• March Issue
    M'N'Skirts

    "Less double life!"
    March Issue M'N'Skirts "Less double life!"
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  • Not posting a photo right now - but I have over 20 ready to post. Really like to know what my BGFs and BBFs like? - Colors- settings/locations - dresses - swimsuits/bikinies - dance and athletic wear - sexy night wear. And I love to answer questions and chat when I can. I will always respond. And yes "body talk" is also OK. Tell me about your journeys, experiences dressing and life stories - also questions about crossdressing - lets connect a bit.
    Not posting a photo right now - but I have over 20 ready to post. Really like to know what my BGFs and BBFs like? - Colors- settings/locations - dresses - swimsuits/bikinies - dance and athletic wear - sexy night wear. And I love to answer questions and chat when I can. I will always respond. And yes "body talk" is also OK. Tell me about your journeys, experiences dressing and life stories - also questions about crossdressing - lets connect a bit. 🥰
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  • Interesting - did she fake being transgender?
    https://faroutmagazine.co.uk/amanda-lear-the-pop-star-who-made-up-her-life-story/
    Interesting - did she fake being transgender? https://faroutmagazine.co.uk/amanda-lear-the-pop-star-who-made-up-her-life-story/
    FAROUTMAGAZINE.CO.UK
    Amanda Lear: The pop star who made up her life story
    We all like a bit of mystery surrounding our favourite artists, but Amanda Lear truly dove head first into the allure of mystique.
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  • Wow AI has made me come to life
    Wow AI has made me come to life 💁‍♀️
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  • A CD called Kev got in touch wanting to meet up but we had a problem we both are married and could not easily accommodate so it seemed like a non starter from the beginning, it was a shame as we had near enough the same CD preferences, kev was Smooth where it was needed and he was Into Lingerie like me, as we chatted it was clear that he had a no mess approach to knowing what he wanted, which is exactly what most want if they were honest about it.
    I told him that I finish work around 2pm and I'm home changed and trimmed by 3pm the only problem is my wife can turn up anytime even though she finished at 5pm...
    I told him I often work in my Shed/Workshop which is heated but it's not exactly comfortable..
    He suggested that if he arrived for about 3pm we could have fun of some sort in the workshop that way if the wife came back early, I could suggest it was a colleague from work...
    I thaught it out and to be honest could not come up with a reason not to, so arrangements were made, we had discussed him being dressed already under his normal clothes, which I did the same after I fully prepared myself in the bathroom.
    Kev arrived and after a quick greeting and chat, he used the bathroom to freshen up after his trip.. we then made our way to my small workshop now as tidy as it ever was and already nice and warm with my fan heaters.
    I locked the door, and this is always a nervous part, I always ask if he/she wants to carry on and most of the time it's a yes, so I take off my Joggers, revealing Stocking Tights and Tiny Sheer Thong, I grabbed a bag which had my Red Stilettos and a Basque which I asked Kev to help with as they can be a bitch to get on, zipped ones are best.. Kev then removed his Joggers and he had Crotchless Tights then grabbed his bad and surprised me with some 2" Stilettos which was a little bonus, he had regular black Knickers but only his regular T-shirt on top, I suggested he, tie/knotted his t-shirt at the front, which was perfect...
    I wasted no time and asked him to remove his knickers which he did, I did the same, I was trying to keep Calm and not get over excited.
    I grabbed a seat cushion and put it on my workbench and pulled myself up onto the edge, I opened my legs, holding my knees and said, help yourself....
    Kev dropped to his knees, put his arms round my thighs and sucked my semi into his mouth, giving it a full mouth wetting, unsurprisingly I started to get hard, at which he switched to sucking up and down my now solid ****....
    I said stop, we swapped, I did the same, I slid his beautiful smooth **** into my mouth, already hard, after giving it a good wetting I cupped his **** with my lips just behind his **** head, then I did quick short sucks up and down, nice and tight, no more than two inches movement, up and down... It had the correct result, moaning with pleasure, after a few minutes we swapped again, then again, eventually we were both fairly close, I grabbed the sun bed cover and lay it on the floor, I lay down and asked him to 69....
    No arguments there. .. he got on top sliding his hard shaft in my mouth ready, I started on him again as he did with me, after a few more minutes I was getting close, I said pause, which he did, then a few more minutes he said he was getting close, so I said start, he wasted no time, sucking the life out of my hard ****,vivwad close again, I started oh his again, really going for it.... A minute or two later, I shot my load into his mouth, he was swallowing just as my mouth was being filled twice with his juice, oh my got this Feed was amazing....
    We were both so pleased with our Feeds, it was definitely on the list for the next available moment, to feed again....

    A CD called Kev got in touch wanting to meet up but we had a problem we both are married and could not easily accommodate so it seemed like a non starter from the beginning, it was a shame as we had near enough the same CD preferences, kev was Smooth where it was needed and he was Into Lingerie like me, as we chatted it was clear that he had a no mess approach to knowing what he wanted, which is exactly what most want if they were honest about it. I told him that I finish work around 2pm and I'm home changed and trimmed by 3pm the only problem is my wife can turn up anytime even though she finished at 5pm... I told him I often work in my Shed/Workshop which is heated but it's not exactly comfortable.. He suggested that if he arrived for about 3pm we could have fun of some sort in the workshop that way if the wife came back early, I could suggest it was a colleague from work... I thaught it out and to be honest could not come up with a reason not to, so arrangements were made, we had discussed him being dressed already under his normal clothes, which I did the same after I fully prepared myself in the bathroom. Kev arrived and after a quick greeting and chat, he used the bathroom to freshen up after his trip.. we then made our way to my small workshop now as tidy as it ever was and already nice and warm with my fan heaters. I locked the door, and this is always a nervous part, I always ask if he/she wants to carry on and most of the time it's a yes, so I take off my Joggers, revealing Stocking Tights and Tiny Sheer Thong, I grabbed a bag which had my Red Stilettos and a Basque which I asked Kev to help with as they can be a bitch to get on, zipped ones are best.. Kev then removed his Joggers and he had Crotchless Tights then grabbed his bad and surprised me with some 2" Stilettos which was a little bonus, he had regular black Knickers but only his regular T-shirt on top, I suggested he, tie/knotted his t-shirt at the front, which was perfect... I wasted no time and asked him to remove his knickers which he did, I did the same, I was trying to keep Calm and not get over excited. I grabbed a seat cushion and put it on my workbench and pulled myself up onto the edge, I opened my legs, holding my knees and said, help yourself.... Kev dropped to his knees, put his arms round my thighs and sucked my semi into his mouth, giving it a full mouth wetting, unsurprisingly I started to get hard, at which he switched to sucking up and down my now solid cock.... I said stop, we swapped, I did the same, I slid his beautiful smooth cock into my mouth, already hard, after giving it a good wetting I cupped his cock with my lips just behind his cock head, then I did quick short sucks up and down, nice and tight, no more than two inches movement, up and down... It had the correct result, moaning with pleasure, after a few minutes we swapped again, then again, eventually we were both fairly close, I grabbed the sun bed cover and lay it on the floor, I lay down and asked him to 69.... No arguments there. .. he got on top sliding his hard shaft in my mouth ready, I started on him again as he did with me, after a few more minutes I was getting close, I said pause, which he did, then a few more minutes he said he was getting close, so I said start, he wasted no time, sucking the life out of my hard cock,vivwad close again, I started oh his again, really going for it.... A minute or two later, I shot my load into his mouth, he was swallowing just as my mouth was being filled twice with his juice, oh my got this Feed was amazing.... We were both so pleased with our Feeds, it was definitely on the list for the next available moment, to feed again....
    Derby/Nottingham UK CD
    Read Story "Mike Asked for help" about this picture.
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  • Searching for a life partner
    Searching for a life partner
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  • In Japan, crossdressing salons have proliferated over the past 5-10 years.
    You can transform into a cute woman.
    No sexual services are provided.
    How about in your country?
    In Japan, crossdressing salons have proliferated over the past 5-10 years. You can transform into a cute woman. No sexual services are provided. How about in your country?
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  • Trans is life


    #DominatrixFam
    Trans is life 🏳️‍⚧️ #DominatrixFam
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  • Forget the fake tedium of Dommes and cash cows that haunt this place - where’s the sexy mentors - no cash exchanges and frauds - but someone who really is into this as much as I am and wants to be online and loving life with a fucking brilliant individual:p xxx
    Forget the fake tedium of Dommes and cash cows that haunt this place - where’s the sexy mentors - no cash exchanges and frauds - but someone who really is into this as much as I am and wants to be online and loving life with a fucking brilliant individual:p xxx
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  • Whether you are a beginner or an experienced player, your fetish and BDSM desires will be teased, taunted and elevated until you are aching for release. Finally, you are left gasping and fulfilled, shivering with satisfaction at the best adult fantasy you will ever experience with the ********

    I understand that for many submissives, your slavery is therapeutic. In your servitude to Me, you will feel release from the constraints of your vanilla lifestyle. As your ********, I am both your trainer and your guide, as we delve together further into the dark arts of BDSM, Kink and Fetish

    Text me on zangi 6869055896
    if you're ready to purchase your certificate form
    Whether you are a beginner or an experienced player, your fetish and BDSM desires will be teased, taunted and elevated until you are aching for release. Finally, you are left gasping and fulfilled, shivering with satisfaction at the best adult fantasy you will ever experience with the ******** I understand that for many submissives, your slavery is therapeutic. In your servitude to Me, you will feel release from the constraints of your vanilla lifestyle. As your ********, I am both your trainer and your guide, as we delve together further into the dark arts of BDSM, Kink and Fetish Text me on zangi 6869055896 if you're ready to purchase your certificate form
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  • This site is absolutely thrashing my head! ...its like a real life game of guess who??
    This site is absolutely thrashing my head! 🙈...its like a real life game of guess who?? 😬
    Like
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  • The case came in sideways, like everything else north of the equator these days.

    Over the irradiated murky Atlantic pond, Glasgow didn’t rain so much as accuse. The drizzle slid down the soot-stained tenements like it knew every sin committed inside them. Post-war, post-bomb, post-everything that ever pretended to be civilized. The apocalypse didn’t flatten Scotland the way it did Los Angeles, it hollowed it out instead, left the bones standing and filled the gaps with whisky, guns, and ghosts.

    I wore black that night. Not the practical kind.
    The statement kind.

    A black oversized tartan satin headscarf wrapped tight around my hair, catching the light like wet ink. Over my face, a sheer black chiffon voile veil, the mourning lace thin enough to breathe through, thick enough to hide regret. The rest of me was Victorian grief dialed up to eleven: glossy black tartan blouse with rococo frills, satin panels hugging me like a second conscience, skirts whispering every time I moved. I looked like a widow who’d buried the world and decided it deserved it.

    In Glasgow, that bought me anonymity.

    They called me Han here too, though the locals said it like a question. I’d followed the trail across the Atlantic after a shipment of American surplus hardware went missing, Tommy guns, plasma pistols, a few toys left over from the end of the world. Fallout New Vegas tech, Hollywood Hills money, Highland routes. Someone was running iron through the glens and washing it down with single malt older than the war itself.

    The back streets off Trongate were crooked enough to make a Dutch cameraman weep. Buildings leaned in close, sharing secrets. Gas lamps flickered like they were afraid of what they might illuminate. I walked slow, heels deliberate, veil fluttering just enough to let the right people notice and the wrong people hesitate.

    That’s when the femme fatale found me.

    She leaned against a doorway like she’d been waiting for the end of the world to catch up. Hair platinum under a cloche hat, lips dark as a closed casket. Scottish, sharp, and carrying herself like a blade wrapped in silk.

    “You’re far from Hollywood, sweetheart,” she said. “And you’re dressed for a funeral that isn’t yours.”

    “Everyone’s funeral is mine eventually,” I said. “I just like to dress appropriately.”

    She smiled. That was the mistake.

    Her name was Moira Blackwood. Whisky broker. Gun runner. Mourner by trade. She dealt in Highland routes, smugglers who knew every fog bank, every forgotten rail spur left behind when the bombs fell south. The Americans supplied the firepower. The Scots supplied the patience.

    And someone was skimming.

    Bodies were turning up in the lochs. Empty bottles floating beside them like punchlines. Moira wanted to know who was cutting into her business before it turned into a clan war with automatic weapons.

    We took a train north that barely remembered being a train. Through valleys drowned in mist and radiation snow. I kept the veil on the whole way. In the Highlands, superstition still worked better than bullets.

    The smugglers met us in an abandoned distillery, barrels stacked like tombstones. The tartan of my outfit mirrored theirs, same pattern, different intent. They watched me carefully. Men always did when they couldn’t decide what category to put me in.

    That hesitation saved my life.

    When the shooting started, I was already moving. Heels skidding on stone, skirts swirling, revolver barking from beneath layers of satin and sorrow. Moira went down fast—winged, not dead. The real culprit bolted for the back door, carrying a ledger thick with names and lies.

    I caught him by the loch.

    The water reflected us in stark monochrome: him shaking, me looming, veil rippling like smoke. He confessed quickly. They always did when faced with someone who looked like death had chosen tartan satin couture.

    I left him there for the deep dark water to judge.

    By dawn, the Highlands were quiet again. Moira paid me in whisky older than memory and ammunition stamped with American lies. Fair trade.

    Back in Glasgow, I stood in a cracked mirror in a boarding house that smelled of coal and grief. I removed the veil last. Always last.

    Another city survived. Another secret buried. Another outfit stained with rain instead of blood.

    The world was still tilted. Still broken. Still rolling on at the wrong angle.

    But as long as there were shadows to walk and clothes that told the truth my mouth didn’t have to, I’d keep going.

    Mourning never goes out of fashion.
    The case came in sideways, like everything else north of the equator these days. Over the irradiated murky Atlantic pond, Glasgow didn’t rain so much as accuse. The drizzle slid down the soot-stained tenements like it knew every sin committed inside them. Post-war, post-bomb, post-everything that ever pretended to be civilized. The apocalypse didn’t flatten Scotland the way it did Los Angeles, it hollowed it out instead, left the bones standing and filled the gaps with whisky, guns, and ghosts. I wore black that night. Not the practical kind. The statement kind. A black oversized tartan satin headscarf wrapped tight around my hair, catching the light like wet ink. Over my face, a sheer black chiffon voile veil, the mourning lace thin enough to breathe through, thick enough to hide regret. The rest of me was Victorian grief dialed up to eleven: glossy black tartan blouse with rococo frills, satin panels hugging me like a second conscience, skirts whispering every time I moved. I looked like a widow who’d buried the world and decided it deserved it. In Glasgow, that bought me anonymity. They called me Han here too, though the locals said it like a question. I’d followed the trail across the Atlantic after a shipment of American surplus hardware went missing, Tommy guns, plasma pistols, a few toys left over from the end of the world. Fallout New Vegas tech, Hollywood Hills money, Highland routes. Someone was running iron through the glens and washing it down with single malt older than the war itself. The back streets off Trongate were crooked enough to make a Dutch cameraman weep. Buildings leaned in close, sharing secrets. Gas lamps flickered like they were afraid of what they might illuminate. I walked slow, heels deliberate, veil fluttering just enough to let the right people notice and the wrong people hesitate. That’s when the femme fatale found me. She leaned against a doorway like she’d been waiting for the end of the world to catch up. Hair platinum under a cloche hat, lips dark as a closed casket. Scottish, sharp, and carrying herself like a blade wrapped in silk. “You’re far from Hollywood, sweetheart,” she said. “And you’re dressed for a funeral that isn’t yours.” “Everyone’s funeral is mine eventually,” I said. “I just like to dress appropriately.” She smiled. That was the mistake. Her name was Moira Blackwood. Whisky broker. Gun runner. Mourner by trade. She dealt in Highland routes, smugglers who knew every fog bank, every forgotten rail spur left behind when the bombs fell south. The Americans supplied the firepower. The Scots supplied the patience. And someone was skimming. Bodies were turning up in the lochs. Empty bottles floating beside them like punchlines. Moira wanted to know who was cutting into her business before it turned into a clan war with automatic weapons. We took a train north that barely remembered being a train. Through valleys drowned in mist and radiation snow. I kept the veil on the whole way. In the Highlands, superstition still worked better than bullets. The smugglers met us in an abandoned distillery, barrels stacked like tombstones. The tartan of my outfit mirrored theirs, same pattern, different intent. They watched me carefully. Men always did when they couldn’t decide what category to put me in. That hesitation saved my life. When the shooting started, I was already moving. Heels skidding on stone, skirts swirling, revolver barking from beneath layers of satin and sorrow. Moira went down fast—winged, not dead. The real culprit bolted for the back door, carrying a ledger thick with names and lies. I caught him by the loch. The water reflected us in stark monochrome: him shaking, me looming, veil rippling like smoke. He confessed quickly. They always did when faced with someone who looked like death had chosen tartan satin couture. I left him there for the deep dark water to judge. By dawn, the Highlands were quiet again. Moira paid me in whisky older than memory and ammunition stamped with American lies. Fair trade. Back in Glasgow, I stood in a cracked mirror in a boarding house that smelled of coal and grief. I removed the veil last. Always last. Another city survived. Another secret buried. Another outfit stained with rain instead of blood. The world was still tilted. Still broken. Still rolling on at the wrong angle. But as long as there were shadows to walk and clothes that told the truth my mouth didn’t have to, I’d keep going. Mourning never goes out of fashion.
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  • The rain hammered down on the cracked pavement like a thousand accusations, each drop a reminder that the world had gone to hell in a handbasket back in '52, when the bombs fell and turned the City of Angels into a monochrome nightmare. I adjusted the strap of my garter belt under my trench coat, feeling the silk stockings whisper against my skin like a forbidden secret. Name's Tracy with a Dick, wait, no, that's too on the nose. Call me Hanimefendi Basortulu, or just Han if you're buying the drinks. By day, I'm the hard boiled gumshoe pounding the shadowed alleys of this irradiated husk of Los Angeles, dodging mutants and mobsters in equal measure. But when the neon flickers out and the Dutch angles of my life tilt just right, I'm something else entirely: a crossdressing sissy in satin, chasing skirts instead of skirts chasing me.
    It started with a dame, like all my stories do. Or at least, that's how I tell it to the mirror while I paint my lips ruby red in the dim glow of my office bulb the one that swings like a noose in the wind howling through the boarded up windows. The apocalypse had stripped the city bare, leaving behind skeletal skyscrapers leaning at crazy angles, their glass eyes shattered from the blasts. Food was rationed, water was poison, and hope? That was a luxury for the pre war fools. Me? I survived by sniffing out secrets in the fog of fallout, my fedora pulled low over eyes shadowed with kohl I swiped from a ruined department store.
    She slinked into my office that night, a vision in tattered mink and desperation. "Mr. Basortulu," she purred, her voice cutting through the static of my battered radio spitting out old jazz tunes. "I need a man who can handle... delicate matters." Her eyes flicked to my desk, where a stray lipstick tube had rolled out from under some files. I snatched it up quick, heart pounding like a tommy gun. If she noticed, she didn't let on. Her husband, a big shot fallout bunker baron hoarding pre war hooch, had vanished into the undercity the labyrinth of sewers and subways where the real monsters lurked, glowing with radiation and grudge.
    I took the case because rent was due, and because her perfume smelled like the lilacs that used to bloom before the sky turned perpetual gray. Slipping out the back door, I ditched the coat for my real armor: a frilly silken blouse tucked into a satin pencil skirt, heels that clicked like gunshots on the debris strewn streets. Crossdressing wasn't just a kink in this apocalypse; it was camouflage. The goons patrolling the ruins looked for tough guys in suits, not a mincing minx batting lashes from the shadows. I'd learned that the hard way, back when the first riots hit and I hid in a drag queen's bunker, emerging reborn in marabou feathers, silk, satin, lace and lies.
    The trail led me to the Dutch Tilt District, where buildings leaned like drunks at last call, their angles throwing everything off kilter just like my life. I tailed a suspect through the monochrome haze, my wig itching under the fedora I'd crammed back on. He was a weasel faced rat, peddling black market estrogen shots to the desperate. "Where's the baron?" I hissed, pressing a stiletto heel to his throat after I cornered him in an alley reeking of rot.
    He spilled like cheap bourbon: the husband wasn't missing; he'd been snatched by the Shadow Syndicate, a cult of irradiated freaks worshiping the bomb as a god. They operated from the old Hollywood studios, twisting pre war films into propaganda reels that played on loop in the bunkers. I infiltrated at dusk, dolled up in a Lamé cocktail dress that hugged my curves like a guilty conscience. The guards bought the act hell, one even wolf whistled as I sashayed past, my .38 snub nose tucked in my garter.
    Inside, it was a fever dream of tilted cameras and flickering projectors. The baron was tied to a chair, force-fed their twisted sermons. But the real twist? The dame was in on it. She emerged from the shadows, gun in hand, her mink shedding like a snake's skin. "You should've stayed in your lane, detective," she sneered. "Or should I say, crossdressing doll?"
    We tussled in the projector light, our shadows dancing at mad angles on the walls, her nails raking my stockings, my fist connecting with her jaw. I got the drop on her, tying her up with her own pearls. "In this world, honey," I growled, voice husky from the hormones I'd been sneaking, "everyone's got a secret identity. Mine just fits better."
    I dragged the baron out, collected my fee in canned peaches and ammo, and vanished back into the rain. Back in my office, I peeled off the layers, staring at my reflection in the cracked mirror. The apocalypse had taken everything, my city, my withered manhood, my illusions. But it gave me this: a gumshoe in girdles and satin, tilting at windmills in a world gone sideways. And in the end, that's all any of us have left. A story, a smoke, and the next case waiting in the wings.
    The rain hammered down on the cracked pavement like a thousand accusations, each drop a reminder that the world had gone to hell in a handbasket back in '52, when the bombs fell and turned the City of Angels into a monochrome nightmare. I adjusted the strap of my garter belt under my trench coat, feeling the silk stockings whisper against my skin like a forbidden secret. Name's Tracy with a Dick, wait, no, that's too on the nose. Call me Hanimefendi Basortulu, or just Han if you're buying the drinks. By day, I'm the hard boiled gumshoe pounding the shadowed alleys of this irradiated husk of Los Angeles, dodging mutants and mobsters in equal measure. But when the neon flickers out and the Dutch angles of my life tilt just right, I'm something else entirely: a crossdressing sissy in satin, chasing skirts instead of skirts chasing me. It started with a dame, like all my stories do. Or at least, that's how I tell it to the mirror while I paint my lips ruby red in the dim glow of my office bulb the one that swings like a noose in the wind howling through the boarded up windows. The apocalypse had stripped the city bare, leaving behind skeletal skyscrapers leaning at crazy angles, their glass eyes shattered from the blasts. Food was rationed, water was poison, and hope? That was a luxury for the pre war fools. Me? I survived by sniffing out secrets in the fog of fallout, my fedora pulled low over eyes shadowed with kohl I swiped from a ruined department store. She slinked into my office that night, a vision in tattered mink and desperation. "Mr. Basortulu," she purred, her voice cutting through the static of my battered radio spitting out old jazz tunes. "I need a man who can handle... delicate matters." Her eyes flicked to my desk, where a stray lipstick tube had rolled out from under some files. I snatched it up quick, heart pounding like a tommy gun. If she noticed, she didn't let on. Her husband, a big shot fallout bunker baron hoarding pre war hooch, had vanished into the undercity the labyrinth of sewers and subways where the real monsters lurked, glowing with radiation and grudge. I took the case because rent was due, and because her perfume smelled like the lilacs that used to bloom before the sky turned perpetual gray. Slipping out the back door, I ditched the coat for my real armor: a frilly silken blouse tucked into a satin pencil skirt, heels that clicked like gunshots on the debris strewn streets. Crossdressing wasn't just a kink in this apocalypse; it was camouflage. The goons patrolling the ruins looked for tough guys in suits, not a mincing minx batting lashes from the shadows. I'd learned that the hard way, back when the first riots hit and I hid in a drag queen's bunker, emerging reborn in marabou feathers, silk, satin, lace and lies. The trail led me to the Dutch Tilt District, where buildings leaned like drunks at last call, their angles throwing everything off kilter just like my life. I tailed a suspect through the monochrome haze, my wig itching under the fedora I'd crammed back on. He was a weasel faced rat, peddling black market estrogen shots to the desperate. "Where's the baron?" I hissed, pressing a stiletto heel to his throat after I cornered him in an alley reeking of rot. He spilled like cheap bourbon: the husband wasn't missing; he'd been snatched by the Shadow Syndicate, a cult of irradiated freaks worshiping the bomb as a god. They operated from the old Hollywood studios, twisting pre war films into propaganda reels that played on loop in the bunkers. I infiltrated at dusk, dolled up in a Lamé cocktail dress that hugged my curves like a guilty conscience. The guards bought the act hell, one even wolf whistled as I sashayed past, my .38 snub nose tucked in my garter. Inside, it was a fever dream of tilted cameras and flickering projectors. The baron was tied to a chair, force-fed their twisted sermons. But the real twist? The dame was in on it. She emerged from the shadows, gun in hand, her mink shedding like a snake's skin. "You should've stayed in your lane, detective," she sneered. "Or should I say, crossdressing doll?" We tussled in the projector light, our shadows dancing at mad angles on the walls, her nails raking my stockings, my fist connecting with her jaw. I got the drop on her, tying her up with her own pearls. "In this world, honey," I growled, voice husky from the hormones I'd been sneaking, "everyone's got a secret identity. Mine just fits better." I dragged the baron out, collected my fee in canned peaches and ammo, and vanished back into the rain. Back in my office, I peeled off the layers, staring at my reflection in the cracked mirror. The apocalypse had taken everything, my city, my withered manhood, my illusions. But it gave me this: a gumshoe in girdles and satin, tilting at windmills in a world gone sideways. And in the end, that's all any of us have left. A story, a smoke, and the next case waiting in the wings.
    Love
    1
    0 Commentarii 0 Distribuiri 7K Views
  • Whether you are a beginner or an experienced player, your fetish and BDSM desires will be teased, taunted and elevated until you are aching for release. Finally, you are left gasping and fulfilled, shivering with satisfaction at the best adult fantasy you will ever experience with the ********

    I understand that for many submissives, your slavery is therapeutic. In your servitude to Me, you will feel release from the constraints of your vanilla lifestyle. As your ********, I am both your trainer and your guide, as we delve together further into the dark arts of BDSM, Kink and Fetish

    Text me on zangi 6869055896
    if you're ready to purchase your certificate form
    Whether you are a beginner or an experienced player, your fetish and BDSM desires will be teased, taunted and elevated until you are aching for release. Finally, you are left gasping and fulfilled, shivering with satisfaction at the best adult fantasy you will ever experience with the ******** I understand that for many submissives, your slavery is therapeutic. In your servitude to Me, you will feel release from the constraints of your vanilla lifestyle. As your ********, I am both your trainer and your guide, as we delve together further into the dark arts of BDSM, Kink and Fetish Text me on zangi 6869055896 if you're ready to purchase your certificate form
    Love
    Haha
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  • I never chose this life so much as it chose me, one silken whisper at a time, across sixty four slow turning years. It began in the hush of boyhood, fingers trembling as they brushed the cool satin of my Mother’s Sunday slip, the fabric sighing against my skin like a secret finally given voice. Midnight experiments followed stolen dresses in dim bedrooms, heartbeats loud against lace, the mirror a conspirator that never judged. Then came the decades of careful folding away marriage, children, the steady performance of an ordinary man while upstairs, behind false panels in the attic, a private gallery of satins and chiffons dreamed in silence. Now the children have flown, my Turkish wife of forty five winters slipped away on the softest November breath two months past, and the last tether has loosened. At sixty four I have stepped fully into the role I have always carried inside. No audience remains to disappoint. Only the mirrors, patient and kind. I have become Hanimefendi,(Turkish for Lady) the sissy Victorian housemistress of this quiet manor of memory and candlelight. I have worn Black Satin Widow's Weeds for the previous two months, now I am working through my own colour spectrum. I dallied with Pink and enjoyed the experience but as a Cityzen, Turquoise, Marine Blue and shades of Sky Blue, has always called to me as a long time supporter of Manchester City. The ritual begins at dusk. First, the high waisted, long leg panty girdle in deepest turquoise satin firm yet forgiving, a decadent embrace that smooths time’s gentle rounding into elegant lines. It clasps me with theatrical intimacy, promising glamour in every restrained breath. Then the gown descends: floor sweeping turquoise satin, reborn from widow’s weeds into defiant opulence. The bodice clings like liquid moonlight through the torso before cascading into extravagant gypsy ruffles that bloom at the hips. Sleeves impossibly long, sissy long billow from shoulder to deep, rose trimmed cuff, swaying with each gesture like languid waves. The fabric catches every flicker, its subtle sheen tracing molten highlights along every fold, turning motion into shimmering poetry. Over shoulders and throat drifts the sheer turquoise chiffon voile veil, gossamer as exhaled breath, floating a hand’s span from my face. It softens the lines age has etched without concealing them grief veiled, yet radiant. Last, the oversized turquoise satin hijab headscarf, wrapped and pinned with reverent precision. Its rich, glossy folds frame my features like a reliquary of lapis and sea glass, the colour chosen deliberately: mourning need not be monochrome. Sorrow, too, can blaze jewel bright. I move through the rooms by candlelight alone. Tall silver holders spill pools of gold, dramatic chiaroscuro carves deep satin shadows into ruffles and pleats while the satin itself ignites vibrant, unearthly turquoise glowing against the gloom like bioluminescent tide. Each step sends a soft hiss of fabric across oak boards, the veil drifts behind me like sea mist following a ship of ghosts. I dust phantom mantelpieces, rearrange crystal that asks nothing of me, murmur instructions to maids who exist only in the echo of my voice. Sometimes I pause before the tall pier glass in the upper hall and simply regard the figure there. In its depths I see the frightened boy who once quaked at satin’s rustle. I see the husband who learned to fold himself small. And I see her, me Hanimefendi sixty four, unapologetic, swathed in extravagant turquoise like a proclamation stitched in light. The world beyond these walls may still insist on its muted uniforms, but here, in these shadowed chambers, I have rewritten the grammar of grief. It is not devolved from mourning black to ash-grey. It is this fierce, swimming blue green that drinks candle flame and gives it back brighter. It is theatrical, shameless, mine. Tonight, as ever, I lower myself into the worn leather armchair beside the tall window. Ruffles settle around me like spilled ink, veils float, then still. The silence enfolds me, tender as old satin. No one watches. Except the mirror. And in my mind's eye it has always approved.
    I never chose this life so much as it chose me, one silken whisper at a time, across sixty four slow turning years. It began in the hush of boyhood, fingers trembling as they brushed the cool satin of my Mother’s Sunday slip, the fabric sighing against my skin like a secret finally given voice. Midnight experiments followed stolen dresses in dim bedrooms, heartbeats loud against lace, the mirror a conspirator that never judged. Then came the decades of careful folding away marriage, children, the steady performance of an ordinary man while upstairs, behind false panels in the attic, a private gallery of satins and chiffons dreamed in silence. Now the children have flown, my Turkish wife of forty five winters slipped away on the softest November breath two months past, and the last tether has loosened. At sixty four I have stepped fully into the role I have always carried inside. No audience remains to disappoint. Only the mirrors, patient and kind. I have become Hanimefendi,(Turkish for Lady) the sissy Victorian housemistress of this quiet manor of memory and candlelight. I have worn Black Satin Widow's Weeds for the previous two months, now I am working through my own colour spectrum. I dallied with Pink and enjoyed the experience but as a Cityzen, Turquoise, Marine Blue and shades of Sky Blue, has always called to me as a long time supporter of Manchester City. The ritual begins at dusk. First, the high waisted, long leg panty girdle in deepest turquoise satin firm yet forgiving, a decadent embrace that smooths time’s gentle rounding into elegant lines. It clasps me with theatrical intimacy, promising glamour in every restrained breath. Then the gown descends: floor sweeping turquoise satin, reborn from widow’s weeds into defiant opulence. The bodice clings like liquid moonlight through the torso before cascading into extravagant gypsy ruffles that bloom at the hips. Sleeves impossibly long, sissy long billow from shoulder to deep, rose trimmed cuff, swaying with each gesture like languid waves. The fabric catches every flicker, its subtle sheen tracing molten highlights along every fold, turning motion into shimmering poetry. Over shoulders and throat drifts the sheer turquoise chiffon voile veil, gossamer as exhaled breath, floating a hand’s span from my face. It softens the lines age has etched without concealing them grief veiled, yet radiant. Last, the oversized turquoise satin hijab headscarf, wrapped and pinned with reverent precision. Its rich, glossy folds frame my features like a reliquary of lapis and sea glass, the colour chosen deliberately: mourning need not be monochrome. Sorrow, too, can blaze jewel bright. I move through the rooms by candlelight alone. Tall silver holders spill pools of gold, dramatic chiaroscuro carves deep satin shadows into ruffles and pleats while the satin itself ignites vibrant, unearthly turquoise glowing against the gloom like bioluminescent tide. Each step sends a soft hiss of fabric across oak boards, the veil drifts behind me like sea mist following a ship of ghosts. I dust phantom mantelpieces, rearrange crystal that asks nothing of me, murmur instructions to maids who exist only in the echo of my voice. Sometimes I pause before the tall pier glass in the upper hall and simply regard the figure there. In its depths I see the frightened boy who once quaked at satin’s rustle. I see the husband who learned to fold himself small. And I see her, me Hanimefendi sixty four, unapologetic, swathed in extravagant turquoise like a proclamation stitched in light. The world beyond these walls may still insist on its muted uniforms, but here, in these shadowed chambers, I have rewritten the grammar of grief. It is not devolved from mourning black to ash-grey. It is this fierce, swimming blue green that drinks candle flame and gives it back brighter. It is theatrical, shameless, mine. Tonight, as ever, I lower myself into the worn leather armchair beside the tall window. Ruffles settle around me like spilled ink, veils float, then still. The silence enfolds me, tender as old satin. No one watches. Except the mirror. And in my mind's eye it has always approved.
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  • My TS/CD/TV Story

    Tonight I feel the girl inside me stirring again, asking to be written into existence.

    I have carried her quietly for so long—tucked into the soft, hidden chambers of my heart, where secrets live and dreams wait for courage. She has always been there, watching the world through my eyes while I learned how to survive in a role that never fully fit. She learned to whisper instead of speak, to hide instead of bloom.

    I have always been feminine. I have always felt the pull toward softness, beauty, silk, lace, and being seen not as a man pretending—but as a woman becoming.

    I didn’t begin crossdressing until a few years ago, late in life, after decades of wondering and silence. A boyfriend encouraged me—someone who saw the femininity in me and cherished it. I was already submissive in spirit, already gentle, already carrying this quiet feminine current inside. When I put on a bra, slipped into panties, and felt lingerie against my skin, it felt natural. Familiar. Like recognition.

    I had suspected this part of myself for years, like a faint melody always playing in the background. But that day, standing there in softness, I didn’t just suspect it—I knew. Not as fantasy or curiosity, but as truth. Something ancient and undeniable finally named itself.

    I imagine walking down a street in a dress that catches the light, my skin warm in the sun, people seeing me as I wish to be seen. I imagine being admired, desired, even framed on a wall like a pin-up girl from another era—confident, glamorous, unapologetically herself. That vision makes my heart ache with both joy and grief.

    So much of my life has been spent in silence. So much of me was taught to hide. I am still learning how to peel back the layers of fear, religion, politics, family expectations, and my own hesitation. I don’t know where this path will lead—only that I am tired of pretending she isn’t there.

    For now, she lives in quiet places: my room, my thoughts, the gentle arms of someone who understands, the rare spaces where I can exhale and be Chrissy. I wonder sometimes if that is enough. I wonder what it would be like to let her walk freely in the daylight.

    No one in my family knows her. Most of my friends don’t. They see the version of me that learned how to blend in, how to be acceptable, how to survive. They don’t see the girl who has been waiting so patiently inside.

    Tonight I write her name here, like a prayer.
    Tonight I let her breathe.

    Chrissy.
    She is real.
    She is me.

    And even if the world never fully knows her, I know her. And that, for now, is something.

    With love,
    Chrissy

    https://www.facebook.com/profile.php?id=61586994341520

    https://x.com/TunnellChrissy

    #sissy #sissyboy #gurl #shemale #trans #femboy #femman #tgirl #crossdresser #transgirl #transowman #gay #lgbtq
    My TS/CD/TV Story Tonight I feel the girl inside me stirring again, asking to be written into existence. I have carried her quietly for so long—tucked into the soft, hidden chambers of my heart, where secrets live and dreams wait for courage. She has always been there, watching the world through my eyes while I learned how to survive in a role that never fully fit. She learned to whisper instead of speak, to hide instead of bloom. I have always been feminine. I have always felt the pull toward softness, beauty, silk, lace, and being seen not as a man pretending—but as a woman becoming. I didn’t begin crossdressing until a few years ago, late in life, after decades of wondering and silence. A boyfriend encouraged me—someone who saw the femininity in me and cherished it. I was already submissive in spirit, already gentle, already carrying this quiet feminine current inside. When I put on a bra, slipped into panties, and felt lingerie against my skin, it felt natural. Familiar. Like recognition. I had suspected this part of myself for years, like a faint melody always playing in the background. But that day, standing there in softness, I didn’t just suspect it—I knew. Not as fantasy or curiosity, but as truth. Something ancient and undeniable finally named itself. I imagine walking down a street in a dress that catches the light, my skin warm in the sun, people seeing me as I wish to be seen. I imagine being admired, desired, even framed on a wall like a pin-up girl from another era—confident, glamorous, unapologetically herself. That vision makes my heart ache with both joy and grief. So much of my life has been spent in silence. So much of me was taught to hide. I am still learning how to peel back the layers of fear, religion, politics, family expectations, and my own hesitation. I don’t know where this path will lead—only that I am tired of pretending she isn’t there. For now, she lives in quiet places: my room, my thoughts, the gentle arms of someone who understands, the rare spaces where I can exhale and be Chrissy. I wonder sometimes if that is enough. I wonder what it would be like to let her walk freely in the daylight. No one in my family knows her. Most of my friends don’t. They see the version of me that learned how to blend in, how to be acceptable, how to survive. They don’t see the girl who has been waiting so patiently inside. Tonight I write her name here, like a prayer. Tonight I let her breathe. Chrissy. She is real. She is me. And even if the world never fully knows her, I know her. And that, for now, is something. With love, Chrissy https://www.facebook.com/profile.php?id=61586994341520 https://x.com/TunnellChrissy #sissy #sissyboy #gurl #shemale #trans #femboy #femman #tgirl #crossdresser #transgirl #transowman #gay #lgbtq
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  • Hello everyone here,I'm looking for a good, honest, truthful, obedient and understanding sissyslut to own and collar 24/7 in the Bdsm lifestyle again.
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  • Whether you are a beginner or an experienced player, your fetish and BDSM desires will be teased, taunted and elevated until you are aching for release. Finally, you are left gasping and fulfilled, shivering with satisfaction at the best adult fantasy you will ever experience with the ********

    I understand that for many submissives, your slavery is therapeutic. In your servitude to Me, you will feel release from the constraints of your vanilla lifestyle. As your ********, I am both your trainer and your guide, as we delve together further into the dark arts of BDSM, Kink and Fetish

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    Whether you are a beginner or an experienced player, your fetish and BDSM desires will be teased, taunted and elevated until you are aching for release. Finally, you are left gasping and fulfilled, shivering with satisfaction at the best adult fantasy you will ever experience with the ******** I understand that for many submissives, your slavery is therapeutic. In your servitude to Me, you will feel release from the constraints of your vanilla lifestyle. As your ********, I am both your trainer and your guide, as we delve together further into the dark arts of BDSM, Kink and Fetish Text me on zangi 6869055896 if you're ready to purchase your certificate form
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  • Hello everyone here,I'm looking for a good, honest, truthful, obedient and understanding sissyslut to own and collar 24/7 in the Bdsm lifestyle again. #sissy #femboy

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  • I had just finished fastening the last hidden hook at the back of my turquoise gown when the knock came. Five soft raps. Familiar. Unhurried. For a moment my heart stuttered, the old reflex, the ancient fear and my hands flew to the veil as if I could suddenly disappear beneath it. No one ever came unannounced anymore. At sixty four, surprises usually meant doctors or delivery drivers. Then I recognised the rhythm. Only one person still knocked like that. “Don’t answer,” I whispered to myself. But I already knew I would. I moved toward the door, satin whispering around my legs, chiffon brushing my cheeks. Each step felt like a small confession. When I opened it, there she stood, Margaret. “Well,” she said gently, taking a long appraisal at me from headscarf to hem, “you’ve finally gone back to turquoise.” The relief hit me so hard I had to grip the doorframe. She didn’t gasp. Didn’t stare. Didn’t ask. She stepped inside as if this were the most ordinary thing in the world. Margaret and I had known each other forty years. We met in a crossdressing support group that didn’t dare use honest language, two frightened middle aged men pretending we were only “curious.” We had survived marriages, divorces, children, funerals, health scares, church shame, private wardrobes, public disguises. She was the only one who knew about her, the other side of me and about my wife, about the promise I made to bury this part of myself with her. Then she laughed a low, delighted laugh I hadn’t heard in years. “Well,” she said, stepping back to take me in properly, “someone’s been practising.” “And someone,” I replied, eyes dropping pointedly to her coat, “is hiding something under there.” She raised one eyebrow, theatrical as ever, and swept inside without another word. In the sitting room she removed her coat slowly, with ceremony. Underneath, she bloomed. Lavender satin skirt, soft as spilled dusk. A pearl-grey blouse with tiny buttons marching down its front. Her shoulders were draped in a pale mourning shawl, but beneath it shimmered a corset modest, yes, but unmistakably intentional. Her hair still stubbornly silver and short was crowned with a small violet fascinator tilted at a hopeful angle. We stared at each other. Then, at exactly the same moment, we burst into laughter. “Oh my God,” she said, clutching the back of a chair. “Look at us.” “Two antique chandeliers,” I said. “With arthritis.” She crossed the room and turned me gently by the shoulders toward the mirror. “Look properly,” she said. And I did. Two elderly figures in satin and chiffon and stubborn colour, layered with grief and courage and too many decades of silence. My turquoise against her lavender, mourning shades learning how to speak joy. “I never thought,” I said quietly, “that I’d be doing this at sixty four. With company.” “Better late than embalmed,” she replied. We helped each other settle in the armchairs, cushions adjusted, skirts arranged, veils tamed. She fixed my eyeliner with the same tenderness she’d used the last time we met. I fastened a hook she couldn’t quite reach at the back of her corset. Our hands lingered, not with desire, but with recognition. Tea became sherry. Sherry became stories. We spoke of first dresses bought in secret, of wigs hidden in lofts, of wives who never knew and wives who half knew and one who knew everything and loved anyway. We spoke of shame, of church halls, of changing rooms we never dared enter. At one point she stood and curtsied, wobbling dangerously. “Behold,” she announced, “the ghost of femininity past.” I applauded, carefully, so I didn’t spill my sherry. Later, when the light softened and the veil cast turquoise shadows across the wall, we grew quieter. “I was so lonely after Shirley died,” she said softly. “Not for another woman to replace her. For… this.” She gestured between us. “I know,” I said. And I did. Before she left, we stood by the door together, adjusting each other one last time, smoothing frills, straightening shawls, checking lipstick like two conspirators before a masquerade. “We should do this again,” she said. “Regularly,” I said at once. “Before courage changes its mind.” She smiled. “You know,” she said gently, “we don’t have to call it mourning forever.” I watched her walk away in lavender, support cane tapping, skirt swaying stubbornly against time. When I closed the door, the house no longer felt like a place of echoes. It felt like a dressing room. And for the first time in a very long life, I looked forward not to remembering, but to the next time I would become myself with someone who truly understood.
    I had just finished fastening the last hidden hook at the back of my turquoise gown when the knock came. Five soft raps. Familiar. Unhurried. For a moment my heart stuttered, the old reflex, the ancient fear and my hands flew to the veil as if I could suddenly disappear beneath it. No one ever came unannounced anymore. At sixty four, surprises usually meant doctors or delivery drivers. Then I recognised the rhythm. Only one person still knocked like that. “Don’t answer,” I whispered to myself. But I already knew I would. I moved toward the door, satin whispering around my legs, chiffon brushing my cheeks. Each step felt like a small confession. When I opened it, there she stood, Margaret. “Well,” she said gently, taking a long appraisal at me from headscarf to hem, “you’ve finally gone back to turquoise.” The relief hit me so hard I had to grip the doorframe. She didn’t gasp. Didn’t stare. Didn’t ask. She stepped inside as if this were the most ordinary thing in the world. Margaret and I had known each other forty years. We met in a crossdressing support group that didn’t dare use honest language, two frightened middle aged men pretending we were only “curious.” We had survived marriages, divorces, children, funerals, health scares, church shame, private wardrobes, public disguises. She was the only one who knew about her, the other side of me and about my wife, about the promise I made to bury this part of myself with her. Then she laughed a low, delighted laugh I hadn’t heard in years. “Well,” she said, stepping back to take me in properly, “someone’s been practising.” “And someone,” I replied, eyes dropping pointedly to her coat, “is hiding something under there.” She raised one eyebrow, theatrical as ever, and swept inside without another word. In the sitting room she removed her coat slowly, with ceremony. Underneath, she bloomed. Lavender satin skirt, soft as spilled dusk. A pearl-grey blouse with tiny buttons marching down its front. Her shoulders were draped in a pale mourning shawl, but beneath it shimmered a corset modest, yes, but unmistakably intentional. Her hair still stubbornly silver and short was crowned with a small violet fascinator tilted at a hopeful angle. We stared at each other. Then, at exactly the same moment, we burst into laughter. “Oh my God,” she said, clutching the back of a chair. “Look at us.” “Two antique chandeliers,” I said. “With arthritis.” She crossed the room and turned me gently by the shoulders toward the mirror. “Look properly,” she said. And I did. Two elderly figures in satin and chiffon and stubborn colour, layered with grief and courage and too many decades of silence. My turquoise against her lavender, mourning shades learning how to speak joy. “I never thought,” I said quietly, “that I’d be doing this at sixty four. With company.” “Better late than embalmed,” she replied. We helped each other settle in the armchairs, cushions adjusted, skirts arranged, veils tamed. She fixed my eyeliner with the same tenderness she’d used the last time we met. I fastened a hook she couldn’t quite reach at the back of her corset. Our hands lingered, not with desire, but with recognition. Tea became sherry. Sherry became stories. We spoke of first dresses bought in secret, of wigs hidden in lofts, of wives who never knew and wives who half knew and one who knew everything and loved anyway. We spoke of shame, of church halls, of changing rooms we never dared enter. At one point she stood and curtsied, wobbling dangerously. “Behold,” she announced, “the ghost of femininity past.” I applauded, carefully, so I didn’t spill my sherry. Later, when the light softened and the veil cast turquoise shadows across the wall, we grew quieter. “I was so lonely after Shirley died,” she said softly. “Not for another woman to replace her. For… this.” She gestured between us. “I know,” I said. And I did. Before she left, we stood by the door together, adjusting each other one last time, smoothing frills, straightening shawls, checking lipstick like two conspirators before a masquerade. “We should do this again,” she said. “Regularly,” I said at once. “Before courage changes its mind.” She smiled. “You know,” she said gently, “we don’t have to call it mourning forever.” I watched her walk away in lavender, support cane tapping, skirt swaying stubbornly against time. When I closed the door, the house no longer felt like a place of echoes. It felt like a dressing room. And for the first time in a very long life, I looked forward not to remembering, but to the next time I would become myself with someone who truly understood.
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  • All i require from you, is you Loyalty and Submission
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    #BDSM LIFESTYLE
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  • The Erebus Veil has always been more mausoleum than starship, but tonight she feels like a confessional. I press my forehead to the viewport again, the cold glass a thin barrier between me and the churning nebulae that swirl like spilled ink and blood. My breath fogs it in ragged bursts each one a small rebellion against the vacuum waiting outside. Sixty four years, I rasp to the empty deck, voice thick with the kind of ache that settles in bones and doesn't leave. Sixty four years of rewriting myself sentence by sentence, and the universe still hasn't bothered to notice. Or maybe it has. Maybe that's why it left me here to watch the stars burn without apology. My gloved fingers curl against the pane, kid leather creaking. The gown of satin so dark it drinks light, chiffon whispering like secrets I used to be afraid to keep shifts with the faint tremor of the hull. The high-waist satin panty girdle beneath bites just enough to ground me, to say: You are here. You chose this shape. You paid in blood and time and nights spent crying into star charts. I laugh once, sharp and wet. It echoes off the pitted bulkheads. You know what the cruelest part is? I ask the ship, or the nebulae, or the ghost of the girl I used to bury every morning. I finally like the sound of my name in my own mouth. Hanımefendi. It used to taste like ash. Now it tastes like victory and no one’s left to hear me say it. A distant fusion coil whines in sympathy, or maybe that's just my pulse in my ears. I dreamed of this, you know. Not the derelict part. The space part. Vast and indifferent and beautiful. I thought if I could just get out here away from gravity wells and small minded gravity bound people I’d finally breathe easy. Instead I learned the void doesn’t care who you are. It doesn’t applaud your courage. It just… waits. My reflection stares back: sharp jaw softened by decades of estrogen and stubborn hope, eyes lined in kohl that’s run from earlier tears, raven cameo pinned like a medal over my heart. The chiaroscuro light paints me half angel, half wraith crowned in bruise purple nebulae fire. I swallow hard. But I’m still here, I whisper, fierce enough that it hurts my throat. Still standing in this ridiculous, glorious dress I sewed myself on a ship that’s falling apart. Still breathing air you recycled for me when no one else would. Still choosing every damn day to be this trans, tired, terrified, and incandescently alive. The flare comes again brighter this time, gold and merciless. It floods the deck, turns every jet bead to molten starlight, every fold of chiffon into rippling shadow and flame. My silhouette burns against the glass like a brand. I don’t flinch. Look at me, I snarl at the cosmos, at the empty chairs where crew once sat, at the woman in the reflection who finally stopped flinching. Look at what survives when everything else leaves. A trans woman in a Gothic mourning gown, orbiting a nebula that doesn’t give a damn. And I’m not done yet. Tears cut fresh tracks through the kohl. I let them fall. I loved once, I confess, softer now, the words cracking open like overripe fruit. Her name was Mara. She called me ‘starlight’ when no one else dared call me anything at all. We used to stand right here, hands linked, watching these same nebulae. She said we’d outlive the stars. I believed her. My voice breaks completely. She’s gone. Everyone’s gone. But I’m still wearing the earrings she gave me the ones shaped like tiny crescent moons. I’m still carrying her in every stitch of this gown, every bead I sewed while crying over star maps. And if that’s all the legacy I get a solitary trans woman adrift in opera-scale darkness, dressed for the funeral of a life I refused to let kill me then let it be enough. I straighten. Shoulders back. Chin up. The girdle holds me like armor. So keep turning, you beautiful, heartless nebulae, I say, voice steady at last. Keep your silence. I’ve got enough words for both of us. I’ve got enough me for whatever comes next. The light fades. Shadow returns, satin soft. But this time, when I meet my own eyes in the glass, they’re blazing. No more apologies. No more smallness. Just Hanımefendi trans woman, space wanderer, survivor in satin and lace standing defiant against the dark opera of the stars. And for the first time in years, the silence doesn’t swallow me. It listens.
    The Erebus Veil has always been more mausoleum than starship, but tonight she feels like a confessional. I press my forehead to the viewport again, the cold glass a thin barrier between me and the churning nebulae that swirl like spilled ink and blood. My breath fogs it in ragged bursts each one a small rebellion against the vacuum waiting outside. Sixty four years, I rasp to the empty deck, voice thick with the kind of ache that settles in bones and doesn't leave. Sixty four years of rewriting myself sentence by sentence, and the universe still hasn't bothered to notice. Or maybe it has. Maybe that's why it left me here to watch the stars burn without apology. My gloved fingers curl against the pane, kid leather creaking. The gown of satin so dark it drinks light, chiffon whispering like secrets I used to be afraid to keep shifts with the faint tremor of the hull. The high-waist satin panty girdle beneath bites just enough to ground me, to say: You are here. You chose this shape. You paid in blood and time and nights spent crying into star charts. I laugh once, sharp and wet. It echoes off the pitted bulkheads. You know what the cruelest part is? I ask the ship, or the nebulae, or the ghost of the girl I used to bury every morning. I finally like the sound of my name in my own mouth. Hanımefendi. It used to taste like ash. Now it tastes like victory and no one’s left to hear me say it. A distant fusion coil whines in sympathy, or maybe that's just my pulse in my ears. I dreamed of this, you know. Not the derelict part. The space part. Vast and indifferent and beautiful. I thought if I could just get out here away from gravity wells and small minded gravity bound people I’d finally breathe easy. Instead I learned the void doesn’t care who you are. It doesn’t applaud your courage. It just… waits. My reflection stares back: sharp jaw softened by decades of estrogen and stubborn hope, eyes lined in kohl that’s run from earlier tears, raven cameo pinned like a medal over my heart. The chiaroscuro light paints me half angel, half wraith crowned in bruise purple nebulae fire. I swallow hard. But I’m still here, I whisper, fierce enough that it hurts my throat. Still standing in this ridiculous, glorious dress I sewed myself on a ship that’s falling apart. Still breathing air you recycled for me when no one else would. Still choosing every damn day to be this trans, tired, terrified, and incandescently alive. The flare comes again brighter this time, gold and merciless. It floods the deck, turns every jet bead to molten starlight, every fold of chiffon into rippling shadow and flame. My silhouette burns against the glass like a brand. I don’t flinch. Look at me, I snarl at the cosmos, at the empty chairs where crew once sat, at the woman in the reflection who finally stopped flinching. Look at what survives when everything else leaves. A trans woman in a Gothic mourning gown, orbiting a nebula that doesn’t give a damn. And I’m not done yet. Tears cut fresh tracks through the kohl. I let them fall. I loved once, I confess, softer now, the words cracking open like overripe fruit. Her name was Mara. She called me ‘starlight’ when no one else dared call me anything at all. We used to stand right here, hands linked, watching these same nebulae. She said we’d outlive the stars. I believed her. My voice breaks completely. She’s gone. Everyone’s gone. But I’m still wearing the earrings she gave me the ones shaped like tiny crescent moons. I’m still carrying her in every stitch of this gown, every bead I sewed while crying over star maps. And if that’s all the legacy I get a solitary trans woman adrift in opera-scale darkness, dressed for the funeral of a life I refused to let kill me then let it be enough. I straighten. Shoulders back. Chin up. The girdle holds me like armor. So keep turning, you beautiful, heartless nebulae, I say, voice steady at last. Keep your silence. I’ve got enough words for both of us. I’ve got enough me for whatever comes next. The light fades. Shadow returns, satin soft. But this time, when I meet my own eyes in the glass, they’re blazing. No more apologies. No more smallness. Just Hanımefendi trans woman, space wanderer, survivor in satin and lace standing defiant against the dark opera of the stars. And for the first time in years, the silence doesn’t swallow me. It listens.
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  • Yeah it’s AI, but Donna’s living the good life xx
    Yeah it’s AI, but Donna’s living the good life xx
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  • Stolen from someone else's Fetlife post, but...

    It took me a while to really understand exactly why the right is so terrified specifically of trans women.

    And then I really thought about six foot tall women with obsessions with wilderness survival and craft activities and swords and guns and cooking and decentralized workers liberation movements and oh now I get it.

    ... i'm nowhere near six foot tall, have no guns, but otherwise....
    Stolen from someone else's Fetlife post, but... It took me a while to really understand exactly why the right is so terrified specifically of trans women. And then I really thought about six foot tall women with obsessions with wilderness survival and craft activities and swords and guns and cooking and decentralized workers liberation movements and oh now I get it. ... i'm nowhere near six foot tall, have no guns, but otherwise....
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  • I am happy to guide you, if you are a beginner, I love to open new doors and show you the kinky side of life hit me up and let's explore. #sissy #femboy

    I am happy to guide you, if you are a beginner, I love to open new doors and show you the kinky side of life hit me up and let's explore. #sissy #femboy
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  • What a lovely "person"...

    Serveramonaryder
    Go kill ur self.. don’t ever in your life comment on my post again if you don’t have positive things to say

    Guess it doesn't really belong here.
    What a lovely "person"... Serveramonaryder Go kill ur self.. don’t ever in your life comment on my post again if you don’t have positive things to say Guess it doesn't really belong here.
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    3
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  • Whether you are a beginner or an experienced player, your fetish and BDSM desires will be teased, taunted and elevated until you are aching for release. Finally, you are left gasping and fulfilled, shivering with satisfaction at the best adult fantasy you will ever experience with the ********

    I understand that for many submissives, your slavery is therapeutic. In your servitude to Me, you will feel release from the constraints of your vanilla lifestyle. As your ********, I am both your trainer and your guide, as we delve together further into the dark arts of BDSM, Kink and Fetish

    Text me on zangi 6869055896
    if you're ready to purchase your certificate form
    Whether you are a beginner or an experienced player, your fetish and BDSM desires will be teased, taunted and elevated until you are aching for release. Finally, you are left gasping and fulfilled, shivering with satisfaction at the best adult fantasy you will ever experience with the ******** I understand that for many submissives, your slavery is therapeutic. In your servitude to Me, you will feel release from the constraints of your vanilla lifestyle. As your ********, I am both your trainer and your guide, as we delve together further into the dark arts of BDSM, Kink and Fetish Text me on zangi 6869055896 if you're ready to purchase your certificate form
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  • I am ready to change my life. It is my moment, and I am prepared and determined to start being the woman I feel I am. I am looking for a man who treats me well and supports me in being his woman. I am ready to move forward without looking back and start this transition together with a man who will support me in all my decisions regarding gender change.
    I am ready to change my life. It is my moment, and I am prepared and determined to start being the woman I feel I am. I am looking for a man who treats me well and supports me in being his woman. I am ready to move forward without looking back and start this transition together with a man who will support me in all my decisions regarding gender change.
    Love
    Wow
    4
    3 Commentarii 0 Distribuiri 3K Views
  • I am happy to guide you, if you are a beginner, I love to open new doors and show you the kinky side of life hit me up and let's explore. #sissy #femboy

    I am happy to guide you, if you are a beginner, I love to open new doors and show you the kinky side of life hit me up and let's explore. #sissy #femboy
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    1
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  • Hello everyone here,I'm looking for a good, honest, truthful, obedient and understanding sissyslut to own and collar 24/7 in the Bdsm lifestyle again. #sissy #femboy
    Hello everyone here,I'm looking for a good, honest, truthful, obedient and understanding sissyslut to own and collar 24/7 in the Bdsm lifestyle again. #sissy #femboy
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  • Hello everyone here,I'm looking for a good, honest, truthful, obedient and understanding ***** to own and collar 24/7 in the Bdsm lifestyle again. #sissy #femboy
    Hello everyone here,I'm looking for a good, honest, truthful, obedient and understanding slave to own and collar 24/7 in the Bdsm lifestyle again. #sissy #femboy
    2 Commentarii 0 Distribuiri 4K Views
  • In the dim afternoon light of my bedroom, I sit before the antique dressing table that once belonged to my Wife. The black satin headscarf rests across my lap like spilled ink, its oversized folds still carrying the faint lavender I keep tucked inside the drawer. The veil those fragile layers of sheer black chiffon voile hangs from the wardrobe door, trembling slightly whenever the January wind finds its way through the sash window. Outside, the town lies quiet under the grey sky of the 16th of January 2026.
    I run a lace gloved finger along the jet beading on the bodice, the little beads cold at first, then warming as though they remember my body heat. Why this? The question rises again, steady as my own heartbeat. It isn’t only the crossdressing; that word feels too narrow, too modern for what moves through me. This is mourning chosen, worn deliberately, as though putting on these heavy black satins lets me grieve properly, not just for my Wife, but for the version of myself I kept locked away all those years.
    I see flashes of the past: my Grandmother’s photograph album, those stern Victorian and Edwardian women in crepe and veils, faces made beautiful by sorrow. I used to stare at them longer than any boy was supposed to, feeling something stir that had no name. Later, during the decades with my Wife, the secret grew in silence satin bought at antique fairs, a chiffon veil ordered late at night from sellers who asked no questions. My Wife never knew, or if she guessed, she let it lie. She would smile when I came home with yet another silk or satin scarf, teasing me about my “fancy tastes,” and I would laugh along, the words both a comfort and a small, private wound. Did I steal something from her by never speaking the truth? Or was the silence kinder, preserving the life we built of Sunday dinners, walks up on the hill across the fields, the kettle whistling in the kitchen while we listened to the afternoon play on Radio 4? The clothes themselves seem to answer me. The satin is cool against my skin at first, then softens, accepts me. It wraps around the shape I carry inside, the one that never quite fitted the name Tony. When I wear it, I become Tonya the widow I sometimes feel I have always been. The mourning isn’t only for my Wife’s death two months ago, it is for all the years I lived half hidden, for the conversations never had, for the evenings I stood alone in front of the mirror trying on fragments of this other life. Out in the town, beneath the veil, the world blurs into gentle greys. People nod with quiet respect, the way they would to any Victorian widow stepping out of time. In those moments the doubt falls away and I feel something close to power, loss made visible, made dramatic, made mine. Yet when I come home and sit here, the questions return. At Sixty Four, is this foolishness or finally honesty? The mirror shows silver hair escaping the satin folds, lines carved by time across my face. Is it too late to become who I have always been inside? Then I remember my Wife’s hand in mine during those last weeks, her voice thin but certain: “Be happy, love. Whatever that looks like.” Perhaps this is what it looks like layers of black satin and chiffon, the headscarf framing my face like a dark halo, the veil softening everything until even my doubts feel bearable. I rise slowly, fold the headscarf with the same care I once used to fold my handkerchiefs after ironing. The reflections will come back tomorrow, and the day after. They are complicated, tangled, sometimes painful. But they are mine, and for the first time I am not afraid to hold them. The wardrobe waits, patient and open. So do I.
    In the dim afternoon light of my bedroom, I sit before the antique dressing table that once belonged to my Wife. The black satin headscarf rests across my lap like spilled ink, its oversized folds still carrying the faint lavender I keep tucked inside the drawer. The veil those fragile layers of sheer black chiffon voile hangs from the wardrobe door, trembling slightly whenever the January wind finds its way through the sash window. Outside, the town lies quiet under the grey sky of the 16th of January 2026. I run a lace gloved finger along the jet beading on the bodice, the little beads cold at first, then warming as though they remember my body heat. Why this? The question rises again, steady as my own heartbeat. It isn’t only the crossdressing; that word feels too narrow, too modern for what moves through me. This is mourning chosen, worn deliberately, as though putting on these heavy black satins lets me grieve properly, not just for my Wife, but for the version of myself I kept locked away all those years. I see flashes of the past: my Grandmother’s photograph album, those stern Victorian and Edwardian women in crepe and veils, faces made beautiful by sorrow. I used to stare at them longer than any boy was supposed to, feeling something stir that had no name. Later, during the decades with my Wife, the secret grew in silence satin bought at antique fairs, a chiffon veil ordered late at night from sellers who asked no questions. My Wife never knew, or if she guessed, she let it lie. She would smile when I came home with yet another silk or satin scarf, teasing me about my “fancy tastes,” and I would laugh along, the words both a comfort and a small, private wound. Did I steal something from her by never speaking the truth? Or was the silence kinder, preserving the life we built of Sunday dinners, walks up on the hill across the fields, the kettle whistling in the kitchen while we listened to the afternoon play on Radio 4? The clothes themselves seem to answer me. The satin is cool against my skin at first, then softens, accepts me. It wraps around the shape I carry inside, the one that never quite fitted the name Tony. When I wear it, I become Tonya the widow I sometimes feel I have always been. The mourning isn’t only for my Wife’s death two months ago, it is for all the years I lived half hidden, for the conversations never had, for the evenings I stood alone in front of the mirror trying on fragments of this other life. Out in the town, beneath the veil, the world blurs into gentle greys. People nod with quiet respect, the way they would to any Victorian widow stepping out of time. In those moments the doubt falls away and I feel something close to power, loss made visible, made dramatic, made mine. Yet when I come home and sit here, the questions return. At Sixty Four, is this foolishness or finally honesty? The mirror shows silver hair escaping the satin folds, lines carved by time across my face. Is it too late to become who I have always been inside? Then I remember my Wife’s hand in mine during those last weeks, her voice thin but certain: “Be happy, love. Whatever that looks like.” Perhaps this is what it looks like layers of black satin and chiffon, the headscarf framing my face like a dark halo, the veil softening everything until even my doubts feel bearable. I rise slowly, fold the headscarf with the same care I once used to fold my handkerchiefs after ironing. The reflections will come back tomorrow, and the day after. They are complicated, tangled, sometimes painful. But they are mine, and for the first time I am not afraid to hold them. The wardrobe waits, patient and open. So do I.
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  • Here's a possible post:

    Just got out of character and feeling like a QUEEN 👸🏽. Who's ready to help me get back into my most dominant self? Looking for a submissive sweetheart to spoil #MistressMode #CrossDressing #SissyLife"
    💅👗 Here's a possible post: Just got out of character and feeling like a QUEEN 👸🏽💁‍♀️. Who's ready to help me get back into my most dominant self? 😉 Looking for a submissive sweetheart to spoil 👀 #MistressMode #CrossDressing #SissyLife"
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    Wow
    5
    2 Commentarii 0 Distribuiri 5K Views
  • https://fetlife.com/Yana_Volkov
    https://fetlife.com/Yana_Volkov
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    0 Commentarii 0 Distribuiri 2K Views

  • I never thought a simple late-night scroll on Temu would change how I saw myself in the mirror.

    My hands were shaking a little when I clicked "Buy Now" on that dress. The listing was a chaotic poem of keywords: Black Satin Fairy Vintage Sweet Dress Mesh Long Lace... Hollow Out Puff Sleeve Floral... Off Shoulder Fairy Princess Long Satin Mesh Gothic Lady Ruffle. It was everything at once — sweet, dark, romantic, dramatic — and somehow it felt like it had been waiting for me.

    I'm sixty-four. Short. Heavy. The kind of body the world politely looks past. For most of my life I kept the part of me that loved beautiful, flowing things locked away in a mental attic. But the older I get, the less patience I have for hiding.

    The package arrived on a grey Tuesday afternoon. I signed for it quickly, heart thumping like a teenager sneaking something forbidden. I carried the brown box upstairs like it contained state secrets, locked the bedroom door, and tore into it.

    Inside lay folds of deep black satin that caught the lamplight like liquid night. Delicate mesh panels shimmered with tiny floral embroidery. The puff sleeves were ridiculously romantic — exaggerated, dreamy, almost cartoonishly glamorous. Lace spilled from every edge. The off-shoulder neckline promised to bare collarbones I usually keep hidden under sensible jumpers.

    I stripped down, stood in front of the full-length mirror in just my underwear, and stepped into the dress.

    The satin whispered against my legs as I pulled it up. It was surprisingly forgiving — stretchy in the right places, structured in others. I wriggled my arms through those massive puff sleeves; they ballooned around my upper arms like dark fairy wings. I tugged the bodice into place, smoothed the ruffled layers over my stomach, and finally reached back to zip it (with some creative contortions and a coat hanger as backup).

    Then I looked up.

    And I stopped breathing for a second.

    The woman — no, the creature — staring back wasn't sixty-four. She wasn't short and soft and ordinary. She was a midnight fairy queen who had wandered out of some gothic storybook and decided to be indulgent today. The black satin hugged and draped in ways that turned every curve into intention. The hollow-out lace panels teased just enough skin to feel dangerous. Those enormous puff sleeves framed me like I belonged on a velvet throne instead of a suburban bedroom carpet.

    I turned sideways. The long skirt flared dramatically, the mesh overlay catching light like spiderwebs covered in frost. I twirled — actually twirled — and watched the layers float outward in perfect slow motion, the ruffles whispering secrets to each other.

    For once, the mirror wasn't my enemy. It was showing me something true.

    I hadn't planned to go anywhere. But suddenly I needed to feel this outside these four walls.

    I threw on a long black coat (practicality dies hard), slipped my feet into the only pair of low heels I own that almost match, draped a soft scarf over my wig to hide the fact I hadn't styled it yet, and stepped out into the January dusk.

    The cold air hit my bare shoulders like a slap and a caress at the same time. I walked to the end of the street and back — only fifteen minutes — but every step felt like gliding. The satin moved against my thighs. The sleeves swayed. A neighbour's security light caught me as I passed; for a heartbeat I was illuminated, black lace and floral shadows glowing against the night.

    No one stopped me. No one shouted. A dog walker nodded politely like I was simply another eccentric on an evening stroll.

    When I got home, I locked the door, dropped the coat on the floor, and stood in front of the mirror again — this time under brighter light, no scarf, no hiding.

    Here’s the thing about that dress: it doesn’t care that I’m sixty-four, or that I carry extra weight, or that my hands are rough from decades of practical work. It simply drapes itself over me and says, You are allowed to be this glamorous. You are allowed to be this much.

    I smiled at my reflection — a real smile, not the careful half-one I usually wear.

    Then I whispered to the woman in the mirror, the one who finally looked like she belonged in a fairy tale:

    "Thank you for coming out to play, love. We’re keeping the dress."
    I never thought a simple late-night scroll on Temu would change how I saw myself in the mirror. My hands were shaking a little when I clicked "Buy Now" on that dress. The listing was a chaotic poem of keywords: Black Satin Fairy Vintage Sweet Dress Mesh Long Lace... Hollow Out Puff Sleeve Floral... Off Shoulder Fairy Princess Long Satin Mesh Gothic Lady Ruffle. It was everything at once — sweet, dark, romantic, dramatic — and somehow it felt like it had been waiting for me. I'm sixty-four. Short. Heavy. The kind of body the world politely looks past. For most of my life I kept the part of me that loved beautiful, flowing things locked away in a mental attic. But the older I get, the less patience I have for hiding. The package arrived on a grey Tuesday afternoon. I signed for it quickly, heart thumping like a teenager sneaking something forbidden. I carried the brown box upstairs like it contained state secrets, locked the bedroom door, and tore into it. Inside lay folds of deep black satin that caught the lamplight like liquid night. Delicate mesh panels shimmered with tiny floral embroidery. The puff sleeves were ridiculously romantic — exaggerated, dreamy, almost cartoonishly glamorous. Lace spilled from every edge. The off-shoulder neckline promised to bare collarbones I usually keep hidden under sensible jumpers. I stripped down, stood in front of the full-length mirror in just my underwear, and stepped into the dress. The satin whispered against my legs as I pulled it up. It was surprisingly forgiving — stretchy in the right places, structured in others. I wriggled my arms through those massive puff sleeves; they ballooned around my upper arms like dark fairy wings. I tugged the bodice into place, smoothed the ruffled layers over my stomach, and finally reached back to zip it (with some creative contortions and a coat hanger as backup). Then I looked up. And I stopped breathing for a second. The woman — no, the creature — staring back wasn't sixty-four. She wasn't short and soft and ordinary. She was a midnight fairy queen who had wandered out of some gothic storybook and decided to be indulgent today. The black satin hugged and draped in ways that turned every curve into intention. The hollow-out lace panels teased just enough skin to feel dangerous. Those enormous puff sleeves framed me like I belonged on a velvet throne instead of a suburban bedroom carpet. I turned sideways. The long skirt flared dramatically, the mesh overlay catching light like spiderwebs covered in frost. I twirled — actually twirled — and watched the layers float outward in perfect slow motion, the ruffles whispering secrets to each other. For once, the mirror wasn't my enemy. It was showing me something true. I hadn't planned to go anywhere. But suddenly I needed to feel this outside these four walls. I threw on a long black coat (practicality dies hard), slipped my feet into the only pair of low heels I own that almost match, draped a soft scarf over my wig to hide the fact I hadn't styled it yet, and stepped out into the January dusk. The cold air hit my bare shoulders like a slap and a caress at the same time. I walked to the end of the street and back — only fifteen minutes — but every step felt like gliding. The satin moved against my thighs. The sleeves swayed. A neighbour's security light caught me as I passed; for a heartbeat I was illuminated, black lace and floral shadows glowing against the night. No one stopped me. No one shouted. A dog walker nodded politely like I was simply another eccentric on an evening stroll. When I got home, I locked the door, dropped the coat on the floor, and stood in front of the mirror again — this time under brighter light, no scarf, no hiding. Here’s the thing about that dress: it doesn’t care that I’m sixty-four, or that I carry extra weight, or that my hands are rough from decades of practical work. It simply drapes itself over me and says, You are allowed to be this glamorous. You are allowed to be this much. I smiled at my reflection — a real smile, not the careful half-one I usually wear. Then I whispered to the woman in the mirror, the one who finally looked like she belonged in a fairy tale: "Thank you for coming out to play, love. We’re keeping the dress."
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  • I stood in front of the full-length mirror in my dimly lit bedroom, my heart pounding with anticipation. At 64 years old, my body had softened over the years—my ample belly and wide hips a testament to a life of indulgence, now embraced in my secret world as a sissy crossdresser. Layers of shimmering satin enveloped me like a cocoon, not restraining but caressing every curve. A voluminous satin nightgown draped over my frame, its glossy fabric pooling around my thighs, while beneath it, satin panties hugged my skin, and a satin slip added another silky barrier. I felt shrouded, encased in luxury, every movement sending whispers of fabric against fabric.
    My hands trembled slightly as I reached for the condom on the nightstand. I tore open the packet with care, the latex unfurling smoothly. Sliding it over my hardening arousal, I savored the initial cool tightness, a prelude to the symphony of sensations to come. It fit snugly, ready to capture the climax of this intimate ritual.
    Now, I turned my attention to the fabrics that called to me. My fingers glided over the satin nightgown, tracing the smooth, slippery surface that clung to my obese form. The material shifted with each breath, rubbing against my skin in waves of electric silkiness. I ran my hands down my sides, feeling the layers bunch and slide, the overwhelming sensuality building as the satin whispered promises of ecstasy. My belly, soft and round, pressed against the inner layers, amplifying the friction—cool satin warming to my body heat, turning into a second skin that teased every nerve.
    I moved to the dresser, where my collection of headscarves awaited. First, I selected an oversized satin one in deep crimson, draping it over my head like a veil of night. It cascaded down my back and shoulders, the edges brushing my neck. I tied it firmly under my chin, the knot secure but gentle, then looped the excess around my neck in a loose bow, adding another layer of encasement that framed my face in glossy folds. The satin pressed softly against my cheeks, its texture so smooth it felt like liquid silk pouring over me.
    Not satisfied, I layered another—emerald green, even larger, overlapping the first. I repeated the process: over the head, tied under the chin with a double knot for that extra hug of fabric, then wrapped around my neck in elegant loops that nestled against my throat. The combined weight was delicious, the satins rustling together with every turn of my head, sending shivers down my spine. A third layer followed, ivory white and billowing, tied and looped in the same manner, now creating a multi-hued shroud that muffled the world outside, focusing all sensation inward.
    To complete the encasement, I added the sheer voile chiffon veils. These were lighter, almost ethereal, like mist. I pulled the first one over my head as a hood, its transparent layers fluttering down to my shoulders, veiling my vision in a hazy dreamscape. The chiffon whispered against the satin scarves beneath, a delicate contrast to their heavier gloss—airy and teasing, brushing my lips and eyelids with feather-light touches. I added a second chiffon veil, then a third, each one encasing my head further, the sheer fabric layering into a translucent barrier that heightened every breath, every subtle movement.
    Encased now from head to toe, I lay back on the bed, the satin sheets beneath me adding to the chorus. My hands explored freely: sliding under the nightgown to feel the panties' slick embrace, then up to my chest where the slip's fabric bunched against my skin. The sensations overwhelmed me—the cool slide of satin on satin, the warmth building where layers met my body's curves, the chiffon veils shifting like a gentle breeze across my face. My arousal throbbed within the condom, begging for attention.
    I gave in, my hand wrapping around myself through the thin latex. The strokes were slow at first, savoring how the satin panties amplified each motion, the fabrics around me rustling in rhythm. The headscarves tugged slightly with my movements, their knots and loops a constant reminder of my shrouded state. Faster now, the sensations cresting—silky textures merging into a tidal wave of pleasure. With a muffled gasp beneath the veils, I released, filling the condom in blissful waves, my body quivering in the satin embrace until I lay spent, utterly satisfied in my encasement.
    I stood in front of the full-length mirror in my dimly lit bedroom, my heart pounding with anticipation. At 64 years old, my body had softened over the years—my ample belly and wide hips a testament to a life of indulgence, now embraced in my secret world as a sissy crossdresser. Layers of shimmering satin enveloped me like a cocoon, not restraining but caressing every curve. A voluminous satin nightgown draped over my frame, its glossy fabric pooling around my thighs, while beneath it, satin panties hugged my skin, and a satin slip added another silky barrier. I felt shrouded, encased in luxury, every movement sending whispers of fabric against fabric. My hands trembled slightly as I reached for the condom on the nightstand. I tore open the packet with care, the latex unfurling smoothly. Sliding it over my hardening arousal, I savored the initial cool tightness, a prelude to the symphony of sensations to come. It fit snugly, ready to capture the climax of this intimate ritual. Now, I turned my attention to the fabrics that called to me. My fingers glided over the satin nightgown, tracing the smooth, slippery surface that clung to my obese form. The material shifted with each breath, rubbing against my skin in waves of electric silkiness. I ran my hands down my sides, feeling the layers bunch and slide, the overwhelming sensuality building as the satin whispered promises of ecstasy. My belly, soft and round, pressed against the inner layers, amplifying the friction—cool satin warming to my body heat, turning into a second skin that teased every nerve. I moved to the dresser, where my collection of headscarves awaited. First, I selected an oversized satin one in deep crimson, draping it over my head like a veil of night. It cascaded down my back and shoulders, the edges brushing my neck. I tied it firmly under my chin, the knot secure but gentle, then looped the excess around my neck in a loose bow, adding another layer of encasement that framed my face in glossy folds. The satin pressed softly against my cheeks, its texture so smooth it felt like liquid silk pouring over me. Not satisfied, I layered another—emerald green, even larger, overlapping the first. I repeated the process: over the head, tied under the chin with a double knot for that extra hug of fabric, then wrapped around my neck in elegant loops that nestled against my throat. The combined weight was delicious, the satins rustling together with every turn of my head, sending shivers down my spine. A third layer followed, ivory white and billowing, tied and looped in the same manner, now creating a multi-hued shroud that muffled the world outside, focusing all sensation inward. To complete the encasement, I added the sheer voile chiffon veils. These were lighter, almost ethereal, like mist. I pulled the first one over my head as a hood, its transparent layers fluttering down to my shoulders, veiling my vision in a hazy dreamscape. The chiffon whispered against the satin scarves beneath, a delicate contrast to their heavier gloss—airy and teasing, brushing my lips and eyelids with feather-light touches. I added a second chiffon veil, then a third, each one encasing my head further, the sheer fabric layering into a translucent barrier that heightened every breath, every subtle movement. Encased now from head to toe, I lay back on the bed, the satin sheets beneath me adding to the chorus. My hands explored freely: sliding under the nightgown to feel the panties' slick embrace, then up to my chest where the slip's fabric bunched against my skin. The sensations overwhelmed me—the cool slide of satin on satin, the warmth building where layers met my body's curves, the chiffon veils shifting like a gentle breeze across my face. My arousal throbbed within the condom, begging for attention. I gave in, my hand wrapping around myself through the thin latex. The strokes were slow at first, savoring how the satin panties amplified each motion, the fabrics around me rustling in rhythm. The headscarves tugged slightly with my movements, their knots and loops a constant reminder of my shrouded state. Faster now, the sensations cresting—silky textures merging into a tidal wave of pleasure. With a muffled gasp beneath the veils, I released, filling the condom in blissful waves, my body quivering in the satin embrace until I lay spent, utterly satisfied in my encasement.
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  • Be happy Maxima and enjoy all in life.
    Be happy Maxima and enjoy all in life.😀
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  • Hello and good evening everyone xx wonderful day for me today as I've been given my date for my GRS .. just over 2 more months of having to deal with male anatomy and then my life can move forward again... 20th March here i come
    Hello and good evening everyone xx wonderful day for me today as I've been given my date for my GRS .. just over 2 more months of having to deal with male anatomy and then my life can move forward again... 20th March here i come 🤪
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  • Hello Ladies & Admirers

    So, this may come as a shock to...well, pretty much nobody on here. However, New Years Eve wasn't the first time I have ever crossdressed . Back in 2022, I bought my first place and for the first time in my life I felt I had my own 'safe space' to explore and do things like this. I was 35, never properly done anything like this before and the desire to look in the mirror and see a woman looking back was pretty strong.
    So...meet 'Khlöe'. The name this side of me was known as back then.

    More to come, I just didn't want to flood the site all at once. Be kind to her xx
    #crossdresser #lingerie
    Hello Ladies & Admirers 👋🥰 So, this may come as a shock to...well, pretty much nobody on here. However, New Years Eve wasn't the first time I have ever crossdressed 😱. Back in 2022, I bought my first place and for the first time in my life I felt I had my own 'safe space' to explore and do things like this. I was 35, never properly done anything like this before and the desire to look in the mirror and see a woman looking back was pretty strong. So...meet 'Khlöe'. The name this side of me was known as back then. More to come, I just didn't want to flood the site all at once. Be kind to her xx #crossdresser #lingerie
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  • Yes, I have been using AI for some pics and videos to live out my fantasy as a woman online since I can only do it in private in real life. But I also share real, unaltered pics of me too. I hope these don't turn you off.

    http://chrissyinsd.hotviber.com/

    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissygirl #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties
    Yes, I have been using AI for some pics and videos to live out my fantasy as a woman online since I can only do it in private in real life. But I also share real, unaltered pics of me too. I hope these don't turn you off. http://chrissyinsd.hotviber.com/ #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissygirl #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties
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  • Good evening, sweets

    I want to take a moment to clarify something important about myself, honestly and openly. Deep down, I do wish that I could transition and live fully as a woman one day. That desire is real and has been with me for a long time. However, at this stage of my life, I also have to be realistic. Because of my age, potential medical and surgical risks, the complexities of hormone therapy, and the fact that so many people in my everyday life know me and relate to me as male, I don’t believe a full public transition is something I can truly pursue.

    So for now—and likely for the foreseeable future—my feminine side expresses itself in more private ways. Crossdressing, embracing my sissy identity, and allowing myself to feel soft, feminine, and girlish happens in specific spaces and safe arenas, like this website. It’s not about shame; it’s about boundaries, safety, and navigating the world as it is, not as I wish it could be.

    That said, I want to be very clear about one thing: I do love being perceived as feminine and being treated like a girl. Emotionally, relationally, and romantically, that’s where my heart lives. Because of that, I am not looking for a fellow sissy, crossdresser, or trans girl as a romantic partner or spouse. I respect them deeply, and I’m absolutely open to friendship and community with them—but romantically, I want to be the girl.

    In a relationship, I want to be the feminine partner. In a marriage, I want to be the bride.

    I am attracted exclusively to men—very masculine men. Broad shoulders, solid chest, bear-like body hair, a deep voice, confidence, and a take-charge presence all make my heart flutter. I’m drawn to strength, grounding energy, and masculinity that feels protective and assured. That dynamic matters to me, both emotionally and romantically.

    Thank you for taking the time to hear me out and understand where I’m coming from. I believe clarity is a form of kindness—to myself and to others.

    Kisses,
    Chrissy

    http://chrissyinsd.hotviber.com/

    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissygirl #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties
    Good evening, sweets 💋 I want to take a moment to clarify something important about myself, honestly and openly. Deep down, I do wish that I could transition and live fully as a woman one day. That desire is real and has been with me for a long time. However, at this stage of my life, I also have to be realistic. Because of my age, potential medical and surgical risks, the complexities of hormone therapy, and the fact that so many people in my everyday life know me and relate to me as male, I don’t believe a full public transition is something I can truly pursue. So for now—and likely for the foreseeable future—my feminine side expresses itself in more private ways. Crossdressing, embracing my sissy identity, and allowing myself to feel soft, feminine, and girlish happens in specific spaces and safe arenas, like this website. It’s not about shame; it’s about boundaries, safety, and navigating the world as it is, not as I wish it could be. That said, I want to be very clear about one thing: I do love being perceived as feminine and being treated like a girl. Emotionally, relationally, and romantically, that’s where my heart lives. Because of that, I am not looking for a fellow sissy, crossdresser, or trans girl as a romantic partner or spouse. I respect them deeply, and I’m absolutely open to friendship and community with them—but romantically, I want to be the girl. In a relationship, I want to be the feminine partner. In a marriage, I want to be the bride. I am attracted exclusively to men—very masculine men. Broad shoulders, solid chest, bear-like body hair, a deep voice, confidence, and a take-charge presence all make my heart flutter. I’m drawn to strength, grounding energy, and masculinity that feels protective and assured. That dynamic matters to me, both emotionally and romantically. Thank you for taking the time to hear me out and understand where I’m coming from. I believe clarity is a form of kindness—to myself and to others. Kisses, Chrissy 💖 http://chrissyinsd.hotviber.com/ #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissygirl #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties
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  • Does anyone watch Crossdressing lifestyle YouTube channel
    Does anyone watch Crossdressing lifestyle YouTube channel
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  • Note: While this drive was real, the story is fictional. This is my fantasy. Will it become true one day? I hope so. And maybe I'll run into you at a truck stop? Kisses!
    -Chrissy

    My First Experience as a Truck Stop Wh-re or Chrissy — A Night on the Road

    I’m not out. Not really.

    Not to my family. Not to the world. Maybe not even fully to myself.

    By daylight I pass as what people expect: a tall, thin man in his forties, dark hair, dark eyes, quiet, unremarkable. But underneath—always underneath—I carry Chrissy. Smooth skin hidden under denim. Lace and silk where no one is supposed to look. A secret pressed close to my body, warm and constant.

    I don’t know yet if Chrissy is a role, a mask, or my truest self. I just know I’m not ready to live her openly.

    The drive from San Diego to Prescott was long and lonely, the kind of drive where your thoughts stretch out across the desert like the road itself. I left late—too late, really—and by the time I pulled into the truck stop it was just after four in the morning. Christmas was only days away. The air was cold. The place was nearly silent.

    Except for the trucks.

    Rows and rows of them, idling and dark, their drivers asleep inside. A whole hidden world resting while the rest of America slept.

    Inside, fluorescent lights buzzed. I bought coffee I didn’t really want and a hot dog I didn’t really taste. That’s when I felt it—that familiar sensation on the back of my neck. Being seen.

    He was older. Weathered. The kind of man whose life is measured in miles and nights like this. His eyes lingered too long. Not crude—curious. Knowing.

    When I stepped back outside, he followed—but not aggressively. He spoke softly, close enough that his voice stayed between us.

    “Chrissy,” he said, like it was a question and an answer at the same time.

    My heart kicked hard in my chest. Fear and thrill braided together.

    We talked. Quietly. Honestly. About boundaries. About money. About what I was—and wasn’t—willing to do. Nothing rushed. Nothing forced. When I followed him to his truck, it was because I chose to.

    Inside, the cab was dim, warm, insulated from the world. I shed my outer layers slowly, deliberately, revealing what I’d hidden all night. His attention wasn’t violent—it was reverent. Hungry, yes, but controlled. I felt myself settle into Chrissy fully, like slipping into a familiar skin.

    What happened between us stayed there, contained within the cab and the dark and the hum of the engine. Time stretched and blurred. I was present in my body in a way I rarely allow myself to be.

    When it ended, I didn’t feel used.

    I felt… seen.

    He paid me without haggling. Then something unexpected happened: he didn’t boast, didn’t leer. He simply told a few others—men like him, tired men, lonely men—who understood discretion.

    I made my own choices again. And again.

    Not a dozen. Not chaos. Just a handful of quiet encounters, spaced out across the early hours of the morning. Each one brief. Each one negotiated. Each one leaving me with cash folded neatly into my purse and a strange, steady calm settling in my chest.

    By sunrise, I was exhausted—not just physically, but emotionally. Chrissy had been fully awake all night. And she was tired.

    Under the Dashboard Lights

    The cab door closed behind me, sealing us into a private world of low light and humming machinery. The dashboard cast everything in a muted red glow, like we were suspended inside a heartbeat. I could feel it then—how small the space was, how large he felt in it, how nowhere I could go made everything sharper.

    He reached for his phone almost casually.

    “Stand right there,” he said.

    I obeyed.

    My hands shook just slightly as I slipped off my jacket, then my shirt. I could feel his eyes tracking every inch of me, lingering, memorizing. When I was left in my bra and panties—the ones I’d chosen carefully before the trip, just in case—I felt a rush of heat flood my chest and face.

    The phone came up.

    A soft click.

    Then another.

    He moved slowly, circling me, telling me to turn, to arch my back, to lift my chin. Each instruction felt like a pull downward, stripping away the version of myself that hides. I wasn’t performing anymore. I was presenting myself. Offering. More to cum....

    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
    Note: While this drive was real, the story is fictional. This is my fantasy. Will it become true one day? I hope so. And maybe I'll run into you at a truck stop? Kisses! -Chrissy My First Experience as a Truck Stop Wh-re or Chrissy — A Night on the Road I’m not out. Not really. Not to my family. Not to the world. Maybe not even fully to myself. By daylight I pass as what people expect: a tall, thin man in his forties, dark hair, dark eyes, quiet, unremarkable. But underneath—always underneath—I carry Chrissy. Smooth skin hidden under denim. Lace and silk where no one is supposed to look. A secret pressed close to my body, warm and constant. I don’t know yet if Chrissy is a role, a mask, or my truest self. I just know I’m not ready to live her openly. The drive from San Diego to Prescott was long and lonely, the kind of drive where your thoughts stretch out across the desert like the road itself. I left late—too late, really—and by the time I pulled into the truck stop it was just after four in the morning. Christmas was only days away. The air was cold. The place was nearly silent. Except for the trucks. Rows and rows of them, idling and dark, their drivers asleep inside. A whole hidden world resting while the rest of America slept. Inside, fluorescent lights buzzed. I bought coffee I didn’t really want and a hot dog I didn’t really taste. That’s when I felt it—that familiar sensation on the back of my neck. Being seen. He was older. Weathered. The kind of man whose life is measured in miles and nights like this. His eyes lingered too long. Not crude—curious. Knowing. When I stepped back outside, he followed—but not aggressively. He spoke softly, close enough that his voice stayed between us. “Chrissy,” he said, like it was a question and an answer at the same time. My heart kicked hard in my chest. Fear and thrill braided together. We talked. Quietly. Honestly. About boundaries. About money. About what I was—and wasn’t—willing to do. Nothing rushed. Nothing forced. When I followed him to his truck, it was because I chose to. Inside, the cab was dim, warm, insulated from the world. I shed my outer layers slowly, deliberately, revealing what I’d hidden all night. His attention wasn’t violent—it was reverent. Hungry, yes, but controlled. I felt myself settle into Chrissy fully, like slipping into a familiar skin. What happened between us stayed there, contained within the cab and the dark and the hum of the engine. Time stretched and blurred. I was present in my body in a way I rarely allow myself to be. When it ended, I didn’t feel used. I felt… seen. He paid me without haggling. Then something unexpected happened: he didn’t boast, didn’t leer. He simply told a few others—men like him, tired men, lonely men—who understood discretion. I made my own choices again. And again. Not a dozen. Not chaos. Just a handful of quiet encounters, spaced out across the early hours of the morning. Each one brief. Each one negotiated. Each one leaving me with cash folded neatly into my purse and a strange, steady calm settling in my chest. By sunrise, I was exhausted—not just physically, but emotionally. Chrissy had been fully awake all night. And she was tired. Under the Dashboard Lights The cab door closed behind me, sealing us into a private world of low light and humming machinery. The dashboard cast everything in a muted red glow, like we were suspended inside a heartbeat. I could feel it then—how small the space was, how large he felt in it, how nowhere I could go made everything sharper. He reached for his phone almost casually. “Stand right there,” he said. I obeyed. My hands shook just slightly as I slipped off my jacket, then my shirt. I could feel his eyes tracking every inch of me, lingering, memorizing. When I was left in my bra and panties—the ones I’d chosen carefully before the trip, just in case—I felt a rush of heat flood my chest and face. The phone came up. A soft click. Then another. He moved slowly, circling me, telling me to turn, to arch my back, to lift my chin. Each instruction felt like a pull downward, stripping away the version of myself that hides. I wasn’t performing anymore. I was presenting myself. Offering. More to cum.... #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
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  • I know, for most off you dressing up is fetish, but for me its not only sex (TBO it is 90% but anyway not all). I like feeling femine, it makes me relax. I forget the stresses at work or in personal life. I become her" slutty bich, that lives on my sallary! Anyway my point is for me the most femine thing is sanitary pads! No other thing makes you more a women than sanitary pads. What do you feel about them? Do you use them? I do. Write in comments about your feellings on the sanitary pads??? love ya
    I know, for most off you dressing up is fetish, but for me its not only sex (TBO it is 90% but anyway not all). I like feeling femine, it makes me relax. I forget the stresses at work or in personal life. I become her" slutty bich, that lives on my sallary! 😅 Anyway my point is for me the most femine thing is sanitary pads! No other thing makes you more a women than sanitary pads. What do you feel about them? Do you use them? I do. Write in comments about your feellings on the sanitary pads??? 😊😘 love ya ❤️😘
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