it all, crisp and slightly petulant, holding its shape like a stubborn alibi. Taffeta never forgets it’s there. I knew the case was serious the moment I saw the mannequins. The Garment District had been stripped naked. Not torn apart, undressed. Racks stood empty, arms out like they were asking questions nobody wanted to answer. The air smelled wrong. Usually it was starch, dye, steam, ambition. Now it was dust and panic. Silk was missing. All of it. Not just silk as a category, but silk as an idea. Satin-faced charmeuse. Heavy duchess satin meant for gowns that expected to be remembered. Raw silk with its tiny imperfections, honest as a tired smile. Silk twill that knew how to hold a line. Gone. Satin too, proper satin, not that plastic nonsense. The good stuff that slides between your fingers like it’s trying to escape. Satin that makes even cheap tailoring look like it has a lawyer. Vanished. Taffeta bolts were missing next. Crisp, noisy taffeta that rustles when you walk, announcing your presence whether you like it or not. The kind of fabric that refuses subtlety. Someone had wanted drama. And chiffon. God help us, chiffon. Weightless, floaty, translucent. Chiffon that catches on breath, on light, on the idea of movement. The chiffon racks looked like a graveyard of empty hangers. Voile too, cotton voile, silk voile, the gentle middle child that designers rely on when they want softness without surrender. Gone like a promise after the bombs. This wasn’t theft. This was curation. The femme fatale found me tracing the grain of a wooden cutting table, my gloved fingers remembering where silk had once lain. “They took only the best,” she said, lighting a cigarette like it was an accessory. “Nothing synthetic. Nothing that couldn’t mourn properly.” That told me everything. In the apocalypse, fabric becomes currency. Silk means water, means safety, means time to think. Satin means power. Taffeta means spectacle. Chiffon means hope. Voile means tenderness, the most dangerous commodity of all. I followed the trail through tailor shops and bombed out ateliers, past pattern paper fluttering like white flags. A single thread of turquoise voile snagged on a rusted nail led me uphill, toward the old soundstages where dreams used to be pressed, steamed, and sent out into the world with a smile. Inside, the thieves had laid it all out. Bolts of silk arranged by weight and weave. Satin draped over chairs, catching the light like liquid. Taffeta stacked with military precision, crisp edges aligned, ready to explode into skirts and coats. Chiffon suspended from rigging, floating in layers, a cloud of almost nothing. Voile stretched and tested, light passing through it like mercy. They weren’t stealing to sell. They were building. A final show. A post apocalyptic couture reveal. If the world was ending and it always was then it deserved a proper wardrobe. They surrounded me, guns low, eyes hungry. I adjusted my veil, let the chiffon breathe. “You can’t hoard fabric,” I told them. “It has to be worn. Silk dies in the dark.” The Choir hesitated. Madame Bias frowned, fingers brushing a length of satin like she was checking its pulse. The Cutter looked at my gown, at the way satin, taffeta, and chiffon argued and reconciled on my body. Fashion did the rest. In the end, the fabrics went back out into the streets. Seamstresses worked by candlelight. Mourning gowns bloomed. Trenchcoats shimmered. Veils floated through fallout like prayers that hadn’t given up yet. I walked home heavy with more layers than I arrived wearing, turquoise against the end of the world, every material doing what it was born to do.

The case came in sideways, like everything else north of the equator these days.

Over the irradiated murky Atlantic pond, Glasgow didn’t rain so much as accuse. The drizzle slid down the soot-stained tenements like it knew every sin committed inside them. Post-war, post-bomb, post-everything that ever pretended to be civilized. The apocalypse didn’t flatten Scotland the way it did Los Angeles, it hollowed it out instead, left the bones standing and filled the gaps with whisky, guns, and ghosts.

I wore black that night. Not the practical kind.
The statement kind.

A black oversized tartan satin headscarf wrapped tight around my hair, catching the light like wet ink. Over my face, a sheer black chiffon voile veil, the mourning lace thin enough to breathe through, thick enough to hide regret. The rest of me was Victorian grief dialed up to eleven: glossy black tartan blouse with rococo frills, satin panels hugging me like a second conscience, skirts whispering every time I moved. I looked like a widow who’d buried the world and decided it deserved it.

In Glasgow, that bought me anonymity.

They called me Han here too, though the locals said it like a question. I’d followed the trail across the Atlantic after a shipment of American surplus hardware went missing, Tommy guns, plasma pistols, a few toys left over from the end of the world. Fallout New Vegas tech, Hollywood Hills money, Highland routes. Someone was running iron through the glens and washing it down with single malt older than the war itself.

The back streets off Trongate were crooked enough to make a Dutch cameraman weep. Buildings leaned in close, sharing secrets. Gas lamps flickered like they were afraid of what they might illuminate. I walked slow, heels deliberate, veil fluttering just enough to let the right people notice and the wrong people hesitate.

That’s when the femme fatale found me.

She leaned against a doorway like she’d been waiting for the end of the world to catch up. Hair platinum under a cloche hat, lips dark as a closed casket. Scottish, sharp, and carrying herself like a blade wrapped in silk.

“You’re far from Hollywood, sweetheart,” she said. “And you’re dressed for a funeral that isn’t yours.”

“Everyone’s funeral is mine eventually,” I said. “I just like to dress appropriately.”

She smiled. That was the mistake.

Her name was Moira Blackwood. Whisky broker. Gun runner. Mourner by trade. She dealt in Highland routes, smugglers who knew every fog bank, every forgotten rail spur left behind when the bombs fell south. The Americans supplied the firepower. The Scots supplied the patience.

And someone was skimming.

Bodies were turning up in the lochs. Empty bottles floating beside them like punchlines. Moira wanted to know who was cutting into her business before it turned into a clan war with automatic weapons.

We took a train north that barely remembered being a train. Through valleys drowned in mist and radiation snow. I kept the veil on the whole way. In the Highlands, superstition still worked better than bullets.

The smugglers met us in an abandoned distillery, barrels stacked like tombstones. The tartan of my outfit mirrored theirs, same pattern, different intent. They watched me carefully. Men always did when they couldn’t decide what category to put me in.

That hesitation saved my life.

When the shooting started, I was already moving. Heels skidding on stone, skirts swirling, revolver barking from beneath layers of satin and sorrow. Moira went down fast—winged, not dead. The real culprit bolted for the back door, carrying a ledger thick with names and lies.

I caught him by the loch.

The water reflected us in stark monochrome: him shaking, me looming, veil rippling like smoke. He confessed quickly. They always did when faced with someone who looked like death had chosen tartan satin couture.

I left him there for the deep dark water to judge.

By dawn, the Highlands were quiet again. Moira paid me in whisky older than memory and ammunition stamped with American lies. Fair trade.

Back in Glasgow, I stood in a cracked mirror in a boarding house that smelled of coal and grief. I removed the veil last. Always last.

Another city survived. Another secret buried. Another outfit stained with rain instead of blood.

The world was still tilted. Still broken. Still rolling on at the wrong angle.

But as long as there were shadows to walk and clothes that told the truth my mouth didn’t have to, I’d keep going.

Mourning never goes out of fashion.

No Ai or Fake Pictures, What you see is me and mine. Nothing more or less.
Why do I love Co ck......
This is a good question and I guess it's personal to me ...
Co ck that has the head fully showing to me look amazing, small medium or large just look incredible and if Smooth Shaven and in Stockings or Holdups then I'm Week and I must have them in my mouth.
The way the skin behind the head moves with your lips, the feel of the rough edge of the Head.
The taste of a clean **** is amazing.
The way it shows you it enjoys what you started by getting hard, what a turn on
The best thing of all is how after all this fun sucking and playing it rewards you again with the most amazing Pre Cum then followed by a juicy mouth full of Cum for me to Swallow and enjoy...
Damn I love them so much ....

If you are local to Derby or Nottingham then get in touch, get those Co ck Photos and
Send them my way
------------------------------------------------------------
Further Slutty Reading

As someone that on the odd occasion meets other CDs, I think it is important to know how I feel about you if we meet up.
Well it's very important to understand before we meet a few things.
I'm meeting you for my own pleasure entirely,
I'm not interested in you looking like a Female entirely... Let me explain
Before we got to the meeting point we would have chatted extensively about it, and swapped Pics as you do.
So now we know I'm only interested in your Co ck, but only Smooth Co ck and in Lingerie.
Unfortunately I DON'T do beards, not on my Co ck.
So now we know, You need to be Smooth, in Lingerie and have a **** I WILL use.
That means I will be Sucking that Co ck Dry and Swallowing the Content, No Ifs, No Buts...
Now the next thing is what you may want me to do or of course do to me.
The 2 rules I have will have been discussed with you before now anyway so...
My Co ck 'WILL' be Emptied and 'WILL' be Swallowed by You, No Ifs, No Buts...
I get asked, but I wanted you to **** my Ass, that's fine but the rule above still applies so remember that...
I get asked, But I wanted to **** your Ass, well again that's fine but you WILL Cum in my mouth and Feed me, No Ifs, No Buts.
You are a Toy for my pleasure.... That's it
You may become a friend and we may meet very regular, but everything above ALWAYS stays the same....Never Ever any Mess or Waste...
Now you know..


All my best pictures and Stories in one (FREE) Private Group <a href="https://www.flickr.com/groups/14871084@N25/">www.flickr.com/groups/14871084@N25/</a>

The rain hammered down on the cracked pavement like a thousand accusations, each drop a reminder that the world had gone to hell in a handbasket back in '52, when the bombs fell and turned the City of Angels into a monochrome nightmare. I adjusted the strap of my garter belt under my trench coat, feeling the silk stockings whisper against my skin like a forbidden secret. Name's Tracy with a Dick, wait, no, that's too on the nose. Call me Hanimefendi Basortulu, or just Han if you're buying the drinks. By day, I'm the hard boiled gumshoe pounding the shadowed alleys of this irradiated husk of Los Angeles, dodging mutants and mobsters in equal measure. But when the neon flickers out and the Dutch angles of my life tilt just right, I'm something else entirely: a crossdressing sissy in satin, chasing skirts instead of skirts chasing me.
It started with a dame, like all my stories do. Or at least, that's how I tell it to the mirror while I paint my lips ruby red in the dim glow of my office bulb the one that swings like a noose in the wind howling through the boarded up windows. The apocalypse had stripped the city bare, leaving behind skeletal skyscrapers leaning at crazy angles, their glass eyes shattered from the blasts. Food was rationed, water was poison, and hope? That was a luxury for the pre war fools. Me? I survived by sniffing out secrets in the fog of fallout, my fedora pulled low over eyes shadowed with kohl I swiped from a ruined department store.
She slinked into my office that night, a vision in tattered mink and desperation. "Mr. Basortulu," she purred, her voice cutting through the static of my battered radio spitting out old jazz tunes. "I need a man who can handle... delicate matters." Her eyes flicked to my desk, where a stray lipstick tube had rolled out from under some files. I snatched it up quick, heart pounding like a tommy gun. If she noticed, she didn't let on. Her husband, a big shot fallout bunker baron hoarding pre war hooch, had vanished into the undercity the labyrinth of sewers and subways where the real monsters lurked, glowing with radiation and grudge.
I took the case because rent was due, and because her perfume smelled like the lilacs that used to bloom before the sky turned perpetual gray. Slipping out the back door, I ditched the coat for my real armor: a frilly silken blouse tucked into a satin pencil skirt, heels that clicked like gunshots on the debris strewn streets. Crossdressing wasn't just a kink in this apocalypse; it was camouflage. The goons patrolling the ruins looked for tough guys in suits, not a mincing minx batting lashes from the shadows. I'd learned that the hard way, back when the first riots hit and I hid in a drag queen's bunker, emerging reborn in marabou feathers, silk, satin, lace and lies.
The trail led me to the Dutch Tilt District, where buildings leaned like drunks at last call, their angles throwing everything off kilter just like my life. I tailed a suspect through the monochrome haze, my wig itching under the fedora I'd crammed back on. He was a weasel faced rat, peddling black market estrogen shots to the desperate. "Where's the baron?" I hissed, pressing a stiletto heel to his throat after I cornered him in an alley reeking of rot.
He spilled like cheap bourbon: the husband wasn't missing; he'd been snatched by the Shadow Syndicate, a cult of irradiated freaks worshiping the bomb as a god. They operated from the old Hollywood studios, twisting pre war films into propaganda reels that played on loop in the bunkers. I infiltrated at dusk, dolled up in a Lamé cocktail dress that hugged my curves like a guilty conscience. The guards bought the act hell, one even wolf whistled as I sashayed past, my .38 snub nose tucked in my garter.
Inside, it was a fever dream of tilted cameras and flickering projectors. The baron was tied to a chair, force-fed their twisted sermons. But the real twist? The dame was in on it. She emerged from the shadows, gun in hand, her mink shedding like a snake's skin. "You should've stayed in your lane, detective," she sneered. "Or should I say, crossdressing doll?"
We tussled in the projector light, our shadows dancing at mad angles on the walls, her nails raking my stockings, my fist connecting with her jaw. I got the drop on her, tying her up with her own pearls. "In this world, honey," I growled, voice husky from the hormones I'd been sneaking, "everyone's got a secret identity. Mine just fits better."
I dragged the baron out, collected my fee in canned peaches and ammo, and vanished back into the rain. Back in my office, I peeled off the layers, staring at my reflection in the cracked mirror. The apocalypse had taken everything, my city, my withered manhood, my illusions. But it gave me this: a gumshoe in girdles and satin, tilting at windmills in a world gone sideways. And in the end, that's all any of us have left. A story, a smoke, and the next case waiting in the wings.

I'm coming to London for four nights on the 24th Feb for course work
staying an a hotel. I'll be alone and needy if anyone wants to cum over.

Just deciding what to wear long skirt or short with tights or without

interesting piece of text which would be interesting to enforce for anyone outside of Florida. Even though the web site says co.uk

Patti looks so innocent in white, don’t judge a book by its cover , pleasure is my goal

Because its so cold outside i wanted to share some hot pics to heat up the temperature

Stuffing, latex breasts or natural?

Doing dishes in just a sports bra and pink thong.. youre welcome my beautiful *******

Pink n black ... or double pink? Id choose double pink
Roll on summer, can't wait to be fully dressed inc wig and make-up outside looking for fun

No Ai or Fake Pictures, What you see is me and mine. Nothing more or less.
Why do I love Co ck......
This is a good question and I guess it's personal to me ...
Co ck that has the head fully showing to me look amazing, small medium or large just look incredible and if Smooth Shaven and in Stockings or Holdups then I'm Week and I must have them in my mouth.
The way the skin behind the head moves with your lips, the feel of the rough edge of the Head.
The taste of a clean **** is amazing.
The way it shows you it enjoys what you started by getting hard, what a turn on
The best thing of all is how after all this fun sucking and playing it rewards you again with the most amazing Pre Cum then followed by a juicy mouth full of Cum for me to Swallow and enjoy...
Damn I love them so much ....

If you are local to Derby or Nottingham then get in touch, get those Co ck Photos and
Send them my way
------------------------------------------------------------
Further Slutty Reading

As someone that on the odd occasion meets other CDs, I think it is important to know how I feel about you if we meet up.
Well it's very important to understand before we meet a few things.
I'm meeting you for my own pleasure entirely,
I'm not interested in you looking like a Female entirely... Let me explain
Before we got to the meeting point we would have chatted extensively about it, and swapped Pics as you do.
So now we know I'm only interested in your Co ck, but only Smooth Co ck and in Lingerie.
Unfortunately I DON'T do beards, not on my Co ck.
So now we know, You need to be Smooth, in Lingerie and have a **** I WILL use.
That means I will be Sucking that Co ck Dry and Swallowing the Content, No Ifs, No Buts...
Now the next thing is what you may want me to do or of course do to me.
The 2 rules I have will have been discussed with you before now anyway so...
My Co ck 'WILL' be Emptied and 'WILL' be Swallowed by You, No Ifs, No Buts...
I get asked, but I wanted you to **** my Ass, that's fine but the rule above still applies so remember that...
I get asked, But I wanted to **** your Ass, well again that's fine but you WILL Cum in my mouth and Feed me, No Ifs, No Buts.
You are a Toy for my pleasure.... That's it
You may become a friend and we may meet very regular, but everything above ALWAYS stays the same....Never Ever any Mess or Waste...
Now you know..


All my best pictures and Stories in one (FREE) Private Group <a href="https://www.flickr.com/groups/14871084@N25/">www.flickr.com/groups/14871084@N25/</a>

Yayyyyyy its finally friday happy friday ladies

I love tights too.

Lots of legs and gussets mm

Hello lovely people! So to clarify, part pf the site updates was the decision to reduce the advertising and introduce a 5 posts a day limit for all standard members. Super Supporters get unlimited posts as well as all the other benefits

In the local pub and couldn't resist a trip to the toilets

With summer well and truly underway in Oz
This top is perfect for the hot weather and goes very well with my 'new' skirts

I love this off the shoulder top, I've had this top for a few years, which is unusual for me, the skirts are recent purchases.
I tend to swap out my girlie clothes fairly often. I shop almost exclusively in charity shops, so I buy and then donate them back when I'm ready for something 'new'. I really enjoy the treasure hunt feel when I find something cool, this system is also handy to keep my closet from overflowing .

Thought for the day:

“The problem with the world is that the intelligent people are full of doubts, while the stupid ones are full of confidence.” —Charles Bukowski

From mid 2025 i believe.. i have the full shot somewhere.... Squats are key to a nice bum

Last night was rough truck shut down about 10 pm in 7 degree weather company sent wrecker he said 7 hours 14 hours later he pulled up lost heat about 4am 1 degrees 3 candles 4 blankets and coveralls save my life thx lord for watching out for me

For all the likes and compliments. It’s heartwarming thank you.

Remember to be nice. Be yourself be genuine. It’s ok to have kinks but not ok to be a creep. Some people could learn a lot from just listening and you will have more fun that way. It’s always been my vibe. I was always told to let people know positive things and keep the negative to yourself, nobody wants it.

Enjoy what you enjoy. For me that just happens to be heels and a nice dress.

Did I miss this site becoming a BDSM group in its latest revamp?

FFS! There are enough other places for these people to go.

Whether you are a beginner or an experienced player, your fetish and BDSM desires will be teased, taunted and elevated until you are aching for release. Finally, you are left gasping and fulfilled, shivering with satisfaction at the best adult fantasy you will ever experience with the ********

I understand that for many submissives, your slavery is therapeutic. In your servitude to Me, you will feel release from the constraints of your vanilla lifestyle. As your ********, I am both your trainer and your guide, as we delve together further into the dark arts of BDSM, Kink and Fetish

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if you're ready to purchase your certificate form

Amnesia...

I have erased
The trace
Of Past
My present
Is not true
The Fog
Of Future
Is a chance
To whisper
I Love You...

I dont remember
Who I am
My record was
once lost
I thought
They
Might
To try to check...
Results were
Void or False...
And then
I whispered
I am
I was
A girl
Girl Kate...
Kate Aashe?
Yes
There is a file...
We're waiting
To update...
To my surprise
All matched
And Weight
And Hеight
And lips
And eyes.
And fingerprints...
I got a date
For passport.
I was touched...
They let me ever read
My past...
Once married
Twice divorced
My future
Looks
Not very bright
But still
Quite light to go...
Kind Doctor
Checked my chromosomes
But found only one
The other was forever lost
But seems nobody minds...
I got my number
My ID
And made new hair cut...
Ms. Aashe just forgot her dreams
Long hidden in her past

My very Past
Has been erased
My present
Is not true
The Fog
Of Future
Is a chance
I never meet with You...

And with a lil #AI magic you can really change your look. Its crazy and wild. Though, I do my best to get close to what she will look like as I do the hair, makeup, outfits, etc... then i let the AI add some fun lil perks.

I never chose this life so much as it chose me, one silken whisper at a time, across sixty four slow turning years. It began in the hush of boyhood, fingers trembling as they brushed the cool satin of my Mother’s Sunday slip, the fabric sighing against my skin like a secret finally given voice. Midnight experiments followed stolen dresses in dim bedrooms, heartbeats loud against lace, the mirror a conspirator that never judged. Then came the decades of careful folding away marriage, children, the steady performance of an ordinary man while upstairs, behind false panels in the attic, a private gallery of satins and chiffons dreamed in silence. Now the children have flown, my Turkish wife of forty five winters slipped away on the softest November breath two months past, and the last tether has loosened. At sixty four I have stepped fully into the role I have always carried inside. No audience remains to disappoint. Only the mirrors, patient and kind. I have become Hanimefendi,(Turkish for Lady) the sissy Victorian housemistress of this quiet manor of memory and candlelight. I have worn Black Satin Widow's Weeds for the previous two months, now I am working through my own colour spectrum. I dallied with Pink and enjoyed the experience but as a Cityzen, Turquoise, Marine Blue and shades of Sky Blue, has always called to me as a long time supporter of Manchester City. The ritual begins at dusk. First, the high waisted, long leg panty girdle in deepest turquoise satin firm yet forgiving, a decadent embrace that smooths time’s gentle rounding into elegant lines. It clasps me with theatrical intimacy, promising glamour in every restrained breath. Then the gown descends: floor sweeping turquoise satin, reborn from widow’s weeds into defiant opulence. The bodice clings like liquid moonlight through the torso before cascading into extravagant gypsy ruffles that bloom at the hips. Sleeves impossibly long, sissy long billow from shoulder to deep, rose trimmed cuff, swaying with each gesture like languid waves. The fabric catches every flicker, its subtle sheen tracing molten highlights along every fold, turning motion into shimmering poetry. Over shoulders and throat drifts the sheer turquoise chiffon voile veil, gossamer as exhaled breath, floating a hand’s span from my face. It softens the lines age has etched without concealing them grief veiled, yet radiant. Last, the oversized turquoise satin hijab headscarf, wrapped and pinned with reverent precision. Its rich, glossy folds frame my features like a reliquary of lapis and sea glass, the colour chosen deliberately: mourning need not be monochrome. Sorrow, too, can blaze jewel bright. I move through the rooms by candlelight alone. Tall silver holders spill pools of gold, dramatic chiaroscuro carves deep satin shadows into ruffles and pleats while the satin itself ignites vibrant, unearthly turquoise glowing against the gloom like bioluminescent tide. Each step sends a soft hiss of fabric across oak boards, the veil drifts behind me like sea mist following a ship of ghosts. I dust phantom mantelpieces, rearrange crystal that asks nothing of me, murmur instructions to maids who exist only in the echo of my voice. Sometimes I pause before the tall pier glass in the upper hall and simply regard the figure there. In its depths I see the frightened boy who once quaked at satin’s rustle. I see the husband who learned to fold himself small. And I see her, me Hanimefendi sixty four, unapologetic, swathed in extravagant turquoise like a proclamation stitched in light. The world beyond these walls may still insist on its muted uniforms, but here, in these shadowed chambers, I have rewritten the grammar of grief. It is not devolved from mourning black to ash-grey. It is this fierce, swimming blue green that drinks candle flame and gives it back brighter. It is theatrical, shameless, mine. Tonight, as ever, I lower myself into the worn leather armchair beside the tall window. Ruffles settle around me like spilled ink, veils float, then still. The silence enfolds me, tender as old satin. No one watches. Except the mirror. And in my mind's eye it has always approved.

Miss Costy gots me a new top

Dooing choores, washing the dishes at home. Dressed up while dooing this is nescesary for me.♥

Hi Gurls
I hope you like what you see. Please drop your comments. Lots of Love xxx

This **** craving cum guzzling sissy is bout to get spun and I need to have a woman or a few women to get to watch my mouth and tight little sissy ass penetrated and gaped by these toys or anything else you want to see me shove in my mouth or up my ass and get a close-up video of me begging to have all my pictures and videos uploaded on every media platform l you can and I need to have a job on my knees sucking dick in front of everyone and the best thing is I don't have any problems with my own mom and my wife seeing my mouth and tight little sissy ass raped raw and soaked in cum by multiple bbcs on a live stream cam show . Like my legs and ass cheeks my PM is ALWAYS open. Now who wants to turn me out

My prompts RaizzaRells E-Crossdress Ai

Seeing ive only got 0 to 5 posts il try it like this !